Brave Starling, if one day the lamb stops screaming, will you come to tell me? Starling was afraid of being a rare living creature that Hannibal had fallen in love with. But as an ogre, how is Starling different from the crowd, and how did it shake his heart? I think the reason behind it is one of the reasons why "The Silence of the Lambs" has received rave reviews.
Originally a psychiatrist and a top Doctor in the field of psychology, Hannibal gave him the first shot of him dressed neatly, his face without stubble, and his meticulous hair directly gave me an unfathomable impression, he was elegant like a cobra, but released a fatal poison.
Who will a cobra be soft on? Hunters see it and dance tools to hunt, ordinary people see it will subconsciously think that it will attack, want to escape or cause the snake to die. But what about the compassionate Starling who heard the lamb's cry? I wondered if Starling's mercy could be replaced by a cobra? I call this reverie the substitution of compassion. Hannibal cannibalism, not because he was hungry, cobras attacked people not to hunt, Hannibal attributed his actions to being satisfied, but he did not eat any part of Starling's body, let alone be satisfied?
Hannibal and Starling had a skin-to-skin contact, and his fingers crossed her fingers, and the shot was only two seconds, extremely short. But, I remember it particularly deeply, it was an ambiguous contact, the photographer was superb, and the shot felt like a deep touch. Where does ambiguity come from? She had swapped her childhood trauma with a Hannibal, trying to save even the memory of a lamb who ran away from home. As a veteran psychiatrist, he prejudged Thataline to have been sexually assaulted, but the facts made Hannibal feel incredible.
Not just Hannibal, but in reality, which one of us wouldn't have feelings for a girl who saved the Lamb? Not to mention that Hannibal was an cannibal, and cannibalism meant that he didn't care too much about human life, and didn't care because there was nothing in human nature worth caring about. Until the appearance of Starling, something worth caring about in human nature reappeared.
The film is too chic in the character modeling, using contrast to construct a complete person. The ogre lost his long, messy hair, his big, long front teeth, and his dirty, smelly clothes, and reversed them. The elegant meticulous appearance and impeccable thoughts, and the control of the eyes, make the audience fear Hannibal, the fear of the ogres. I would like to say a popular saying in previous years: "Hooligans are not terrible, they are afraid that hooligans have culture." "Hannibal is a cultured hooligan.
I saw sin, I saw terrible human nature, and I saw what the charm of good human nature is. I've heard many viewers love Hannibal's acting skills, and few mention Starling's lamb childhood. This is really a special pity! I think the most valuable thing about "The Silence of the Lambs" is the survival of Starling, who ran away from home in childhood to survive a lamb, and when she grew up, she avoided being swallowed by Hannibal and survived because of this lamb. Probably for an ogre, an innocent and kind person like Starling is as rare as a diamond, and one piece is doomed to be difficult to extricate. It was not so much that Hannibal was captured by Starling as it was that he was fallen by good intentions.
There are many films about silence such as "Silent Angel", "Silent Child", "Silent Witness", "Silent Soul", which are about elegant, ordinary people can't touch, nothing, and are said to be rotten, but only "The Silence of the Lambs" has a unique confession: Brave Clarice, if one day your lamb stops screaming, will you come to tell me?