This article was first published in Zhongshan, No. 5, 2021
I remember that in the 1980s, there was a handwritten letter in my father's study, mr. Zhu Dongrun, his lifelong teacher and former head of the department. That's one of Su Shi's "Seven Absolute Gifts to Sun Xin":
Yu Yu and Zi Jiu were separated from each other, and their ears were cold and discouraged.
If you talk about the world to Aoyama, you should lift up the white and float the king.
After Mr. Zhu wrote this picture, he put in a large envelope of kraft paper and sent it to the gatehouse of the fourth dormitory of Fudan University, where my family lived at that time. The writing was so good that my father felt that "the momentum that says that the mountains are pines and that the dragons go to sea is neither indispensable nor appropriate." (Pan Xulan, "If You Talk About the World to Qingshan - RememberIng Mr. Zhu Dongrun") Mr. Zhu's words do not write the date, but his father's article says that it was 1987, because his father has an excellent memory, so he will not be wrong. Perhaps remembering Su Shi's painful situation at that time, or perhaps unconsciously integrating into the Su style because of the recording of Su's poems, this painting is different from Mr. Zhu's usual gentle connotations, showing that the pen and ink are open, the bones are strong, and there is a desolate and proud taste. My father said to me at that time: This is Su Dongpo's luck to save his life after the "Wutai Poetry Case" in the literary prison, and he was demoted to Hangzhou and written to his friend Sun Jue (Zi Xinlao), who was also unlucky because he opposed Wang Anshi's "new law". The first two sentences are like vernacular, without explanation, and the last two verses say: Let's drink against qingshan, and if anyone talks about the world, he will be punished with a big cup. For the world cannot be said, nor can it be said. I said to my father, "Mr. Zhu chose this poem to write to you, because he especially looks up to you." The father was silent for a while and replied, "Su Shi and Sun Jue are friends, and so were Mr. Zhu and me during the Cultural Revolution." ”
I looked at Mr. Zhu's painting and memorized the poem. Just like the first Dongpo poem I memorized as a child, "Water Tune Song Head: When the Bright Moon Has", it was also memorized through my father's handwritten pages— yes, the handwritten pages, not the manuscript, because there was no "ben" at that time, it was written directly on the back of the rough texture of the manuscript paper.
Su Dongpo, some people say that he is a great literary hero, some people say that he is a great poet, some people say that he is a great lyricist, some people say that he is a calligrapher, some people say that he is a slanderer, some people say that he is a good magistrate, some people say that he is a layman, some people say that he is a gourmet, some people say that he is a tea man, some people say that he is happy and open-minded, some people say that he is tough and tenacious, and some people say that he is all of the above......... And in my opinion, Su Dongpo is the person I have known since I was a child, and I feel that he is extraordinary from the attitude of my father; later, I understand his uniqueness: Su Dongpo, who every Chinese wants to be friends with, is the closest person to the gods in the world.
I was born in southern Fujian, and the people of Southern Fujian say that the younger generation is ignorant and confused, and will say, "How do you look like a person in heaven!" Although it is criticism, ridicule, and even scolding, I have known from an early age that there are people on earth and people in heaven. Su Shi is a "man in heaven." I have proof: he said himself, "I want to go back in the wind." The relationship between ordinary mortals and heaven is at most delusional about "going up", so it is called "heaven", and he is "returning", and heaven is where he comes from and where he should be.
Su shi. Su Dongpo. Po Gong. Po Xian.
This man is actually unable to say it, and it is wrong to say it. At the end of the article "Dongpo Cishu" written in 1943, Gu Sui believed that Su Ci "was not allowed to say so" and that he "must first repent to his Dongpo residents, and then apologize to the scholars of the world." "Who is Mr. Bitter Water?" He still said this, how dare idle people and so on say another word?
I have always firmly believed that for Su Shi, it is only right to say nothing. People who love Dongpo, mention his name, exchange a look with each other, look at each other and smile, is the best countermeasure.
This "man of heaven" loved him so many times, studied him so many times, and studied him so thoroughly, "the accounts of the predecessors are well prepared." But man is a man, I am me, there are ten thousand Su Dongpo in the eyes of ten thousand people, and those who think about it as free as Dongpo may say: "What is wrong with Dongpo?" "I might as well say the same thing.
The eastern slope and the water, the fate is particularly deep.
Maybe it's because he was born in Meishan, Sichuan, "the first source of my family's river water" (Su Shi's "You Jinshan Temple"); maybe as a southerner, he has felt that "between the heavens and the earth, there is a lot of water" (Su Shi's "He GongQiao"),perhaps because he has a special relationship with water, "My office has the West Lake" (Qin Guan", "Dongpo Shouhang"), "There is a West Lake everywhere on the east slope" (Qiu Fengjia's "West Lake Hanging Chaoyun Tomb"),perhaps because the beauty of the flowing water is particularly in line with his bright heart and artistic temperament; perhaps he really deserves that sentence ——" The benevolent Leshan, the wise enjoy the water", Dongpo is not only a benevolent person, but also a wise man.
Dongpo loves water. When talking about his own article, he used the metaphor of water - "My text is like the source of a thousand hu springs, no matter what the place can be out"; he talked about the standard of the article, but also the metaphor of water - "like the clouds flowing water, the beginning is not amorphous, but often in the way it should be done, often stopped at the end, the literature is natural, and the posture is full of life." Later generations used "Su Hai" to evaluate his poetry, which is very appropriate and correct to the temperament of Dongpo. Reading Dongpo's articles, its journey to the clouds, the place of good spirits, the place of fun, the place of idleness, always have to be experienced by each person, but the most important thing to experience is the kind of agility, openness and freedom like water.
The east slope is more written with water. As soon as he writes water, the end of the pen is extremely spiritual. In the "Chibi Fu", "the breeze is gentle, the water waves are not happy" and "the white dew crosses the river, the water and light catch the sky" and other sentences are not said, just look at his poems, there are waves and water sounds everywhere.
And look at the lake he wrote: "Jiangnan spring water is like the sky, intestines break the West Lake spring water boat", "Phoenix Mountain rains at the beginning of the sun, the water breeze is clear, the evening xiaming", "the breeze Xiao Xiao blows the pu, open the door to see the rain and the moon is full of lakes", "the water is clear and the stones can be counted", "the water is bright and clear, the mountains are clear and the rain is also strange", "The water is boundless, the lotus flowers bloom at night" "The water pillow can make the mountains lean down, and the wind boats can dissolve and wander with the moon"...
And look at the rivers he wrote: "There is only one river bright moon blue glass", "night wind quiet ripple flat", "Jiang Han autumn shadow goose first flight", "half of the spring water a city flower", "frost precipitation traces, shallow blue sparkling dew far away from the continent" "a thousand acres, all mirror pure, pouring bi peak", "Min'e snow waves, Jinjiang spring color", "Frost yu has lost its length Huai broad, empty listening to the babbling clear throat", "Sui Causeway March water dissolution" "bamboo peach blossom three or two branches, spring river water plumbing duck prophet"...
And look at him writing about the waves and tides: "The rocks pierce through the air, the waves crash on the shore, roll up a thousand piles of snow", "There is a sentient wind, a thousand miles of rolling tides, mercilessly sending the tide back", "The snow waves shake the sky a thousand acres of white", "The midnight tide comes, and the lonely boat rises under the moon"...
And watch him write about the rain: "The black clouds turn over the ink and do not cover the mountains, and the white rain jumps into the boat." The wind blows away suddenly, and the water under the lake is like the sky. "The black wind outside the sky blows the sea, and the rain in eastern Zhejiang comes across the river", "The ink cloud drags the rain over the West Building", "The pillow jiangnan smoke and rain", "The rain has passed, the wind forest dances, the smoke covers the clouds", "Xiao Xiao twilight rain rules cry", "The rain washes the moon on the eastern slope", "The rapid rain is unintentional, urging the poetry to go to the dragon", "The rain has poured down", "The smoke and rain are dark and a thousand homes"...
And look at him writing about the stream: "Terano Yami shallow waves", "Lanya short soaking creek under the mountain", "North mountain tilt, small stream horizontal", "Lianxi green dark evening hidden Wu"...
Watch him write about the rapids: "It's like a rabbit walking a hawk falcon falling, and a horse betting on the slope of the front." The broken string left the column arrow out of his hand, and the flying electricity flipped through the gap beads. The four mountains turned to the wind and swept the ears, but saw a thousand eddies of flowing foam. ”
Watch him write the spring: "The dark spring on the west bank of the Snow Hall" "Bring the small tuanyue in the sky alone, come to try the second spring on earth", "Persuade a cup of bodhisattva spring", "But under the stone wall of the empty mountain, love this sound and useless clear stream", "The bridge to the temple gate pine path is small, the sill is when the spring is stone wave clear", "Where the dust of the weary guests is washed, the cold spring water under the Zhenjun Hall" ...
The biggest person in the water is the sea, watch him write the sea: "The eastern clouds and the sea are empty, and the immortals are haunted by the void in the middle of the sky" "Ascend to the central plains, but see the water and the sky" "The clouds scatter the moon and the moon Who embellishes? Tianrong Haishi ben clarifies "...
The slightest person in the water is not too dew, see him write dew: "Qugang jumping fish, round lotus dew", "grass head autumn dew flowing beads slippery", "moon light to see the dew"...
Dongpo's poems are rich in themes and styles, and there are many famous works, only a few poems are selected, although it is almost like a petal to recognize the flowers and peek at the sea from the pearls, but there is an entrance to dongpo's poetry that I understand, and I talk about it here.
Kazuko is nostalgic by Shizuike
What does life look like everywhere? It should be like a Phenom stepping on slush.
Occasionally left finger claws on the mud, Hongfei that recounted things.
The old monk has died into a new tower, and the bad wall has no reason to see the old problem.
In the past, the rugged days are still not remembered, and the road chiefs are trapped and donkeys hiss.
Life is uncertain, leaving a trace full of accidents, leaving traces will also disappear in time, which really makes people feel empty and sad. But as long as the old traces are still clearly retained in the heart, the old things are still vivid in the memory; people who have experienced the "past" together, as long as they both "remember" the past, then everything has become a life experience that can be shared.
Previous generations often said that this poem is "full of reason" (Zhou Yukai), in fact, it is even more possible to understand Dongpo's amorous and understanding (enlightenment). If you are still so fond of "the road is long and sleepy" and "the past is rugged", then what, when, and what situation in life cannot be remembered or recalled? What experiences have no value and no meaning? Therefore, he wrote in another poem: "I am born with Pepsi often follow fate" and "Life is indispensable" (Su Shi's "Sending Tea with Jiang Fu"). Heavy affection and not obsessive, in the boring place to find fun, understand the sense of fun - the fun is sometimes a threat to poetry, but here in the East Slope is not a problem, his feelings (sensibility) is still rushing, the fun only increases the depth of the understanding of life.
Dongpo's love of life and strong interest in daily life, an otherworldly mind, coupled with the ability to escape and kill the living, so his poems are often clear and clear, with a transparent beauty. Writers of scenes, such as the widely recited "Drinking the First Sunny Day on the Lake after the Rain", "Hui Chong's "Spring River Xiaojing", such as "The Night Rise in the Boat", and "June 27, WanghuLou Drunken Book" is also repeated. Objects, such as "East Column Pear Blossom" and "Begonia", are all.
Don't be dead-eyed, only think that Po Lao is just writing about the lake, writing about the rain, writing about pear blossoms, writing about begonias, and must see that this old man has a broad heart, a big weather, and nature is a true friend who is enough to make friends. How much suffering and pain did his contemporaries bring him? Fortunately, nature has always been fair to him and always treated well.
The following two poems are best read in comparison:
The first sight of the Huai Mountains at the exit of the Yingkou is to ShouZhou
I walk day and night to the river and the sea, maple leaves and reeds grow in autumn.
Changhuai is suddenly lost in the sky, and the green mountains are long and the ship is low.
Shouzhou has seen the White Stone Pagoda, and the short tree has not been turned to Huang Maogang.
The wave flat wind is soft and cannot be seen, and the old man has long been in the smoke.
Write the scene completely, and the mood is self-evident. Gu Sui did not have a high evaluation of this poem, but this poem was actually good, especially suitable for reading it, and when I thought about it, the beauty of the flow of brushwork, the feeling of cloud smoke and mist, it all came out.
Tokai on the night of June 20
The three changes in the cross-fight turned to three changes, and the bitter rain and the final wind also dissolved the sun.
Who embellishes the clouds and moons? Tianrong Sea Color Ben clarified.
The empty Lu Shuo took advantage of the meaning, and roughly understood the regulus to play the music.
Nine dead Nan Huangwu does not hate, Zi you qi is the best in life.
After experiencing several ups and downs in life, countless sufferings and liberations, the melancholy and confusion of the former poem when he was involuntarily and upside down and displaced has disappeared, and in the final stage of his life, Su Shi has entered the "realm of heaven and earth".
As Zhu Gang's "Ten Lectures of Su Shi" said, "One encounter after another of sorrow and joy seems to be a baptism of the soul, and finally it takes on its spotless original appearance." The joy that surged from the bottom of life when it reached the realm of clarity pervaded the moon and the stars, above the boundless sea. ”
"How to be in the human world", "in the human world" is not easy to talk about! The human world has given Dongpo too much darkness, fear, pain, helplessness and bitterness. It is really gratifying, shocking, and touching to see this immortal who remains in the human world, and at the end of his life, without remorse, without sorrow, without regrets, without any obstacles, but with such a great liberation, a great consummation, a great light, and a great freedom.
From "I walk day and night to the river and the sea" to "The heavens and the sea are clarified", the meaning of life is realized, and the realm of life is so complete.
In his lifetime, Su Shi left more than 4,800 articles, more than 2,700 poems, and more than 300 words, and his poems were so many that it was naturally impossible for every capital to be good. Dongpo often writes poems that are touched upon, and they are written quickly, and he himself said that he should be fast- "the poetry is hot and chasing the dead, and it is difficult to copy after the loss of The Qingjing". Not only is not every capital good, but those are quite famous, and sometimes the art is not clever, such as "The East of the Dinghui Courtyard, full of miscellaneous flowers, there is a begonia plant, the natives do not know the guiye", it is said that he is proud of his life, every time he writes to give people, I think Dongpo "every time he writes to give people" is true, but suspect that the reason for choosing this poem is not necessarily "proud of life", but out of the "technical" considerations of handwritten poems: because this poem is long enough, seven words and 28 sentences, there are 196 words, if the giver writes small characters, Choosing a work with so many words is just right. Because the whole poem is too casual, the feelings are floating, and there are vulgar pens (such as writing begonias with "Zhu Lips Get Wine Dizzy Face, Cui Sleeves RollIng Red Flesh", neither lonely nor unhylike, the artistic conception is nothing, and it is almost not poetry), it is obviously not enough to brew and temper enough. He is big, really willful, and he will continue to do it to the end. Predecessors said that Su Shi "refuses to concentrate on everything", his creative state has always been confident and relaxed, and the result is really good - excellent and comfortable, and the bad is a bit sloppy.
He was a genius, and he "refused to concentrate on anything", and "when making poetry, you should let the first word come to the past" (Gu Suiyu), in the time when Du Fu concentrated on "letting the first word come pass", Dongpo had already waved it and then drank. In the end, my generation can't take the downhill male wine cup and let him go to the polish. And many times, in his difficult and desperate situation, "I write, therefore I am", by writing poems, filling in words, and perhaps writing letters to friends, the poet can survive. What's more important than keeping people alive? No. Poetry is not good in every capital, what a tight! What's the harm in the mud and sand, aren't the rivers still rushing?
Finally, I want to say the Dongpo word. Dongpo composes much less words than poetry, but his words are generally considered to be "the first masterpiece of this old man's life" (Chen Tingzhuo). In my opinion, Dongpo poems and words are mainly of different importance. If you don't read Dongpo poems, although there are losses, you can read Tang poems to make up for it; but if you don't read Dongpo words, even if you read all the words of the late Tang, Northern, and Southern Song Dynasties... That loss is still irreparable.
In the past, when Dongpo was mentioned, it was labeled a "bold faction", which has been proved by many parties, some said that the word "bold" was understood differently in ancient times, some said that in fact, Dongpo could be gentle and "co-law", and some said that there was no extravagant faction at that time... But gu Sui said the most painfully: what is extravagant and elegant? It's simply eventful. (Gu Sui's "Su Xin Zi Shu Shu")
The fact is that Su Dongpo, who is talented, arrogant, elegant, and affectionate, is the liberator of words, he has enhanced the status of words in the literary world and society, for the first time he has let words and poems be as free as lyrical speech, for the first time he has fully expressed the sound personality of a scholar in the words, and for the first time he has expressed social life and life perceptions other than "shallow low singing" and "yingying pink tears" in the words.
Dongpo words, if the fame is loud, one "big river to the east", one "when the moon is bright", is the champion. As Gu Sui said, "Nian Nu Jiao Chibi Huaigu" is "shocking to the ears and eyes" and the most shocking, while "Water Tune Song Head : When is the Bright Moon" is "degraded to the bone" and is the most touching.
Zhu Gang's interpretation of these two pieces goes further, and it is worth noting: the former's "amorous should laugh at me, early birth Huafa", "although it is a helplessness, but in this helpless amorous, there is still unquenchable ambition." Because only people with extraordinary ambitions can be so affectionate about the extraordinary history of the past"; and the latter "people have sorrows and joys, the moon has clouds and sunshine, and this matter is difficult to complete", which can be interpreted as: "The original state of human life is unsatisfactory and imperfect, and it has always been so, and it will always be so." Not only should we not abandon it, but we should savor the original taste of this life. So, 'May people be long-lasting, and thousands of miles will be cherished together.' (Zhu Gang, "Ten Lectures of Su Shi")
Two "Jiang Chengzi", one "Ten Years of Life and Death, Two Vast", one "Old Husband Talks About Teenage Madness", one is deep and sad, one is heroic and unrestrained, very famous, but don't say it. "Butterfly Love Flower" "Where there is no herb at the end of the world" and "Amorous but ruthlessly annoyed" are hot, and do not say it.
Po Gong has no one to match, because he is particularly good at knotting and understanding. All literary and artistic works are often related to "knots", and may not necessarily reach the point of "complexes", but there must be "heart knots", "thought knots", and "emotional knots". Nowadays, it is often said that "feeling", in fact, "feeling" and "enlightenment" are two different things, writers and poets, because the perceptual development is more likely to be deeper than the feeling, so the sense is often the knot, and after some consideration to "enlighten", this is the "solution". To feel deeply is to go in. To be enlightened is to be able to come out. This kind of action is not easy, some people can't get in, and some people can't get out. The average person is either not good at knotting, or not good at solving, and the master is often solved for a while, sometimes the knot is not deep, and sometimes the solution is not thorough. And Dongpo is good at knotting and understanding, even knotting on the side, solving at the same time. He is really seven in and seven out, like entering no man's land.
It's not innate. Where will there be people who are born to solve and understand?
When he was first exiled to Huangzhou, Dongpo's mood was very sad.
The world is a big dream, how many degrees of new coolness in life? At night, the wind leaves have sounded in the gallery. Look at the sideburns of the brow. Liquor is often worried about the few customers, and the moon is more hindered by clouds. Mid-Autumn Festival who with the common lone light. Look north. ("Xi Jiang Yue: A Big Dream in the World")
It's lonely and lonely again—
The lack of moon hanging sparse tong, leaking the first quiet of people. Whoever sees the ghost alone, ethereal and lonely. Startled but turned back, there is hatred and no one to save. Picking all the cold branches refuses to perch, and the lonely sandbar is cold. ("Bu Suanzi Huangzhou Dinghuiyuan Residence")
If you wait to "look north", can you "return to the north" but people can't help themselves; "picking up all the cold branches and refusing to roost" is a keeping, but how is the "lonely sandbar" a place to live for a long time? Where is the way out of reality and spirit? These two words are "knots" and no "solutions".
If that's the case, it's Liu Zongyuan, not Su Dongpo.
Wangjiang nan chaoran taizuo
Spring is not old, and the wind is fine and the willows are oblique. Try to look up at the transcendental stage, half a trench spring water a city flower. Smoke and rain darken a thousand homes.
After the cold food, the wine woke up but consulted. Hugh thinks of his homeland and tries new tea with a new fire. Poetry and wine take advantage of the years.
Look at how the eastern slope is knotted, and how to solve it, the second half of the slope can be seen clearly. In particular, "Hugh is right", it is clear that it is untied while knotting.
Huanxi Sha Youshui Qingquan Temple, temple near Lan Creek, the stream flows west
The short soaking creek of Lanya under the mountain, the sand road between the pines is pure and mud-free, and the rain is crying in the twilight of Xiaoxiao.
Who says that there is nothing less in life? The water in front of the door is still possible! Hugh will sing yellow chicken with white hair.
"Twilight Rain" and "White Hair" are dark knots, which are clearly understood with "flowing water is still able to go west" and "Hugh will be".
Linjiangxian returned to Lingao at night
Night drink Dongpo woke up drunk, and returned as if three more. The child's sniffles have thundered. Knock on the door should not be, lean on the staff to listen to the sound of the river.
Long hate this body is not me, when to forget the camp. The night wind is still and flat. The boat has since passed away, and Jiang Hai has lived the rest of his life.
Returning home after drinking at night, unable to enter the house, this is a small accident in reality, which is not enough to enter the words, but Dongpo's wish is not to enter the door as soon as possible and lie down, or to cross the wall and enter the cane to teach the children a few lessons, but to transcend the reality of the gain and loss calculations and endless earthly troubles. So the knot at the lower place suddenly dissolved from the high place.
The best representative of this road is probably this one -
Fix the storm
On March 7, it rained on Sand Lake Road. The rain gear went first, the peers were all embarrassed, Yu Du was unaware, and it was already sunny, so he made this word.
Don't listen to the sound of leaves beating through the forest, why not groan and walk slowly. Bamboo cane mango shoes light victory over horses, who is afraid? A cloud of smoke and rain is a life of peace.
The steep spring wind blows wine awake, slightly cold, but the mountain head obliquely illuminates each other. Looking back at the place where it has always been, returning, there is no wind or rain or sunshine.
With "mo listen" and "why bother" to solve, the solution is first in the knot, with the knot, all the way to the solution, and finally there is no need to solve, because there is no knot, reaching the realm of transcendent things. Some people think that this is access, in fact, it is not, access is tolerance is temperament, there is still right and wrong, Dongpo has let go of right and wrong; Tongda is to try to open up regardless of whether the situation is good or bad, and Dongpo is completely beyond the situation. There is no distinction between wind and rain and sunny days, and the situation does not matter whether it is honor or disgrace, everything is a part of life, it does not matter the wind and rain, it does not matter the sun, people are above the situation. This "solution" is really thorough.
In addition, "Yu Meiren, Yumi tang gifts the ancients" ("Hushan Letter is southeast beauty"), "Nanxiangzi Chongjiu Hanhui Lou presents Xu Junyou" ("Frost precipitation traces"), "Xijiang Yue" ("Teruno Mimi Shallow Waves"), "Partridge Heaven" ("Lin Duan Shan Ming Bamboo Hidden Wall"), etc., are also on this road.
Dongpo of course has affection, but he does not sink, sinking is easy to drill the tip of the horn, Dongpo will be everything in his life, but he will not drill the tip of the horn, he has grace and elegance, so whether it is separate or meet, that is, lyrical, always mellow and elegant.
Eight voices of Ganzhou Sending Samson
There is a sentient wind, a thousand miles of rolling tides, and a ruthless return of the tide. Ask Qiantang River, Xixingpu mouth, a few degrees of oblique light. Don't think about the past and the present, look down on the past. Who seems to be the old man of the eastern slope, the white head forgets the machine.
Remember the west bank of the West Lake, the benefits of the Twilight Mountain, the empty green smoke. Count the poets as compatible, such as me and Junxi. About his year, the east returned to the sea road, may Xie Gong and Yazhi not contradict each other. Xizhou Road, should not look back, for me to dip clothes.
Zheng Wenzhuo, a Qing dynasty, praised in the "Hand Approval of Dongpo Lefu": "Suddenly the snowy mountains, rolling up the ground, really like when watching the tide on the Qiantang River, adding tens of thousands of armored soldiers in this old chest, what a meteorological majestic and brilliant!" The magic lies in the fact that there is no word of arrogance, no word of danger, and out of the sense of idleness, the so-called bone heavy god cold, do not eat human fireworks. The context of the word is here, and the view stops! ”
The following two are also the style of qingxiong, the artistic conception is broad, and the boldness and harmony are contained——
Water tune song head Huangzhou Kuaizaiting presented Zhang Weiyi
The sunset embroidery curtain rolls, and the pavilion is empty under the water. Zhijun made a new work for me, and the windows were wet and blue. Long remember pingshan hall, pillow Jiangnan smoke and rain, there is no lonely hong. Recognize the drunken language, the mountain color has no middle.
A thousand acres, all mirrored, poured blue peaks. Suddenly, the waves rose and danced a white-headed man. Kan Xiao Lantai Gongzi, unsolved Zhuang Sheng Tianlai, Gang Dao has male and female. A little bit of mighty qi, a thousand miles fast wind.
Qinyuan Spring
Lonely house lights, phishnus chicken number, travel pillow dream crippled. Gradually the moon is harvested, the morning frost is geng, the cloud mountain is pounding, and the dew is rolling. The world is endless, the labor is limited, and it seems that the mayor of this district is happy. Groaning slightly, relying on the saddle speechless, the past is a thousand ends.
At that time, the common visitor to Chang'an. It's like a teenager who first came to The Second Continent. With a thousand words in the pen and ten thousand scrolls in the chest, to Jun Yao Shun, why is this difficult? When using the house, the line is hidden in me, and it is better to sit idly by and look. He is long and strong, but you are old and you are in front of you.
People always take Su Xin and put it all the way to The Bold, and mostly take the east slope "big river to the east" and "the old man talks about the juvenile madness" as evidence, but in fact, it is not. Even Gu Sui, although he pointed out that Su Xin "must not be regarded as a road", he also compared it with "going east of the great river", saying that the three sentences of "chaotic stones pierce through the air, the waves crash on the shore, and roll up a thousand piles of snow" are "Qi Jian, in fact, Qi Jiaxuan"; in fact, the above three qi, their vertical and horizontal qi, sudden frustration and flying, strong and gentle, full of vigor and full of vitality and have their own far rhymes, Su Shi is all Xin abandoned the disease of the teacher. Of course, the disciple may not be inferior to the teacher, and can go hand in hand, or even come to the top, but he must always recognize him as a teacher and not be reversed.
Yukako Shukai
The night is dustless, and the moon is as silver as silver. When pouring wine, it must be ten points full. Fame and fortune, vain and laborious. Sigh in the colt, fire in the stone, dream body. Although holding the article, open the mouth who kisses. And tao tao, happy innocence. When will I go home and be an idler. To a piano, a pot of wine, a stream of clouds.
Many of these books are not chosen, probably because they are too simple. In fact, this innocent atmosphere, the clear atmosphere, although it lacks some extraneous sounds, but this is the simplicity and transparency in Su Dongpo's nature, very clean and lovely. In contrast, the famous "Water Dragon Yin CiYun Zhang Zhifu Yang Hua Zi" ("like a flower or like a non-flower") really means little, the so-called "harmony rhymes and like the original song" (Kingdom Wei language), but it is said that a Zhang Zhifu is completely compared, which is still worth making a fuss about dongpo? The word itself is small and emotionally empty, Gu Sui also said "straight and vulgar", and did not see the true color of Dongpo.
However, the true means of the eastern slope are all said above - in the clear and detached, in the flowing freely, in the harmony and run, in the frustration and flying, just healthy and gentle? And that's not all. There is still a fairy breath - there are feelings and thoughts and their hearts are far away, and they can write out the rhyme of the things in front of them. Dongpo always thinks about time and space, reality and dreams, past and future, this presence and eternity because of the changes in the past and the present, the shortness of life, and always feels the deep taste of life travel, and it is even more rare that this overwhelming trance is confused, and Dongpo actually gives him an overwhelming earth: a world of ethereal, clear, radiant flowing, spotless.
Yong Yule Pengcheng stayed overnight in the Swallow Building, dreaming and looking forward to it, because of this word
The bright moon is like frost, the good wind is like water, and the scenery is infinite. Qugang jumping fish, round lotus dew, lonely no one sees. Like three drums, a leaf, a dark dream cloud is broken. The night is vast, there is nowhere to be found, and I feel that I have traveled all over the garden.
Tired guests at the end of the world, returning to the road in the mountains, looking at the heart and eyes of the old garden. The swallow building is empty, where is the beauty, and the empty lock building is in the swallow. Ancient and modern are like dreams, He once dreamed, but there are old joys and new grievances. At different times, the night view of the Yellow Tower sighed for Yu Hao.
Cave Fairy Song
Ice muscle jade bone, cool without sweat. The water temple wind comes dark incense. The embroidery curtain is open, a little bright moon peeps at people, people do not sleep, and the pillow is chaotic.
Get up and take the hands of the plain, the court is silent, and when you see the stars crossing the river, you will see the thin stars. How about the night? The night has changed three times, the golden wave is light, and the jade rope is turned low. But when the west wind came, it was not secretly changed for many years.
These two 阕, get a "living" word, but also occupy a "xian" word. This immortal qi, Dongpo really has, Xin abandons the disease and really can't learn, and there is no need to learn. Jiaxuan also made his own Jiaxuan, and there was one on the eastern slope.
Dongpo and Mi Fu once met in Yangzhou, and there was a pair of answers that made people can't help but be funny. Mi Fu said to Dongpo: The world regards Mi Fu as "upside down" and wants to hear your opinion. Dongpo smiled and replied: I follow the crowd.
In this way, Su Xueshi understood the teaching. If Dongpo asks me, I will answer: Everyone in the world regards Dongpo as a fairy, and I also follow the crowd.
From June 30 to July 16, 2021, at Dan Tea House
About the Author
Pan Xiangli
Born in 1966, he now lives in Shanghai. Doctor of Literature, Vice Chairman of Shanghai Writers Association. He is the author of the novel "Andrographis", the short story collection "White Water Green Vegetables", and the essay collection "Meibian News: Pan Xiangli Reading Ancient Poems" and many other works. He has published the English novel collection WHITE MICHELIA (Chinese "Burmese Osmanthus Flower"). He has won awards such as the Lu Xun Literature Award and the Zhuang Chongwen Literature Award, and his works have been translated into many languages. He has published many works in this journal, and has written a column "Like a Flower in the Wild" in this magazine since the first issue of 2020.