"The Voice of Heaven 3" once again staged a famous scene of "provoking thorns", and music critics questioned Zhang Zining's singing and biting words were not clear, lacked personal recognition, and sneering and sarcasm were a bit hurtful.
Zhou Shen and Zhang Bichen are straight and uneven: the public is justified, the mother says that the wife is reasonable, the comments cannot be too subjective, and every musician deserves to be respected. Zhou Shen and Zhang Bichen are reasonable and well-founded, and music literacy "dimensionality reduction strikes" music critics.
Zhang Zining is one of the vocal responsibilities of the "illegal girl", although it is the debut of the girl group, the slow song is very flavorful, and the ability to control different styles can be seen. Moreover, Zi Ning's sister can write songs and arrange songs, and her personal attributes are extremely strong, and she is definitely a new generation of musicians worth looking forward to.
Zhang Zining partnered with Li Ba, and performed "Guest" in an immersive crying voice. Listening with closed eyes, regret and reluctance, including the sense of alienation in the artistic conception, delicate and sad, even brings comfort and strength to people.
Zhang Zining's wedding dress modeling, the first love face beauty to a new height, affectionate eyes are very heartfelt, aesthetic tone is very infectious. One is a "tool man", the other is an "ex-boyfriend", and the stage of "Guest" is very graphic.
However, the music critics' comments are a bit diaphragm, mean and harsh. Liang Yuan once again took the lead in provoking the thorn: the stage presentation was very general, especially Zhang Zining's singing and biting words were not clear. LiuShui Ji is extremely supplementary: Zhang Zining lacks recognition, and the singing voice is not stylized, just like Liang Jingru of the "low-end version".
To tell the truth, the person who really bites the word is not clear, it should be Li Ba, after all, it is a foreigner, and the hot mouth Chinese affect the voice. However, music critics have been vigorously criticizing Zhang Zining, which is somewhat sensational.
Zhang Zining couldn't cry, and even fell into self-doubt. Zhang Bichen did not hesitate to choose Zi Ning's sister, and warmly encouraged her: don't care too much, it is more important to be strong.
Zhang Bichen partnered with Zhang Zining, and the healing version of "Rainy Day" was gentle and delicate. In the quiet and indifferent song mood, two girls talk to each other, one likes to go to the rain, one just wants to hide at home, a little romantic, a little intoxicated.
Unexpectedly, music critics once again questioned, and even criticized the lack of the soul of the original song, only the technical cover song has no value. Zhang Zining's self-confidence was hit again, Zhou Shen and Zhang Bichen really couldn't listen to it, and Geng Zhi's unfairness was justified.
Zhang Bichen said bluntly: In fact, there is no need to deliberately elevate the value, the adaptation does not have to be surpassed, and the comments cannot be too subjective, because everyone's musical aesthetic is different, and the teacher is right, or it can be said wrong.
Zhou Shen helped to add: We can take the "sound synthesis" platform as a place to "do experiments", whether it is an objective or subjective point of view, we can rationally discuss, and even look at the work from the audience's reaction, which is the valuable point of "sound synthesis".
Zhou Shen and Zhang Bichen's views are very convincing, rational discussion does not refer to pointing points, let alone subjective criticism. Music critics must first learn to respect every musician, and they don't have to "brush up on the sense of existence".