Author| Film Lady (Headline Signed Author)
Literati are many and popular, since ancient times!
In modern times, with the prosperity of the tide of going abroad, this matter has also begun to be "traded" across borders.
For example, China's modern writer Yu Dafu.
For the first half of his life, he was quite debauched.
When I studied in Japan, I was obsessed with the "sinking" of the lost woman and the hotel waitress.
The great Japanese writer Ryunosuke Wasagawa ran to China to look for flowers and ask for willows.
In 1921, he traveled as an inspector of the Osaka Mainichi Press.
But at the same time, there is no slackening of its amorous nature.
After returning to China, he also wrote it into a novel.
But the most "lucky" man who "messed with flowers and grass" is probably Leung Ka Fai.
In 1992, he starred in Lover (directed by Jean Jacques Arno) was released.
It tells the story of the sadistic love affair between The Chinese young master Tony and the French girl Jane in Vietnam.
Only 3 years later, he starred in an "erotic" film.
This time, he swam from the mekong river to the Qinhuai river.
Played a Japanese writer, and a love affair with The Nanjing girl Jinhua.
The exotic love between a mature man and a pure girl can always be interpreted by Liang Jiahui as a dreamlike beauty.
Obviously, he is a "scumbag", but he can't hate it at all, but he is immersed in it and can't extricate himself.
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Today, madame recommended a film for everyone, called "Christ of Nanjing".
Based on the original book by Ryunosuke Wasagawa, the lead actor is None other than Leung Ka Fai.
Director Au Ding Ping is known as the best person in Hong Kong to shoot erotic scenes.
The shots of the film are very beautiful, and the director of the district deserves to be an artist.
Mei Linmao's soundtrack is also excellent, both thick and poignant.
The most commendable thing is the peculiarity of the casting.
Yu Chinese performer Japanese, Japanese performer Chinese.
Obviously, it is to fully take into account the feelings of the audience.
At the beginning of the story, there is an inner monologue:
I can no longer write it down, and it is indescribable pain to continue to survive in this mood!
I don't know if anyone can secretly hang me while I'm asleep.
Such an arrangement seems to have set the sad tone of the whole film.
This person who is in pain is the Japanese writer Ryuichiro Okagawa played by Leung Ka-fai.
It is said that the pain of artists is different from ordinary people, they are often sensitive and thoughtful, and they like to ask for trouble.
Most of those who can be saved are through love.
Hereditary migraines, combined with no inspiration for writing, made Okagawa worse off alive than dead.
Only memories allow him to enjoy a moment of tranquility.
The plot unfolds, starting from his memories.
At the beginning of the 20th century, Okagawa's trip to Nanjing.
The willow shade of the Qinhuai River made his heart clear.
And the encounter with Jinhua, who had just arrived in Nanjing, made him excited.
From the first moment of encountering each other, Okagawa was fascinated by this innocent girl.
The poor village girl Jinhua was forced to make a living in the Lotus Temple, the land of wind and moon, because of her livelihood.
Okagawa spent less than half a year on alcohol and "bought" the golden flowers.
The "many" dowries made her father very happy, and the family was finally able to uncover the pot.
For Jinhua, an innocent and simple, lively and lovely poor girl, happiness is so easy to come by.
As soon as I arrived in Jinling, I had the honor of marrying a handsome Japanese writer, and I no longer lacked food and clothing!
The point is, marry a man who loves her.
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It seems that love at first sight never needs a reason.
Just look at each other!
The film also omits the ink on the details, and only uses a few large-scale erotic scenes to show the thickness of its love for you and me!
Ou Dingping, a director with an art background, exerts his professional advantages and is excellent in the scheduling of light and shadow.
Yasuko Tomita, who plays the heroine, is full of spirit, and she holds the pure love of Jinhua quite well.
And Leung Ka Fai, the most erotic man in Hong Kong, is extremely sexy and affectionate.
The two lived in the countryside of Nanjing, and in a quiet and comfortable environment, they were entangled in a lot of compassion.
In a love that burned like a raging fire, Okagawa became energized, saying:
I didn't expect that a girl with no culture at all would elevate my creative desire to another realm!
Jinhua, who believes in Christ but does not understand the world, contentedly indulges in simple pleasures.
A letter was sent suddenly, breaking the original good and peaceful.
Okakawa's wife in Japan gave birth to a big fat boy.
Carrying the law of faith on his back, Jinhua was furious:
You bigamy, Christ does not allow bigamy, you lie to me.
In addition to emotional deception, Jinhua also faces the judgment of faith.
The reason why she was able to survive in extreme poverty depended on the Lord's protection.
But now, the person she loved the most made her go against the teachings of Christ.
The pain and suffering of the double torture became an obstacle for the two to continue walking.
It was at this time that Okagawa's father died and he had to return home.
Jinhua, who was in an awkward situation, chose to continue to stay in China.
She did not stay in the Lotus Temple any longer, but returned to the countryside.
Relying on the alms of the church, barely surviving.
Materially impoverished, emotionally unsupported, and spiritually pinned on prayers to Christ.
The problem was that she couldn't forget Okagawa.
The golden flower hovered between Christ and her lover, struggling in prayer and thought.
Long road of life, who should she rely on?
In desperation, he returned to the Lotus Temple.
And in the days of Okagawa, far away in Japan, depression pales.
The dead silence of life eats away at the will to life little by little.
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The sorrow of the golden flower is unable to rely on its own strength and seek the exit of life.
She holds love in her left hand, but how can that firework-like splendor be with her for a long time?
Her right hand rests on Christ, but can her illusory faith really help?
Without the care of those we love, we can only surrender our hearts to Christ.
But she did not expect that the arrival of a foreigner who called himself Christ would bring her something.
Not only is it not about salvation, but it is also infected with venereal diseases!
Weak and guilty, Okagawa heard the news and set foot on Chinese soil again.
However, the prosperity and bustle of the Qinhuai River have a hint of poignant and sad bitterness.
Jinhua, who is sick and cannot operate, cannot be scolded and beaten by the mother bustard because of the white rubbing.
What is even more painful is that she has lost her dependence and clings to christ's life-saving straw to the point of madness.
She joyfully said that Christ had invited her to dinner, but it was nothing more than a dream of faith.
Okagawa found a deceitful foreign and beat him up, and after that, decided to take him to Japan.
Can the poor and terminally ill Golden Flower have such a blessing?
At the end of the story, Okagawa hugged her tightly and said:
When you come to Japan, I will definitely dress you up beautifully.
Okagawa's last question:
Jinhua, do you believe in me, or do you believe in Christ?
Jinhua did not answer, but closed her eyes with the expectation of a better future.
A pure maiden, destroyed and ridiculed by love and faith, died "satisfactorily" in the arms of her loved one.
And what the audience remembers is her innocent and stupid, bright and bright smile.
Okakawa returned to Japan, still not sparing himself:
Life is a deadly struggle. When defeated, self-destruction, such as Ru and other fathers.
The suicide ending arranged by the novel is also practiced in reality by Ryunosuke Wasagawa. It is worth mentioning:
The original intention is to speculate on moral dilemmas and egoism, and to question faith and theology.
The film adaptation weakens the original theme and focuses on portraying the poignant love tragedy of the two.
In the first half of the film, the pure love of the novel is turned into an erotic display.
In the second half, it is always intertwined with the myth of faith and love.
So, is a Japanese writer's trip to Nanjing "erotic"? Or pure love?
Everyone has their own answers.