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In some of the unearthed fuxi nuwa pictures, why the two men each held a curved ruler and a compass in their hands

There are many fuxi nuwa figures unearthed from the mainland.

The earliest occurrence was in

1963

During the archaeological year, tang dynasty silk paintings in the Astana region of Xinjiang.

This genuine silk product is now stored in the Palace Museum.

In some of the unearthed fuxi nuwa pictures, why the two men each held a curved ruler and a compass in their hands

After that, it has been excavated repeatedly in the "Ancient Tombs of the Han Dynasty" in Many Places in Sichuan and Shandong, and most of them appear in the ancient tombs where husband and wife are co-located. The size of the Fuxi Nuwa figures in various places varies, but in the Han Dynasty, most of them were black and white.

In the propaganda magazine of the United Nations, which was once published as a cover, it was a black and white picture of Fuxi Nuwa in the Han Dynasty. Since the Tang Dynasty began to have Tang Sancai, Fuxi Nuwa Tu began to use silk color.

There is a famous attraction in Chengde, Hebei Province, called "Little Brada Palace", which was built in the Qing Dynasty and is a miniature version of the "Brada Palace" in Tibet. Near the palace on its right, there is also a similar diagram of the Fuxi Nuwa.

1990

Years ago, I saw the real thing with my own eyes. And specially asked the docent to introduce the relevant knowledge.

The name "Moment" in Fuxi's hand is equivalent to the "Curved Ruler" commonly used in carpenters' hands now. However, this "Moment" is used by Fuxi to "measure the land".

Because the "Zhang" measure is the powerful person among men, this kind of power can be obtained, so from then on, the people who measured the "Zhang" began to be called "Zhangren", and later changed to "Husband". This is also the origin of the word husband.

The name "Rules" held in Nuwa's hand was equivalent to the "Circle Rules" used in drawing now. However, this "rule" is not for drawing purposes.

Fuxi and Nüwa snakes intercourse, representing the world, the legendary brothers and sisters, creating the sons and daughters of the Chinese nation. Each of them adhered to the "Rules" and "Moments", which also represented that in China, Fuxi and Nuwa were the guardian gods of "Guan Tian Guan Di" and were responsible for the management of Qiankun's heaven and earth.

In some of the unearthed fuxi nuwa pictures, why the two men each held a curved ruler and a compass in their hands

Finally, I would like to emphasize and point out in particular

:

Both Fuxi and Nuwa are legendary tales

7800

Years ago, the legend, at that time, has not yet invented and used the "Circular Rules" and "Curved Ruler".

Because so far, there has not been found, earlier than the Han Dynasty Fuxi Nuwa tu.

Only when Qin Shi Huang unified weights and measures did he have a standardized ruler. The famous ancient collection "Huainan Bao" has explanations of "Moments" and "Rules". But that's also a matter for the Western Han Dynasty. It should not be mistaken to think of ancient times

(7800

years ago

)

There are garden rules, curved rulers and other things.

Simply put, during the Western Han Dynasty, there were black and white depictions of Fuxi Nuwa. In the Tang Dynasty, ancient people were painted in color. The "Moments" and "Rules" held by Fuxi and Nuwa in the picture were added by the Western Han People.

And in

7800

Years ago, about the legend of Fuxi Nuwa, there were no "Rules" and "Moments" at that time.

Referring to the Masonic Problem, Freemasonry appears

18

century.

The Tang Dynasty Fuxi Nuwa Tu appeared in the Common Era

600

Years ago.

In some of the unearthed fuxi nuwa pictures, why the two men each held a curved ruler and a compass in their hands

In other words, Freemasonry was a thousand years later than the Tang Dynasty's Fuxi Nuwatu. It can only be understood that western countries "steal" the essence of Chinese culture, disturb the visual hearing, and "steal the sky for the day" in order to achieve the despicable behavior of a certain cultural aggression.

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