Li Yinfei graduated from Tsinghua University, once studied cross-talk in Deyun Society, once a member of the Crane Character Department, stage name Li Heyuan, and then because Gao Feng felt that his tongue seemed to have some problems, he had not formally studied for a teacher, and later was admitted to Tsinghua University and left the Deyun Society.
After leaving the Deyun Society, he worshiped Wang Qianxiang as his teacher, and later founded the Daju Xiangsheng Society. At the beginning, Li Yinfei did not say anything about Guo Degang when he left the Deyun Society, but also said that Guo Degang was very good, did not charge tuition, and the performance was also paid back.
But later Li Yinfei did not know how to become good friends with Miao Fu, and Miao Fu was Jiang Kun's right and left arm, so Li Yinfei successfully entered the "mainstream" cross-talk circle.
This is not the case at a forum held by the Qu Association, where Li Yinfei made a speech on the issue of "opposing the three customs."
He said: The audience loves to listen to the baggage of the "next three roads", but he does not think so. He said that the cross-talk actors looked down on themselves, looked down on the pattern of art, and also looked down on the audience's ability to appreciate, saying that there are thoughtful, warm, and interesting works that are acceptable to some educated audiences, so we must remember that the work is the most important.
His words are actually saying a few questions in disguise, that is, the audience can not like to listen to what, the actor will say what, the actor should have his own pattern, do not let the audience's preferences affect the actor himself.
Then there is the thoughtful and connotative work you create, if the audience does not like it, it is not the problem of the work itself, but the audience's academic qualifications are not enough, the ability to understand is not strong, we must have our own principles, as long as the work itself does not have "three customs" things is a good work, as for the audience to laugh or not, it is not the most important.
I don't understand, the value of crosstalk itself is to make the audience laugh, only let the audience laugh, only then can someone like your crosstalk and someone watch. Isn't crosstalk an art form for the masses? Do you still need to have academic requirements to listen to crosstalk? Can't understand thoughtful, interesting works without academic qualifications? Is there a philosophical reason in what you call a work like this, or is there a chemical formula? We are here to listen to crosstalk, not to listen to lectures, we are here to be happy, not to think about life. Now people are under a lot of pressure, spend money is to make themselves happy, to relieve their own pressure, if you spend money to listen to a crosstalk is like listening to a report, then who will spend this money!
There is also the fact that the current cross-talk groups are basically enterprises, and the most important thing for enterprises is to survive first. If a cross-talk group wants to survive, it must first sell tickets; if it wants to sell tickets, it must consider what the vast majority of the audience likes to listen to. This is actually the same in all businesses: "The customer is God". As a consumer, do you feel like you shouldn't be God? Whether you spend money to buy products or services, must it all be what you like?
Of course, as a member of the Qu Association, I certainly don't think so, because you have a salary, I am thinking of a question, if the units that say cross-talk in the whole country are self-financing, see how many cross-talk actors can support themselves? And even in the case that his own life cannot be guaranteed, he still thinks about how to create works with thought and connotation.
Xiangsheng itself is a popular art, to meet the tastes of the public, I think if there is a better idea, no one is willing to go to the stage to say those ethical baggage, as Yu Qian's teacher, Guo Degang said on the stage that his father, his daughter-in-law, her son and even the whole family, Yu Qian's teacher likes it? That's impossible, but why let Guo Degang say it? Because the audience likes to listen, because the Deyun Society wants to survive, so yu Qian can imagine how much sacrifice he sacrificed in order to make the audience laugh.
In fact, now it is said that Yu Qian's family is very few, because the current Deyun Society is not like before, basically pointing to Guo Degang Yuqian to feed, and now the Deyun Society can pick up a lot of beams, and Yu Qian and his family can also take a rest.
No matter what the art form, if it cannot be recognized by the audience, it will eventually disappear into the long river of history.