Reading Paintings Recognizes People Reading People Interpreting Paintings Reading Jiang Hao's Paintings

Read Jiang Hao's paintings, Professor of the Central Academy of Fine Arts, Art Consultant Zhao Youping

Reading paintings recognizes people Reading people interpret paintings

Teacher Jiang Hao sketched in Luanheyuan

The time for Western oil painting to enter the field of Education and Painting Art Creation in China is not very long, and the ancestors and teachers have made arduous efforts to introduce this widely loved art form to their own countries and nationalities, and have made indelible contributions to the localization of oil painting, providing a fulcrum and a platform for our later scholars to continue to move forward. We still have love and gratitude. It is our responsibility to strive to inherit and carry forward the tradition of excellence.

"Mountain Rain Is Coming" Jiang Hao

The concept and creation method of realist oil painting are the roots of all other genres, other genres are just derived from it, we learn the Art Form of the West, facing a double difficulty, one is to fully understand this art form and deliberately master it, it is not easy, the other is to learn foreign paintings Chinese to make it localized, it is not easy, Western painting requires global, non-partial, fundamental rather than superficial mastery, understanding, can be said to have learned Western oil painting, taken the true scriptures, and then can be discussed.

"Sunflower" Jiang Hao

But these difficulties have not dampened China's enthusiasm for studying oil painting, especially after the reform and opening up, the various schools of art in the West and their various art theories have surged forward. Our young painters enthusiastically extended their arms to greet them, and after the precipitation of time, they gradually re-understood the eternity of realist art, although it was difficult, but there was no future without the right path from art. In particular, among our artists, there are many forerunners who pursue the true meaning of art, they study China's excellent cultural traditions, and they also gradually realize from the wisdom of the sages and sages that the rhythm of life in the universe is endless, such as Confucius and Zigong talking, Zi yue: "Give desire without words", Zi Gong Yue: "The master does not speak, the boy He Shu Yan" Zi Yue: "Heaven he yan zhao, four hours of action, all things are born, heaven he yan zhao" The predecessors discovered very early that nature is the direct embodiment of beauty and goodness. Discovered the running melody of nature that is not transferred by human will, or the melody of life, which is why the ancestors of the masters without exception put themselves in the position of students, with the creation as the teacher, and then summed up the truth conclusion of the 'external teacher', but the predecessors did not stop here, they summed up the subjective and objective relationship in the artistic creation of the 'source of the heart', and prevented the drawbacks of becoming a photo depiction of the objective object. Teacher Jiang Hao is a walker who has followed this difficult road and struggled endlessly, and those who have seen him himself will find that this is a strong, ruddy, kind and simple northern man, and this characteristic can only be left on him when he sees it as a 'close' with nature.

Teacher Jiang Hao sketches under the winter snow

Born in Chengde, Hebei Province, Mr. Jiang Hao studied in the Oil Painting Seminar of the Central Academy of Fine Arts and the Postgraduate Course of the China Academy of Oil Painting, and remained as the head of the postgraduate course after graduation. The two colleges are both training talents from high school students and recruiting students with a certain professional foundation who can independently study professional issues, while the China Oil Painting Academy is the main task, but the artistic ideals of the two colleges are consistent, and the inherent unity of art and life is their common essential adherence. This period of study enabled him to deepen and strengthen his understanding and consistent practice of the concept and creation method of realist art.

Jiang Hao and Teacher Fan Di'an in Saihanba

Western oil painting is an art form developed on the basis of studying objective laws, and has its own aesthetic standards and expression methods, their respect for objective laws has formed their realistic sketching method as the main means of expression, so to nature, to face the colorful world in life direct sketching has become a consistent way of study for all Western painters.

Teacher Jiang Hao and Yang Feiyun were sketching in Saihanba

Sketching is not a simple artistic labor is a passionate process of discovering and capturing beauty in the face of the objective world, otherwise it cannot be used with emotion to lead the skill, how can it 'get the source of the heart' and how can there be art? In sketching, the painter's keen observation can be developed, and sketching can open people's minds and continuously deepen in the understanding and expression of nature. The essential realization and touching of the beauty of nature, it makes itself realize that it is a blessing to live between such a heaven and earth!

"Winter Sunshine" Jiang Hao

Sketching not only condenses the author's wisdom, feelings, wishes and pleasure after the completion of the work, but also provides the audience with an aesthetic object, we remember a Landscape painting of London painted by the British painter Tyner, which is considered to be the author's view of the beauty of London in the fog. Aren't our works one aesthetic gift after another to the audience?

It can be said that with its unparalleled vividness, richness and non-repetition, sketching has gained eternal aesthetic value.

"Pan" Jiang Hao

Teacher Jiang Hao has consistently adhered to the essence of traditional oil painting, and always adhered to the art of 'foreign teacher creation, middle gain of the source'. In recent years, Teacher Jiang Hao has insisted on returning to his hometown of Weichang Manchu Mongol Autonomous County in Hebei Province for a period of time every year to experience life and find the poetry of his hometown. He wrote: "At the source of the Luan River, next to the Lok Ma River, along the Ison River------ especially in the village of Banjuta on the banks of the Imatu River, that is where I was born, when I walked on the familiar field path, the mountain chrysanthemums on the slopes, the rape flowers spreading on the fertile soil, the countless turquoise and fiery red flowers and trees, the fragrance of the earth surrounded me, and I saw the villagers working in the fields, all remembering the harmony with nature and the villagers in my childhood, helping me grow and rejoice, and the scenes were unforgettable------, An inexplicable throbbing filled my heart and made me extremely excited'.

"In the First Month" Jiang Hao

In his hometown, the babbling water of the Imatu River, the flawless white snow on Jiguan Mountain, the infinite vitality of the Xiaonan River under the bright sun, the vast forest sea, the colorful fields, and the endless hills and grasslands of the Yudaokou Ranch have all become beautiful pictures in his hands------

"Chaoyang Bay" Jiang Hao

What is particularly worth mentioning in the book is Jiang Hao's special feelings for the Saihanba Great Forest.

There was once a great desert with no grass, the Saihanba people are really a group of heroic and tenacious elites, they have experienced unimaginable hardships and hardships for ordinary people, decades of struggle have finally created a miracle on earth, a vast forest, bringing not only wealth, but more importantly, they have brought the beauty that belongs to nature back to this piece of heaven and earth, and once again become the guardian of the life of all animals and all things, the barrier of life!

"Youth and Mission" Jiang Hao

The heroic deeds of the Saihanba people have aroused the natural respect of the people of the whole country, and have also become a powerful motive force for inspiring the people of the whole country to bear hardships and stand hard work in building the motherland; Teacher Jiang Hao and many artists throughout the country were touched by it, organized to go to saihanba, to the life of the heroic people of Saihanba, to feel the greatness of the Saihanba people in the ordinary, to create the heroism of the world, they were moved by it, they made statues for it, and created a number of works depicting and recording the heroic deeds of the Saihanba people.

"Yishui Qiuhan" Jiang Hao

In addition to completing a series of works with various painters that reflect the great cause of Saihanba, Mr. Jiang Hao also created a number of works depicting the beauty of Saihanba. For example, "Spring Colors on the Dam" shapes the unique atmosphere of the mountain rain of Saihan Dam, which nurtures all things, and the different greens of the tree species show a kaleidoscopic richness, and the most difficult greens present their respective characteristics in contrast at this time, and constitute the unified beauty in change.

"Spring On the Dam" Jiang Hao

Another example; the golden larch of "Autumn of Saihanba" occupies the main part of the picture, the color changes layer by layer, the clear and unified tone of the change, enhances the sense of wholeness of the picture, the bright melody, showing its firm and brilliant aesthetic power.

"Autumn of Saihanba" Jiang Hao

And "Lush Camel Mountain" is layered on top of each other, under the illumination of the sun, shining, solemn colors, active brushstrokes, colorful light and shadow, so that the picture is full of vitality of beauty.

"The Lush Camel Mountain" Jiang Hao

Teacher Jiang Hao especially put forward one of his works ... "Shang Hailin", this forest is called "Shang Hailin" because this forest was planted by Wang Shanghai, the secretary of the party committee of the field, at the beginning of the establishment of the Saihanba Mechanical Forest Farm, and now it has become a forest, lush and towering on the beautiful mountain range, the sun shines into the jungle, shining with golden light, and the ground is covered with flowers to attract the visit of bees and butterflies. All this is like a grand gathering, praising the joy of growth, but also to the deceased who protect their own growth... Wang Shanghai's reverence and eternal remembrance! All this expresses Teacher Jiang Hao's deep love for Saihanba and overflowing respect for his heart.

"Shang Hailin" Jiang Hao

Jiang Hao's works are very rich, and he often participates in large-scale exhibitions at home and abroad and wins awards, his main masterpieces "Golden Autumn on the Dam", "Youth and Mission", "On the Field of Hope", etc., many works have been collected, of which "Golden Autumn on the Dam" was collected by the State Administration of Taxation, "Comrade Xiao Jun to Yan'an" was collected by the Xiao Jun Research Association, "Love Man Courtyard" was collected by the Capital Museum, and "Pingyao Catholic Church" was collected by the Central Academy of Fine Arts, I think these are all rewards for his years of struggle.

"On the Field of Hope" Jiang Hao

Teacher Jiang Hao's works, there is no 'bells and whistles' color dazzling, nor after seeing the frightening 'innovative techniques', his works are as simple as life, do not see any sense of carving, in front of his paintings is like seeing a familiar old friend sitting face to face to listen to him intimately and peacefully, his touching feelings, the language is permeated with easy to understand sincerity, plainness, modesty and proximity, so that the viewer feels the babbling water there, the cattle on the fertile grassland, The natural scenes of the villagers working in the fields in harmony with heaven and man and the beauty and reconciliation of their hometowns, at the same time, their hearts are slowly filled with a warm and soft touch...

"The Sunset of the Erin River" Jiang Hao

In Chinese painting theory, it emphasizes the unity of painting and character, and Teacher Jiang Hao's paintings are like his character, and his character determines the stylistic characteristics of his works. Illustrates how his heart sees what it is.

"Under the Firmament" Jiang Hao

Although I can't fully describe the beauty of Mr. Jiang Hao's works, but he sincerely and enthusiastically faces nature, warmly and modestly treats the cultivation of teachers and friends, the love for his relatives in his hometown, and the attitude of hard work and diligence, which is the guarantee for him to continue to create excellent works, I believe that his consistent adherence, on the right path of art, and striving forward, will certainly be able to create excellent works that can continue with the beauty of Chinese national culture, and I believe that greater success awaits him

Zhao Youping

2020.7.6

Professor and academic advisor of the Central Academy of Fine Arts

Mr. Zhao Youping's manuscript

Teacher Jiang Hao has more works

《Oyama Village》 Ehiro

"Autumn Wind XiaoSer" Jiang Hao

"Luan River Source" Jiang Hao

"The Valley Stacks on the Edge of the Village" Jiang Hao

"There is a family under the white clouds" Jiang Hao

"The Grove by the River" Jiang Hao

"Winter Snow Royal Wind Lake" Jiang Hao

"People on the Dam" Jiang Hao

"Erquan Riverside" Jiang Hao

"The Farmer in the Mountains" Jiang Hao

"Empty Mountain After New Rain" Jiang Hao

"Cooking Smoke" Jiang Hao

"The Path to the Village" Jiang Hao

"Under that cloud" Jiang Hao

"Mountain Road" Jiang Hao

"The Sunshine at the Head of the Village" Jiang Hao

"Grassland Under dark clouds" Jiang Hao

"Warm Sun on the River Beach" Jiang Hao

"Mountain Chrysanthemum" Jiang Hao ·

"Under the Mountain of Cone Peak" Jiang Hao

"Cave Mountain Overlook" Jiang Hao

"Mulan Qiu Fox" Jiang Hao

"Princess Lakeside" Jiang Hao

"People in the Mountains" Jiang Hao

"The Rising Sun of Saihan Dam" Jiang Hao

"Path" Jiang Hao

"Heaven and Heaven" Jiang Hao

"The Path Stretches out into the Distance" Jiang Hao

"Clouds on the Mountain" Jiang Hao

"Peasant Sister-in-law" Jiang Hao

"Mountain Village Lady" Jiang Hao

"The Ancient Rhyme of the Yellow River" Jiang Hao

"Wild Peony Medicine on the Hillside" Jiang Hao

"Red Flower" Jiang Hao

Jiang Hao

From September 2008 to July 2010, he studied at the Oil Painting Seminar of the Central Academy of Fine Arts as the class leader, from September 2010 to August 2012, he studied in the postgraduate course of the Oil Painting Institute of the China Academy of Art, and served as the class leader of the postgraduate class after graduation in the same year.

Director of the Art Development Center of the Chinese Academy of Management Sciences, Deputy Secretary-General of the China Xiaojun Research Association, President of the Literary and Artistic Creation Committee, Master Tutor of the School of Arts of China Three Gorges University, Vice President and Professor of the Zhonglian Nationalities (Beijing) Education Consulting Institute, Assistant Dean and Professor of the China Amity Art Institute, Distinguished Professor of Guangxi Beihai Institute of Art and Design, Deputy Editor-in-Chief of the Magazine of "Famous Artists of Chinese and Foreign Calligraphy and Painting" of China International Publishing House, Artistic Director of Beijing Gongmei Vision, and Leader of the Luanheyuan Oil Painting Art Genre.

"Sunflower in front of the house" Jiang Hao

Representative works "Golden Autumn on the Dam", "On the Field of Hope", "Youth and Mission", "Winter Sunset", "Pingyao Catholic Church" and so on. His oil paintings have been exhibited at the National Museum of China and the National Art Museum of China, and have participated in many major exhibitions at home and abroad and won awards. In September 1998, he was invited to participate in the exhibition of hualian oil painting masterpieces held in Singapore, in 2007 he held a solo exhibition in Beijing 798 Art District, in 2016 in Beijing Zizhuyuan Palace solo oil painting exhibition, many oil paintings were collected by institutions and individuals at home and abroad: among them, "Golden Autumn on the Dam" won the National Art Exhibition Excellent Work Award, collected by the State Administration of Taxation, "Comrade Xiao Jun to Yan'an" was collected by the China Xiao Jun Research Association, "Love Man Courtyard" was collected by the Capital Museum, "Pingyao Catholic Church" Collected by the Central Academy of Fine Arts, "Black Gold Tribe" was collected by the Shuangyashan Municipal Government, "Abandoned Construction Site" was collected by Beijing R&F Group, "Busy Wilderness" was collected by Daqing Art Museum, and "Taishan" and "Great Wall" were collected by Beijing Huajin Holding Group

Teacher Jiang Hao sketched in Saihanba