Pen and ink are contemporary, but what kind of pen and ink can meet this standard? Shi Tao has said many words, but this sentence makes people remember it and become a classic. Many painters in modern and modern times continue Shi Tao's artistic concept and create works with the characteristics of the times. Among them, the most accomplished painter was Fu Baoshi, who during his time in Chongqing, admired the landscape of Shuzhong and created his own bouldering stones, depicting the fantastic landscape of clouds and rain.
The scenery depicted in "King Kong Slope" is artistically exaggerated, the clouds on the edge of the sky are connected with the waterfall, and the water of the waterfall seems to pour down from the sky. Such a fantastic view is amazing. Because Fu Baoshi's pen and ink are endlessly changing, even if the scenery in the painting is magical, it will not make people feel false, but will sincerely praise, "Magnificent!" Such a beautiful scenery, like a fairyland, in order to close the relationship between the work and reality, Fu Baoshi tried to integrate romantic feelings.
Fu Baoshi Jingang Po
Traditional landscape painting has two major themes, mountain residence and visiting friends. This painting of "Diamond Slope" combines the above themes into one, with a row of houses in the middle of the picture and people slowly climbing down the stone steps in the close-up view. From the long-range to the close-up, through traditional techniques, the artistic conception of the work is pulled back from the fairyland to the reality.
Of course, paying attention to reality is not about visually restoring the details of reality. Pay attention to reality, do not affect the expression of romantic feelings. The changing ink rendering, like smoke and rain like fog, makes the landscape in the painting shrouded in a layer of water vapor. It seems to be real, like the sky and like the eyes, this magical feeling can only be felt when admiring Fu Baoshi's works. That's what makes him, that's the charm of his work.
Fu Baoshi Diamond Slope Partial
When Fu Baoshi painted "King Kong Slope", he highlighted people's love for the landscape in Shuzhong. In order to present the beautiful side of natural landscapes, he pays special attention to the tonality of pen and ink. Freedom is not without control, but only to hide control. There are hills and ravines in the chest, and if the pen is like divine help, the feeling in the heart is perfectly reproduced between the pen and ink galloping.
In the painting, The Kongo Slope retains natural features such as lush grass and trees, undulating mountains, and the rest is a reproduction of the artist's imagination. The combination of reality and virtuality can actually paint people's feelings about landscapes. When the pen and ink were contemporary, the perception of landscape in people's hearts was the characteristic of the times that Fu Baoshi found.
Fu Baoshi Diamond Slope Partial
Fu Baoshi wandered between relaxation and extravagance, and the spring water rain mist and smoke clouds under his pen seemed to have life. Strong and majestic, high and pale temperament, people are refreshing. In ancient times, there were rice dots depicting clouds and smoke illusions, and now there are boulders depicting magnificent mountains and rivers. Fu Baoshi found his own way of expression and walked alone in the painting world.
People admire Fu Baoshi's works as if they were enjoying a symphony. The unrestrained pen and ink technique is like a flexible note; the vast visual feeling is like a vast world constructed by music. The changes are endless, the beauty is incomparable, and I really want to walk into his paintings and live in his paintings.
Fu Baoshi Diamond Slope Partial
Original technique, to continue the vitality of traditional techniques with sketching, Fu Baoshi through unremitting efforts, let people see the characteristics of the times of the landscape.