In the second half of the 20th century, with the gradual influx of population to large cities, the phenomenon of reverse urbanization has also become a high-frequency hot word in industrialized society, in the search for different forms of living, the dual structure of people and cities began to flow in both directions, and the mountain dwellings between the two were defined as the third role, which seemed to break the solidified thinking, but in fact, since ancient times, people's spiritual return to the interest of mountains and forests.
As a result, we see that people continue to move their life scenes outside of work to areas closer to the mountains and forests, while enjoying the convenience of the city, they still maintain the independence of social and friends, of course, there are also many hotels that choose to use the form of mountain residences to simulate the undistracted living space, projecting from the material world to the spiritual world.
Jump out of the cosmology of the physical world
From the perspective of the historical origin of the mountain residence, Tao Yuanming's mentality of picking chrysanthemums under the eastern fence and leisurely seeing the South Mountain is negative after disappointment in the secular world, while Wang Wei's "Mountain Residence Autumn" changes the tragic autumn to leqiu, expressing the unwillingness to be frustrated in the career, and the two poets have different cosmological views on each other's cognition of "hidden in the city" and "hidden in the wild".
In the later verses of "Zhongnan Mountain", Wang Wei either galloped through the vast world with white clouds and mist, or refracted thousands of rocks and valleys with the thickness of the sun, although exaggerated but more and more real. The kind of official and hidden, living in a closet, placing the spirit in the tangible brick and tile house, every grass and tree, all extremely elegant, this is precisely the artistic peak that designers around the world want to explore.
Just like the soon-to-be-completed Aman Hotel Hokkaido, the classic oriental architectural style with large floor-to-ceiling windows not only contains the respect and perception of the local environment, culture and history of the minimalist master Kerry Hill, but also alludes to the Chinese Zen aesthetic of "relying on the virtual wind", so that at every angle, people can enjoy the rolling forests and rolling mountains of Hokkaido II, which is a masterpiece of the international wild luxury resort.
From Southeast Asia, Australia, to Japan, Europe and the United States in a number of wild luxury hotel award-winning units, the international mainstream aesthetic collision with the convergence of oriental artistic conception, which has profoundly affected the development concept of domestic real estate enterprises.
Like most luxury hotel groups, in order to achieve the privacy and tranquility of the living and parking space, the wild luxury residential buildings prefer the natural environment away from the bustling city in the choice of sites, and rarely appear in places that are heavily polluted by the commercial atmosphere. Perhaps the great success of Anli in Moganshan County in 2017 has provided sufficient market basis for capital.
Located in the depths of MoganShan, 50km from the center of Hangzhou, Jun'anli has a negative oxygen ion concentration of up to 145,000 /cm with tens of hectares of deep forest and sea of clouds, about 90% greening rate. Following the principle of conservation development and respect for nature, the mountainous terrain has designed a living aesthetic town that blends with nature and is in close contact with the sunshine and pine wind, as the first modern mountain residence in Blue City, which has become the benchmark of the entire industry.
Anli, Moganshan County
This scene is not so much a time-space mirror image of the oriental literati Yashi mountain residence feelings, but rather a rapid iteration of the concept of living, under the background of scarce land resources, there is an inevitable value jump. However, without cultural support, let alone the real mountain life.
Behind the value of the land, the modern translation of the ancient rhyme of the Tang Dynasty
To the south of the city, the river network and the layered forest-soaked Terrace have evolved today's ecological texture for Zhongnan Mountain, but between the square inches, there is less of the artistic refinement of the cultural resort, which is based on the process of activating the land value of the special location, and the urban mountain residence returns to people's vision.
And the main city of Xi'an and the foothills of Zhongnan Mountain has always maintained a tacit understanding of the distance, especially closely followed by the expansion of high-tech to the south, people's radius of activities has long been accustomed to a day between Jinye Road and Zhongnan Mountain, standing on the needs of "leaving the city without leaving the dust", the nanshan Yunlu that is about to be launched is in the form of ultra-low volume ratio, full stacked building form, accurate market insight, and instantly triggers curiosity from the whole industry.
Overlooking Jinye Road CBD and Nanshan
In the south of Xi'an, a wonderful scene monologue is being staged.
Similar to the modern naturalism advocated by Mr. Kerry Hill, Nanshan Yunlu attempts to explore the relevance of modernism in the current era and in the context of geography and culture, and the aura of Zhongnanshan gives the project design team an extraordinary source of creation with its strong storytelling.
Architectural and central landscape intent map
For example, in accordance with the lifestyle of modern people, modern methods are integrated into the traditional aesthetics of the East, and in terms of architectural design style, there is no imitation of mature cases, nor deliberate imitation, and strive to create a mountain courtyard with both oriental wild luxury and contemporary elegance according to local conditions, and pioneer the concept of Hills Villa.
In particular, the deduction of typical Tang Dynasty architectural elements reconstructs the sloped roof, long eaves, and high-ceilinged structures, replaces the traditional brick wall with a glass curtain wall, expands the window-wall ratio, completes the building main body of the building, and according to the ingenious structure, more space shapes can be displayed, so that the building complex exudes a unique modern atmosphere in the ancient charm of the Tang Dynasty.
Project Display Center Intent Map
In addition, the top of each building extends outwards, leaving a sky terrace close to natural fresh oxygen, a large area of glass material and light and sturdy aluminum panels, which introduce the sense of external transparency into the interior, and the line of sight can be faced at three angles without being interrupted.
In terms of structure, the middle and lower stacks that are separated from the upper stack to enter the home are realized by private ladders, which not only ensures the necessary space privacy, but also completely embedded in the main body of the building, ensuring the consistency of the façade shape. The buildings are connected to each other through a landscape corridor of metal canopy and stone, creating a seamless interaction between people and architecture, people and landscape lines.
On the moving line, Nanshan Yunlu's integration of minimalism and ecological naturalism is a clue to jump out of the Tang dynasty barrier, absorb the international front-end home-building experience, and then return to the historic soil of Zhongnan Mountain to complete the modern translation, which is the outdoor garden landscape system that intersects with the architectural complex, and also pays deep attention to the focus of customer demand.
Aerial terrace intent map
Ground space intent map
Another possibility of urban mountain dwelling
Transcendent and extraordinary, it is the outside world's literal understanding of Nanshan Yunlu and the naming inspiration for the project. And to create a permanent state of life, boldly adopt new materials, new processes, "people live in it, the internal space is completely open, and the four sides of the landscape are staged at home", giving all the fluidity of the space, turning the perception of aesthetics into daily life, is the height that the designer hopes to reach.
For global investors, the reason why wild luxury has occupied a place in the high-end living form for a long time is nothing more than the word "wild" in the front and the word "luxury" in the back, losing the support of cultural connotation and spiritual literacy, and the creation of beauty and discovery of beauty around wild luxury cannot be talked about.
Including GOA Elephant Design (2020 MIPIM/AR Future Architecture Award), the most knowledgeable contemporary aesthetic master of Chinese culture, Nanshan Yunlu brings together four major design groups of LANDAU Langdao (the industry's leading landscape design), HWCD (global high-end property multinational design agency), and Yushe (Asia-Pacific comprehensive design firm), to draw on the strengths of each family and carry out Xi'an expression from an international perspective.
Intent map of the height difference landscape
It is worth mentioning that LANDAU langdao extracts the main scenic spots of Zhongnan Mountain, and maps the "one ring, three axes and eight scenes" in the public garden to the various nodes of the landscape moving line, derives the landscape space with paintings, removes the complicated decoration, and a large number of white façade walls show the aesthetic attitude of the symbiosis and coexistence of architecture and gardens, forming a spatial sequence of layers and progressive scenes, that is, "leading the mountains to the garden, dotting the bottom".
In terms of function, we respect the natural ecology, and according to the growth and change of vegetation throughout the year and the height difference relationship of the original terrain, the central axis, roadways and other areas are interspersed with rich spaces. By creating a diversified landscape strategy to distinguish between different living scenes, and asking for space downwards, the horizon is sunk to the underground pan-clubhouse, so that public facilities are combined with water landscapes and artificial slopes, so as to realize the winding path of the three-dimensional corridor, in which the humanistic induction of the new urban mountain residence is naturally revealed.
Sink space intent diagram
In fact, while people study and explore mountain residences, they also always pay attention to the urban scale brought by the traffic distance, and nanshan Yunlu, which is located in the high-tech Caotang science and technology industry base, also belongs to the characteristic plate of high-tech southward expansion, only 30km away from the main city of Xi'an, and can directly reach the Jinye Road Financial Business District.
It should be known that the increasingly scarce villa-like buildings have been rising in the attraction index of the city's diversified classes, and the capital market has always had a clear logic for the development of mountain living formats, because behind the project, there is a strong combination of local state-owned enterprises Ziwei Real Estate and Greentown China.
Consistent with Ziwei's long-term accurate grasp of land value, Greentown China has an extremely rich series of mountain residences, from Hangzhou Jiangnanli, Fengqi Chaoming to Xizi Lake Four Seasons Hotel, each destination marks that as an industry expert, Greentown's vision of midland luxury and elegance coexists with the ideal of living, which will collide with each city with different inspirations.
Intention map at the entrance of the Museum of Living Aesthetics
Interestingly, we also found that Xi'an and Lu, Guiyu Yunjing and other three projects based on "Lu" are queuing up to enter the market, and the works developed by Greentown account for half of this year's superimposed supply, and the only Nanshan Yunlu, which has the attributes of urban mountain residence, provides a rare practical opportunity for Greentown to replicate high-end residential experience in Xi'an.
Perhaps from the very beginning, Ziwei Real Estate and Greentown China's investment in Nanshan Yunlu, in line with the attitude of creating an oriental aesthetic landmark, to create a pioneering spirit of mountain residence artwork, if the design can change the aesthetic attitude of the city, can change our inertial cognition of beauty, then gather more valuable industry thinking, explore the scene dialogue between ancient and modern, in order to find more possibilities for new urban mountain residences.
Ziwei Greentown "Nanshan Yunlu"
Covers an area of 72.5 acres
FAR 丨1.3
Space area丨 186-350㎡
Architectural Design 丨GOA Elephant Design
Landscape design 丨LANDAU Landau
Living Aesthetics Hall 丨 Yushe
Indoor model room 丨HWCD
Honor丨2022 TITAN Real Estate Awards - Gold Award
——Yuejun Tips——
Nanshan Yunlu Life Aesthetics Museum is about to open, as a carrier of ancient Chinese hermit culture, whether it is in the height of the temple, or in the distance of the rivers and lakes, the ultimate Nanshan has always been regarded as a mirror, people can realize the collision of different ideas, religions and lifestyles here, if you have stayed in this mountain jungle with mountains and rivers and courtyards, please share the most impressive Nanshan memories in the message area.