Jealousy Roar: Kim Hee-sun, aren't you going to get old?
Who would have thought that the 44-year-old would look like this again?
So difficult to control the pink hair color, resting on her head, stunned is a little gentle and elegant
A fan left a message under her selfie, saying:
The goddess of frozen age, worthy of the name, is completely no different from the Princess Yushu of that year.
Funny, on the day Kim Hee-sun took a selfie, there was also an old melon flowing out
Tang Jili blew himself up: The script of "Myth" was originally written by him to Jin Chengwu.
However, after Jackie Chan saw it, he was very moved and offered to star.
Therefore, the film is the version of Jackie Chan and Kim Hee-sun.
What's even funnier is that Kim Hee-sun can play Princess Yushu in "Myth"
It was because someone in the production team watched her martial arts movie "Flying Dance" and thought she would be a good seedling of martial arts films.
One thing to say is that "Flying Dance" is placed in Korean martial arts movies, and its status is indeed called the grandfather.
Even contemporary Korean movies can't make such a pure martial arts flavor.
This is because the martial arts director of the film is none other than Chinese Ma Yucheng.
His teacher is Cheng Xiaodong, who directs the martial arts moves of Hero and Ten Faces Ambush.
Indeed, when it comes to martial arts aesthetics, who can do more than we Chinese shoot?
Chinese martial arts culture
The word "wu" is used in every country.
Japan has Bushido, and if the spirit of Bushido is violated, the samurai needs to apologize for their sins.
There is taekwondo in Korea, although taekwondo was formerly known as Japan's karate and Ryukyu Tang.
European and American countries have a western cowboy culture, and "heroes on horseback" refers to them.
But our Chinese "wu" has never appeared alone, but is juxtaposed with the word "xia".
With "chivalry", "wu" is no longer a privatized kung fu, but a culture of sentient beings.
The so-called image of sentient beings refers to facing sentient beings.
During the Tang Dynasty, Du Fu wrote a poem depicting the dance of Gongsun Daniang's sword weapon:
In the past, there was a beautiful Gongsun clan, and a sword dance moved in all directions
The viewer is as depressed as the mountains, and the heavens and the earth are low for a long time
Huo Ruyi shot nine sunsets, and Jiao Ruqun Emperor Qilong Xiang
Come like thunder to collect anger, like the river and sea condensed clear light
...
Therefore, the red whispering woman in the wind and dust is a hero, and the white jade hall that steals and has a way is also a hero.
As long as there is chivalry, there is a "martial" spirit.
And because everyone can become a "hero", so China's kung fu comes from a hundred doors, and the weapons have their own advantages.
Even if it is as thin as water sleeves, it can beat a big drum, in terms of weapons
This point is even more vividly expressed in Jin Yong's novel.
On the sword, there are the lone nine swords, the knife, the Hu family knife method, and the bamboo stick method.
Whether it is heavy or light, wide or narrow, as long as it is available, it can be a weapon.
Zhang Jizhong's version of "Divine Eagle Hero", Xiaolongnü and Li Moxuan's fighting method are directly using umbrellas as tools.
The more weapons, the more tricks there are.
In the sword category alone, there are "stabs, splits, points, plucks, picks, collapses, cuts, cuts..." and so on.
The Emei Sword Method pays more attention to the five-character essence of "rigid, soft, brittle, fast, and skillful", and it is necessary to "practice the five elements as if they are tangible, the qi goes along with the sword, and the eyes follow the sword"
In addition to weapons and moves, our martial arts also pay attention to the "mental method".
For example, the palm method of descending the dragon eighteen palms is precisely applied to the Zhou Yi.
"Flying Dragon in Heaven" comes from the I Ching Qiangua: Flying Dragon in Heaven, Seeing The Lord.
The trick is said to hurt people by the upper force, borrowing inertia, and the meaning of the gua is that the flying dragon is famous by virtue, and there is also the meaning of "force".
Many weapons, complex tricks, and mental methods rooted in traditional culture make Chinese martial arts not only stay at the level of kung fu.
Instead, there are three religions and nine streams, and the worldview of the heroes and heroes.
Therefore, rather than saying that our "wu" is a fist-to-flesh kung fu, it is better to say that our "wu" is China's martial arts culture.
Chinese martial arts aesthetics
Chinese identification with martial arts culture comes not only from books and history.
Li Bai's "Chivalrous Journey" wrote, "Kill one person in ten steps, and leave no line for a thousand miles." The thing whisked away, hiding deep with the name. "Although it has triggered countless fantasies, what really makes us understand the beauty of martial arts is film and television dramas."
How strong is the martial arts aesthetic of Chinese film and television dramas?
So strong that we don't have to look at people, just look at the picture, you can feel the martial arts atmosphere.
Cangshan, clouds, old man...
The combination of these three is a poetic sense of loneliness.
Therefore, the word "artistic conception" is the core of the Chinese martial arts aesthetic.
If you want to achieve the "artistic conception" beauty of Chinese martial arts, there are three meanings.
The first meaning is the body.
Playing drama can not be congested, there must be a sense of clouds and flowing water, and the strength of this "cloud" and "water" can not be heavy, pay attention to a rigid and soft at the same time.
Punches do have to be fast, and three moves ko opponents are the norm
But rolling, kicking, and turning around must also be smart enough
Otherwise, there is less of a taste of Chinese martial arts and more like a modern way of playing.
The second meaning is to express the force of things.
Light gong is the core of the Chinese martial arts aesthetic, but just by hanging Wei Ya fei, it is inferior. If you fly stiffly, it's more like taking an elevator.
Therefore, it is necessary to use things to express the force, the sound of breaking the air, and the momentum of the air is the "force" of the light power table.
To get off the eaves, the hero must roll down the momentum
If it is on flat ground, it is necessary to borrow the power of reeds
Although the reeds flutter lightly, between the touches, it is the essence of light work.
The third essence lies in the Taoist mind.
Chinese martial arts, not my martial arts are high, I see that you are not pleasing to the eye, I will bully you. Instead, I have high martial arts skills, and when the road encounters uneven things, I want to shoot.
The Tao is the same as helping, it does not matter whether the status is high or low
The Tao is different, and it is based on the strength of the high and low, disdainful of playing conspiracies and tricks
The swordsman does not kill the old, the young, the woman and the child, and the swordsman pursues the way of a gentleman, which is the Taoist heart of the Chinese martial artist.
There is a passage in the Chronicles of the Rangers:
Although the present Ranger's deeds are not in line with justice, his words will be believed, his deeds will be fruitful, his promises will be sincere, he will not love his body, and he will go to the doom of the soldiers, and he will survive and die, but he will not be able to do so. Shame on its virtues. The cover also has enough to do.
Therefore, our "hero" lies above "martial".
Even if there is no martial art of the world, as long as the heart is right, there is a great ambition to help the world.
The great hero is for the country and the people, and the small one is for the friend and neighbor.
Academician Yuan Longping and Academician Wu Mengchao do not know martial arts, but when they die, everyone will still be honored as a "great hero".
Because they are the practitioners of the "great hero".
Today, when Yang talks about martial arts here, he is not regretting the decline of martial arts dramas, but lamenting that we are martial arts culture and our martial arts aesthetics.
Perhaps, martial arts dramas will continue to decline, but the martial arts spirit of Chinese will never grow old.
Those who uphold the principle of "the great hero serves the country and the people" will also remain in our hearts forever.