Presumably, after watching "The Long Season", everyone will have some sequelae.
Especially my female colleagues in the editorial department.
The latest walking hormone was captured en masse, the "dumb groom" - Fu Weijun.
Even the hot search on Weibo is this:
And a man more handsome than Sir?
The female colleague was also unambiguous, and directly said two sentences:
Fights hard, pure love for the god of war;
Especially the cold eyes, coupled with the pure desire wind, there is a "construction site guest house wind".
The word Sir is familiar, slippers, pants, big vest, isn't it Ben Sir?
"Say it's the construction site guest house style, don't really go to the construction site" "There must be a mood."
Oh?
So what is the construction site wind?
Sir went to search on the Internet, it turned out that the recent new "migrant workers" had to be these three.
Zhang Yu, Jiang Qiming, Aruna.
After pondering for a long time, Sir finally understood the meaning of "construction site guest house".
"Construction site", gray-faced, but with a ruthless strength.
"Guest house", desire undercurrents, but from time to time it has to be pressed down.
Finally, add a little "pure love" look.
When the three become one, it becomes a silent, restrained personality, but with an unaware sexual tension.
Today, take a good look at the construction site style actors, they are like Zibo barbecue, suddenly rising from a place where I don't know how many lines, smoky fire.
Why is it their turn to fire?
In Sir's view, it is just a sequelae of internal entertainment anemia.
01
vicious
Construction site wind, from the physiognomy point of view.
Departing from the traditional aesthetic "handsome", even between the eyebrows, they have a characteristic, high cheekbones, small eyes, and less flesh on the cheeks, resulting in deep nasolabial folds (showing aging).
So, at a glance, just one word:
"Ruthless".
When there was no fight, his eyes were full of the temperament of "this urban-rural junction has my surname".
When I got into a fight, I didn't say much, cleanly.
△ "The Long Season" – Jiang Qiming; "Chinese Table Tennis: Jedi Strikes Back" – Aruna; "The Nameless" – Zhang Yu
However, they are not "ruthless" to the end.
It is the "ruthless" inadvertent, the warmth that exudes is provocative.
Take Fu Weijun, for example, he just appeared and participated in a fight.
Silent played the piano in a nightclub and was being looked for.
Fu Weijun and Sui Dong surrounded the troublemakers at night, and Sui Dong tripped people up, and then Fu Weijun led people to outflank them.
After joining the battlefield, he first picked up the motorcycle rearview mirror and wiped it on his body.
Then, he touched the wound on Sui Dong's face with his hand.
Don't look at the troublemakers.
He only cares about the people he wants to care about.
In the second fight, Fu Weijun lost his motorcycle and got into a fight.
Fu Weijun cherished this motorcycle very much, where did the motorcycle come from.
Most likely, it was a stolen car bought by Fu Weijun.
Therefore, when the other party split his head and covered his face, Fu Weijun knew that he was at a loss, even if the owner lying on the ground was scared, and said, "I don't want this money."
He waved his hand, took out the money and tugged it into his pants, and finally added 100.
Fu Weijun seemed to be fighting to death, but he still tried hard to follow the social rules of the law of the jungle.
After he gave the money to the owner, he could not necessarily hear Sui Dong's conversation with others.
However, you look at his eyes, first staring at the person lying on the ground, and laughing, and he looks at Sui Dong again, and also smiles.
Then he laughed.
The naïve and simple Fu Weijun thought that the problem was solved.
Unexpectedly, this person still came to the door and smashed his video store.
Look at the third fight.
Fu Weijun put the hearing aid into his trouser pocket and prepared to fight.
This action seems "sexy" to the audience.
But according to the actor Jiang Qiming, the action of taking off the hearing aid before the fight was because he was afraid that the hearing aid would be broken during the fight (he didn't take it off during the first fight, because he beat a wine bag and rice bag, and he wouldn't break the hearing aid at all).
It is obviously cherished.
Just like Fu Weijun, who has never admitted defeat, when he saw his brother being injured, he knelt down and begged for mercy.
He spat out half of his tongue, really because he wanted to talk too much, maybe he could say a "beg for mercy", and Sui Dong would not break his face.
He cherishes anyone and everything around him.
But as a hearing-impaired person, he really couldn't do anything.
"Ruthless", anyone will act.
Too ruthless, but makes the character look too stiff.
You can think of many examples of this.
But Fu Weijun's ruthlessness is not boring and feels rigid.
Jiang Qiming really makes the character have temperature and touch, and he makes Fu Weijun's ruthlessness become an armor for self-defense.
Why?
Because of his upbringing.
The explanations about Fu Weijun's childhood in the TV series are only a few words, but even so, we can already see that kind of misfortune, because stealing dumplings will be beaten by his father, and after the death of his parents, the eldest lady dislikes his bad ears, so she went to the orphanage, and was finally adopted.
Fu Weijun's heart was restless and defensive.
For example, when Wang Yang met Fu Weijun for the first time, he patted him from behind, and Fu Weijun reflexively threw away his hand and looked at Wang Yang with hostility.
However, just when he knew the weight of Wang Yang in his sister's heart.
and did not hesitate to entrust his sister to Wang Yang and bear everything himself.
Fu Weijun is such a person who has always been between sacrifice, compromise and dedication.
He is also a simple, straight to the desires of the heart.
It is precisely this complexity.
Under his fierce appearance, there are more "sympathetic" factors.
02
desire
Some people may think, isn't this the "ancient confused boy style" in the early years?
Under the unadorned exterior, simply relying on the tension of the actor can captivate many audiences.
It's like Sun Honglei in "Conquest".
There is also a trace of tenderness that cannot be concealed under the rough appearance, especially towards his girlfriend, who speaks softly, pampered eyes, and completely loses his vigilance and fierceness in the face of others.
But apparently more than that.
Jiang Qiming's recent heated discussion is also inseparable from one word:
Desire.
These three "ugly" men, in the work, all have a "desire" that leaves a deep impression.
Fu Weijun is known as a "pure love warrior".
His initial liking for Yin Hong began with his instinctive attraction to beautiful girls.
His liking for Yin Hong made him another "victim" in this murder and shredding case.
When he saw Yin Hong for the first time, he unceremoniously "fiercely" glanced at Yin Hong from bottom to top.
When Fu Weijun met Yin Hong again.
When he was wearing a military coat and thinking about Yin Hong's "thank you" sign language to him, he licked his lips, and this subconscious action showed his desire for Yin Hong.
This is also a manifestation of "desire".
The next morning, he walked slowly up the stairs.
Little by little, he entered the room with his eyes, first with a quick glance, and then boldly looking at Yin Hong in the mirror.
He had to suppress his inner desires—both love and impulse.
Fu Weijun could only clumsily express his liking for Yin Hong in his own way.
After leaving with Yin Hong, he gently smelled the smell left in the room, and finally left a shallow smile.
For the actors of "Guest House", desire is one of the things inherent in their role.
Wandering in the non-mainstream aesthetic, they do not have the aura of the protagonist hero.
Therefore, women or "sexual contact", in traditional "hero movies", are reserved for glamorous male protagonists.
However, a group like them who are silent, passive and have been suppressed are difficult to gain the favor of the opposite sex, and even in a state of sexual hunger.
Once ignited, it is a fierce counterattack.
In "Calm Waves", Song Hao, played by Zhang Yu, thought that he killed someone 15 years ago, left home after graduating from high school, and has been living trembling and cautious, and has few girlfriends.
However, Pan Xiaoshuang, who pursued him on this day, came to his house.
After another rejection, she sat on top of him.
After a few seconds of silence, Pan Xiaoshuang slapped Song Hao, "Aren't you not interested in me?" ”
He let her slap fall.
The reaction that a man's body should have, let his "shame" be fully revealed.
At this time, Song Hao dared to weakly meet Pan Xiaoshuang's eyes.
The desire and sense of dignity in the heart are aroused.
His attack was rude, savage, and even ferocious, as ferocious as a beast.
The woman under her can only use "pain" to meet this pleasure, and push away the man who is pressing on her body with "instinct".
After knowing the woman's pain, he gradually slowed down his movements and stroked the woman's body with "tenderness".
At this point, they reached a peaceful blend.
In Donkey Gets Water, the coppersmith of Aruna is the same.
At the beginning, the coppersmith, who had never seen women much in the deep mountains, was seduced by Yiman to the death.
After only hearing a few moans from the woman, she had already tightened her lower body and squatted on the ground.
- What's wrong Yiman
- Broken feet
Under the guidance of Zhang Yiman.
The coppersmith's eyes went from skeptical to accepting, and finally, he couldn't bear it anymore.
One overturned the woman who fell down, and even, suppressed Yiman's hands that wanted to struggle.
In the lingering, mixed with the sweat of the working people.
That explosive power is not only from the body, but also from the bottom of reality, from the pressure of long-term life.
There is a kind of meaning of "crossing most of the social class to sleep with you".
I can't help but say that in these two bed scenes, women are the active party, first taking the man as the prey, and finally, the woman goes to experience the happiness after the prey counterattack.
But, from Fu Weijun.
His sexual tension is still only a point, and from his seemingly helpless appearance, the desire for Yin Hong has long been written on his face.
And as a hearing-impaired person, Fu Weijun lacks ways to express, and in his actions, he is more eager.
On the contrary, it is this tension in front of the woman you like, which makes people look like they have a sense of vulnerability of "I see pity".
It's like those "school ruffians" who call for wind and rain when they go to school.
As soon as I met the girl I loved, I was at a loss, and my body and language muscle energy rapidly deteriorated.
Unconsciously, there is a little more "pure love" factor.
03
tale
So why can the "construction site guest house" wind set off another wave?
In the final analysis, it is inseparable from the current situation of domestic entertainment.
In reality:
The two major drawbacks of young male stars in domestic entertainment, "well-behaved" and "oil".
One is that the image is handsome, the speech is decent, and the business state is maintained at all times, so that you can't tell the difference between real people and fake people.
One is that he thinks he is full of sexual tension, and he always wants to put some electricity to exude charm and make you unpreventable.
(Many pictures are omitted here, please make up your own brain.) ）
On screen:
The "main attack" direction of young male stars in domestic entertainment, "present dolls" and "ancient dolls".
It hardly takes you much acting.
Outstanding looks, or outstanding height, even "silly white sweet" is easy to be sought after by many people.
Individualized actors with their own vitality are especially scarce.
And this wave of construction site style actors.
Even more scarce, their acting skills, and the stories supported by their acting skills.
Yes, this word, which is almost negligible in the face of words such as "personality charm" and "sexual tension", plays a big role here.
Because these qualities don't come out of nowhere.
An example.
The construction site style is always inseparable from "affectionate".
For example, Zhang Yu in "The Nameless", when he accompanied Xiaofeng through the final stage of his life.
He put on the headphones for her, crouched on her lap, and looked at her like a puppy.
For example, in "Calm Waves", Song Hao completed the marriage proposal to Pan Xiaoshuang in only 4 words.
The camera turned, but he had a serious and gentle look.
Comparable to any love words.
The same goes for Aruna in Donkey Gets Water.
Zhang Yiman had no choice but to say cruel words to the coppersmith in order to make him completely dead.
He reached into the iron-struck apron, tremblingly pulled out the hair that Yiman had given him, and threw it on the ground.
From this moment on, the honest coppersmith died.
And these require actors to have delicate expression.
Thereupon.
From these detailed facial movements, people can see that although they are "ruthless", they do not threaten or suppress women in terms of gender (the blackening of the coppersmith in the later period is not discussed).
It can also be seen that their long-term "inconspicuousness" in the crowd makes them simple, simple, and shy, allowing them to maintain a suitable, alienated distance from love and women.
Not too aggressive, but also makes them more cute.
And when they get hard-won love, they will snicker and ecstatic to set all their eyes on the only lover in front of them.
For them, infatuation is like nature.
Affectionate, more like a view of love that they identify.
Staying with a person until old age is the answer they want most.
But here's the interesting thing.
This kind of "affectionate" is often interpreted by netizens as "native dog boyfriend".
The so-called loyalty, absolute obedience, in a weak position in the relationship.
But is that all?
No.
Affection is not just about affection, there is actually one trait that cannot be missing here - vulnerability.
How does vulnerability manifest?
In "The Long Season", Fu Weijun and Yin Hong, the relationship that has not yet begun, brutally witnesses her broken body.
When Fu Weijun guessed that Yin Hong might have died.
Jiang Qiming used an action:
He walked down with the handrail.
Why?
Unstable on your feet.
Is it because my sister killed again? Or is it because Yin Hong died?
The reason for the latter was greater, but in front of his sister, he did not show it.
Until that night.
He rubbed the blood stains on Yin's red hair card and roared silently.
This is the feeling of vulnerability.
Full of affection, disguised as cold, only when no one is around, open his heart to the world for a few seconds.
So to speak.
Compared with the previous "tough guy style", "feminine style", and "construction site style" have much higher requirements for actors.
This is also the reason why we have only found so many representative actors in the past few years.
It requires more than just an external fit.
What's more, it's the outstanding acting.
Just like Zhang Yu.
He is not only able to play a role like "Calm Waves".
His more wonderful performances are actually Huang Mao in "I Am Not the God of Medicine" and the gangsters in "Elephant Sitting on the Ground".
Sir especially remembers "The Elephant Sits on the Ground".
He was shot and lying on the ground, with mixed despair on his face when he kept saying "you TMD are all."
Including Jiang Qiming and Aruna.
The former also has a "Space Exploration Editorial Office" this year.
The latter is Li Hongwei, who lifts the table without saying a word in "Crazy".
Their outing of the circle does not come from the "construction site".
It's that they finally let us see real and different characters.
Compared to the "abstinence" boyfriends who can't be counted now. (Low emotional intelligence version: no acting skills, no heart, facial paralysis)
"Atmosphere" boyfriend. (Low emotional intelligence version: I can't describe it specifically, it's all up to fans to make up their own brains)
Use human packaging, rainbow fart embarrassment, and exquisite beauty to paint a halo on the paper man who breaks with a poke.
"Construction site style" is precisely the disenchantment of the industrial assembly line of internal entertainment.
Don't be handsome.
Don't be over-golden.
Don't be perfect for academic qualifications and personality.
When you see mud between your fingers in this person, smell engine oil and smoke on your jacket, and see in your eyes the blunt and sharpness polished by society.
will really feel:
Oh, it's a person.
A man stained with dust and bleeding.
Look at those who are sought after, licked on the screen, the original fresh meat background, but pale.
The picture of this article comes from the Internet
Editorial Assistant: Oda can't let cut