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Ding Taisheng's poisonous comment came: Na Ying era is heavy, Yu Wenwen's voice is flat, and Ma Jiaqi is difficult to be a professional singer

Text | Grilled entertainment

After the broadcast of Mango Sound Ensemble "Endless Sound Treasure Island Season" continued to arouse heated discussions, in the external singing decline, program ratings, word of mouth, topic popularity and sound source data comprehensive counterattack, major mainstream media also praised the report, Mango has never disappointed the audience in the field of sound mix.

Ding Taisheng's poisonous comment came: Na Ying era is heavy, Yu Wenwen's voice is flat, and Ma Jiaqi is difficult to be a professional singer

In addition to the exciting content of the main film, derivative shows such as "Ahead of Business" and "Music Party" are also worth watching. In addition to the show, the review video from music critic Ding Taisheng has also become the content of melon-eating people.

Ding Taisheng's poisonous comment came: Na Ying era is heavy, Yu Wenwen's voice is flat, and Ma Jiaqi is difficult to be a professional singer

Although "Endless Sound Treasure Island Season" did not invite professional music critics to appear on the program for commentary, Ding Taisheng unknowingly became a "part" of the program, and after each episode of the program was launched, he would publish a special video for commentary, which was more punctual and positive than the derivative program.

Ding Taisheng's poisonous comment came: Na Ying era is heavy, Yu Wenwen's voice is flat, and Ma Jiaqi is difficult to be a professional singer

He will select the best stage and the worst stage of each program, and will also make sharp comments on the performance of the singers, among which Zhang Jie has become the target of his key criticism.

Ding Taisheng's poisonous comment came: Na Ying era is heavy, Yu Wenwen's voice is flat, and Ma Jiaqi is difficult to be a professional singer

After the 6th issue of "Endless Sound Treasure Island Season" was launched, Ding Taisheng's review video arrived as scheduled. In Ding Taisheng's view, the 6th issue is a relatively good content since the start of the program, second only to the 1st issue, and if it is scored, it can give three and a half or 7 points. This episode has new guests added and the song selection is also very good, but the social survey part is still skipped.

Mo Wenwei was too cautious

Karen Mok officially joined the program in the 6th episode and brought a song "Suddenly", and Mango also attached great importance to it, and began to warm up from the previous episodes of the program. Ding Taisheng personally likes Karen Mok very much, thinking that she is an extremely good singer, and her voice conditions may not be so good, but her voice is too unique, especially her works after joining Rolling Stone Records.

Ding Taisheng's poisonous comment came: Na Ying era is heavy, Yu Wenwen's voice is flat, and Ma Jiaqi is difficult to be a professional singer

But in Ding Taisheng's opinion, Mo Wenwei's performance in the 6th issue of "Endless Sound Treasure Island Season" is still too cautious, singing carefully, the whole person is also very nervous, lacking a sense of relaxation, I hope she can relax in the later programs.

Na Ying's singing sense of the times is too heavy

Na Ying chose to cover the song "Give Me a Bottle of Magic Potion" for the five in the 6th program, and the feedback on the scene was good, but the overall song lacked eye-catching content, and finally lost to Yang Zongwei.

Ding Taisheng's poisonous comment came: Na Ying era is heavy, Yu Wenwen's voice is flat, and Ma Jiaqi is difficult to be a professional singer

Ding Taisheng feels that the melody of the five is often very brainwashing, the lyrics are interesting, sometimes boring, sometimes very heartfelt, and of course sometimes very brainless. The chorus of "Give Me a Magic Potion" is good, catchy, brainwashing, and has funny lyrics, but that's about it.

Ding Taisheng's poisonous comment came: Na Ying era is heavy, Yu Wenwen's voice is flat, and Ma Jiaqi is difficult to be a professional singer

Ding Taisheng believes that there is an obvious problem with Na Ying's singing, or the sense of the times is too heavy, and he does not capture the essence of this song. The singing of this song still needs to be unstinting, and Na Ying's problem is that he can't put down his body too much. Although many people don't like Ding Taisheng's behavior of rubbing heat, Na Ying's comments are indeed very reasonable.

Yu Wenwen's voice is too limited

In addition to commenting on the best songs and worst songs, Ding Taisheng also commented on one song, that is, "Why Do You So Love So Much" sung by Tan Jianci, Wei Li'an and Yu Wenwen. Ding Taisheng bluntly said that this song is really a little embarrassing, and the embarrassment mainly lies in the text.

Ding Taisheng's poisonous comment came: Na Ying era is heavy, Yu Wenwen's voice is flat, and Ma Jiaqi is difficult to be a professional singer

Ding Taisheng emphasized: Yu Wenwen's popularity soared after participating in "Sister Lang", she is very straight, and she is also a little endless, but her voice is too limited, or her voice is too flat, many songs are beyond her control, she is still more suitable for herself to write songs and sing.

Ding Taisheng's poisonous comment came: Na Ying era is heavy, Yu Wenwen's voice is flat, and Ma Jiaqi is difficult to be a professional singer

Ding Taisheng's comments on Wen Wen were very tactful, but it really hit the nail on the head. Although Yu Wenwen left a lot of works on this stage, it also exposed a lot of shortcomings, and it can be seen that she is difficult to control this song with Zhang Jie, and the contrast between her voice conditions and Zhang Jie is too obvious, and this time the choral stage once again exposed its shortcomings.

Ding Taisheng is not all criticism, he believes that Wei Li'an and Tan Jianci both singers have something to praise.

In Ding Taisheng's opinion, Wei Li'an sang particularly well, and could even be said to be the best singer in the entire performance. The voice condition itself is good, the emotional grasp is also very accurate, the record quotient is very high, and he is a good singer.

Ding Taisheng's poisonous comment came: Na Ying era is heavy, Yu Wenwen's voice is flat, and Ma Jiaqi is difficult to be a professional singer

For Tan Jianci, Ding Taisheng, who has always been harsh, can't help but praise, he and Tan Jianci have met in other shows, and what impressed him the most was that Tan Jianci always maintained a kind of outward rush, dared to rush out, and was ambitious, but this ambition and effort will not be annoying, but respected. Kenji's performance of the Latin dance adds points to the song and to himself.

Ding Taisheng's poisonous comment came: Na Ying era is heavy, Yu Wenwen's voice is flat, and Ma Jiaqi is difficult to be a professional singer

The author agrees with Ding Taisheng at this point, Tan Jianci's stage does give people a feeling of "vitality", his singing skills have been seriously underestimated for many years, and he deserves a better stage.

Best of this issue: Yang Naiwen and Hua Chenyu

The best stage in the 6th issue, Ding Taisheng gave Yang Naiwen the stage of "Pushing Open the Door of the World", and for good reason.

First of all, this is an excellent songwriting from Huang Shaofeng of Mars Radio; Secondly, Yang Naiwen's singing mood is very full, not greasy and crooked, very sincere; Finally, the stage design has put a lot of thought into and is very sincere.

Ding Taisheng's poisonous comment came: Na Ying era is heavy, Yu Wenwen's voice is flat, and Ma Jiaqi is difficult to be a professional singer

Of course, there is also a fly in the ointment, and near the end of the song, Yang Naiwen has a high note that does not go up. Ding Taisheng bluntly said that although it is a flaw, for domestic variety shows that are accustomed to editing and recording at every turn, this flaw is vivid and real, and this is also a place that moves him very much.

And if you want to choose the best one from the permanent guests of the show, Ding Taisheng believes that it is Hua Chenyu's cover of "Can Good Things Happen to Me".

Ding Taisheng's poisonous comment came: Na Ying era is heavy, Yu Wenwen's voice is flat, and Ma Jiaqi is difficult to be a professional singer

Constant's Changing Ball is one of the more excellent groups in the Taiwanese orchestra, and the foundation of the work is good, which is very suitable for live singing. Hua Chenyu's singing, the mood is really full, but also very in place, except for a few high notes in the middle to make people play, the overall performance is very good.

Worst in this issue: Ma Jiaqi, Ivy

On the worst stage in the 6th issue, Ding Taisheng directly gave Ma Jiaqi and Ivy the "Song Not Made for Anyone". The author feels that this time the selection is reasonable, and the stage cooperation between the two young people is indeed almost hot.

Ding Taisheng's poisonous comment came: Na Ying era is heavy, Yu Wenwen's voice is flat, and Ma Jiaqi is difficult to be a professional singer

Ding Taisheng believes that Ivy's voice conditions are good and she can sing, but the problem is that she is too young and does not seem to have found her own voice and her own singing method. You can sing anything, but if you can't do it, let people know that it was Ivy who sang it as soon as the voice came out, and Ivy needed to seriously consider how she would follow the path of singer.

Ding Taisheng's poisonous comment came: Na Ying era is heavy, Yu Wenwen's voice is flat, and Ma Jiaqi is difficult to be a professional singer

For Ma Jiaqi, Ding Taisheng was also unceremonious, thinking that Ma Jiaqi's problem was more obvious, and his voice was too straightforward, more straightforward than Yu Wenwen. But fortunately, Ma Jiaqi has an idol identity, he does not necessarily have to take the road of professional singer, he has a lot of jobs to choose from.

Ding Taisheng's poisonous comment came: Na Ying era is heavy, Yu Wenwen's voice is flat, and Ma Jiaqi is difficult to be a professional singer

Ding Taisheng said that if Ma Jiaqi had to insist on taking the path of professional singer, it would be too difficult, unless he could always encounter such excellent works as "The Way You Look", but obviously this wish is too luxurious. Therefore, Ma Jiaqi may wish to re-plan his career path while he is young.

Ding Taisheng's poisonous comment came: Na Ying era is heavy, Yu Wenwen's voice is flat, and Ma Jiaqi is difficult to be a professional singer

Netizens familiar with Ding Taisheng's videos know that poisonous tongue comments on Zhang Jie are the focus of Ding Taisheng's every program, and even Zhang Jie and Xie Na's assistant have negative news at the airport, Ding Taisheng will send a video to comment. What is unexpected is that in this video, Ding Taisheng actually let go of Zhang Jie's traffic password.

Although he did not name Zhang Jie, Ding Taisheng said a paragraph when commenting on singer Yang Naiwen, and careful analysis also pointed to something else.

Ding Taisheng's poisonous comment came: Na Ying era is heavy, Yu Wenwen's voice is flat, and Ma Jiaqi is difficult to be a professional singer

Ding Taisheng said that now people have an almost morbid magic for singing skills and techniques, as if you can't call a singer without a few high notes and a few skills during the performance, too sick and too twisted.

They ignore that singers are first and foremost people, there should be a taste of people, and this is what moves people, not like a performance machine. If this is really the case, all the singing work in the future can be handed over to AI.

Ding Taisheng's poisonous comment came: Na Ying era is heavy, Yu Wenwen's voice is flat, and Ma Jiaqi is difficult to be a professional singer

Although Zhang Jie is not mentioned, this paragraph is similar to the previous criticism of Zhang Jie. Ding Taisheng also gave an example, once participated in a program, Huang Xiaoyun improvised a song "The Sea of Stars" on the spot, the song itself was very high-key, when singing to the back, Huang Xiaoyun sang a high note broke, but Ding Taisheng encouraged Huang Xiaoyun to sing well. Huang Xiaoyun at that moment is finally real, not a singing machine that blindly shows skills.

What do you think of the content of Ding Taisheng's review?

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