"Sound is endless" plus more tidbits to watch, "Mao Xuewang" nagging like a group to say cross-talk. It is not easy for Li Xueqin to encourage Mao: if you can't practice Cantonese well, you must compromise, and don't embarrass yourself.
Interestingly, Mao is not easy to retort: Li Xueqin's views do not represent me, and honest people cannot fool the audience. "Mao ShuYi" sincerely does not deceive me, the attitude towards the stage and music is too circle fans, no wonder it can become a new generation of leaders who can stand alone.
On the first stage of the tribute, Mao Buyi's song "Distant Her" was touching and refreshing, once again allowing the audience to "vertically enter the pit". Especially in his high-pitched part, his mastery is more skilled, and his singing skills have obviously made a qualitative leap.
Mao is not easy to sing affectionately, the bass is mellow, the high pitch is soft, the singing voice is full of pouring sense, and the empathy is full of points. A dialogue that travels through time and space, delicate and warm, as if picking up the light points in the depths of memory in the starry sky.
Closing your eyes and listening, the heavens of the world heal the ears and wash the soul. Times have passed, vicissitudes have changed, and the enthusiasm in my heart will never change. The song of "Mao Mao" is like magic, and the tears inexplicably can't be stopped.
Moreover, Mao's Cantonese is so amazing that it is easy to hear fouls, the bite words are clear, the pronunciation is standard, and the "Hong Kong style" is full. Wang Zulan was full of praise, angrily praising him as a northeasterner with "the best Cantonese".
In fact, it is more difficult for northeasterners to sing Cantonese songs well than imagined, because the pronunciation of "rhyme mother" in the two dialects is completely different. In the plus version, Mao is not easy to give birth to loveless memes, pitiful and funny.
Mao Buyi and Li Xueqin formed a group to discuss Cantonese pronunciation, and the screen was full of "big ballast flavor", like an academic discussion between "scum". As always, Li Xueqin adheres to the principle of "there is no difficulty in the world, but we must be willing to give up".
Li Xueqin bluntly said that it is not easy to encourage Mao: it is really difficult for people in the northeast to learn Cantonese, as long as the feelings and mood are right, most of the audience is very tolerant, and they certainly don't care about your pronunciation, and you can "find a supplement", don't be difficult for yourself.
Li Xueqin prejudged the audience's prejudgment, but Mao Buyi looked puzzled and curious to ask how to "find a remedy". Li Xueqin is a serious organizational language: after you sing the song, you take the initiative to admit that the pronunciation is not standard, please understand more, because it is really difficult for northeasterners to practice Cantonese.
Li Xueqin's point of view seems to be a little reasonable, but "swinging rotten, lying flat" is somewhat negative. "Mao Shuyi" went online for a second, humorous retort: I don't agree with you saying so, Li Xueqin does not represent me, and honest people cannot fool the audience and laymen.
Mao is not easy to do what he says, even if the time is tight and the work is busy, "Mao Mao" still races against the clock to practice Cantonese. In order to practice in a hurry, Mao Buyi did not specifically invite the teacher to class, followed the original song word by word "hard buckle", it is not easy to teach yourself, and the language talent can be seen.
The reason why Mao Buyi has become a benchmark of the new generation of Chinese music, the attitude of seriousness and dedication, including the reverence for the stage and the audience, has supported him step by step to the present, and the new generation of "music poets" must be expected in the future.