Spring rain is gentle, affectionate, intoxicating, and precious. The ancients said, "The rain on the sky street is as moist as crisp." The ancients also said, "Wet apricot blossom rain." "Poets praise spring rain, and painters are also depicting spring rain with various techniques. Unfortunately, even in the Qing Dynasty, there were no successful works in this regard.
Gao Cen of the Jinling School of painting in the early Qing Dynasty liked to paint rainy landscapes, but unfortunately he did not paint the warmth of spring rain. Until modern times, when the spring rain painted by Fu Baoshi appeared, people suddenly felt that their eyes lit up, and it turned out that the spring rain should be painted like this.
This painting "Spring River Rain" is a work he painted in the 1940s, which belongs to the masterpiece of artistic maturity. Fu Baoshi was settled in Chongqing at that time, and he admired the scenery of the mountain city, felt the local unique humid climate, and expressed it in Chinese painting techniques. Fu Baoshi retains the charm of the line in his creation, while increasing the proportion of dyeing in his works, painting the warmth and dreaminess of spring rain.
Fu Baoshi The Spring River rainstorm
Spring rain is a rain filament, thin and soft, can not fall too heavy, nor can you use alum to emphasize the rain. That subtle feeling requires repeated practice to grasp. The ink color cannot be heavy, the pen cannot be fierce, and the pen must be kept free. The rain of spring rain has speed but no strength, which can be felt in "Spring River Rain".
What kind of feelings will people have on the road, drifting and traveling, and encountering spring rain? Admire Fu Baoshi's paintings to find the answer. His paintings comfort travelers and let the warmth of spring nourish the world. A large area of green, bright and green, contains infinite vitality. At the bottom of the picture, a small boat moves across the water, taking people's thoughts into the distance.
Fu Baoshi Spring River sudden rain local
Romantic, beautiful, warm, satisfied, Fu Baoshi painted people's various feelings about spring rain, beyond the shape, and painted the charm of spring rain. Such a high-quality work, dripping and cheerful, has opened up a new direction for the creation of Chinese painting. During this period, Fu Baoshi painted a lot of rain scenes, water landscapes and landscapes, combined with his original bouldering technique, so that people can see that based on tradition, they can also innovate surprisingly.
Painting spring must have the power of vitality; painting spring rain must have endless warmth. When vitality meets warmth, that good feeling can only be understood and cannot be expressed. The use of color is harmonious, the color and ink are equally important, the pen is fast, the pen is soft, less sharp, more peaceful, so that this "Spring River Rain" is more and more beautiful.
Fu Baoshi Spring River sudden rain local
The gestures in "Spring River Rain" are full of movement, as if they are naturally formed. Such a beautiful feeling, very curious about how Fu Baoshi was drawn. To appreciate this painting, the first glance is quiet and beautiful, the second look is the sound of movement, and the third look is to walk into the painting.
The love for rain scenery stems from Fu Baoshi's love for traditional techniques. The ancients always liked to emphasize Cangrun when painting landscapes, and when Fu Baoshi wrote it, he expressed Cangrun more concretely. He transformed the traditional "landscape in painting" into a figurative natural landscape. At the same time, he did not abandon the artistic characteristics of the landscape in his paintings.
Fu Baoshi Spring River sudden rain local
Watching Fu Baoshi's painting "Spring River Sudden Rain", you can learn a lot of things. In addition to learning how he paints spring rain, it is also necessary to learn how he uses traditional techniques to express the beauty of the otherworldly, and then paint a sense of freshness.