Qianjiang Evening News Hourly News reporter Chen Yuhao
From March 30 to April 1, 2022, the large-scale original realist drama "Spring Tide" was rehearsed at the Hangzhou Yiyuan Theater. On the afternoon of April 1st, Lu Xiaolong, deputy director of Hangzhou Municipal Bureau of Culture, Radio, Film and Tourism, Sun Junming, member of the Party Committee of Hangzhou Wenguang Group, director of the Cultural Development Department of Hangzhou Wenguang Group and chairman of Hangzhou Performing Arts Group, and Hong Jiancheng, general manager of Hangzhou Performing Arts Group and general manager of Hangzhou Grand Theatre, watched the performance.
The drama "Spring Tide" is a stage drama work that embodies the history of Zhejiang businessmen's entrepreneurial struggle in miniature, and is also a prelude to the era and life picture depicting the sons and daughters of Zhejiang who were born in the Qiantang River. Since its premiere in 2019, the play has received widespread attention from all walks of life; in March 2022, "Spring Tide" was presented at the National Theatre of China to perform the "Sixth China Original Drama Invitation Exhibition". This rehearsal performance, three days and nights, three performances, every audience who entered the theater was immersed in it, and was deeply touched by the sincere emotional expression and poetic presentation of the actors. After the performance, the expert seminar of the drama "Spring Tide" was held in the conference room of Hangzhou Yiyuan.
In order to further enhance the depth and breadth of artistic creation, the meeting specially invited Lu Xiaolong, deputy director of the Hangzhou Municipal Bureau of Culture, Radio, Film and Tourism, Feng Yi, director of the Art Department of the Hangzhou Municipal Bureau of Culture, Radio, Film and Tourism, Zhou Guanjun, former director of the Art Department of Zhejiang Provincial Department of Culture, Xie Lihong, vice chairman and secretary general of the Zhejiang Dramatists Association, Shen Yong, vice chairman and secretary general of the Zhejiang Literary and Art Critics Association, Ye Zhiliang, deputy secretary general of the Zhejiang Provincial Drama Association and executive editor of the "Big Stage Magazine", Yu Qingfeng, a national first-class screenwriter, and Jiang Zhongqi, former vice president of the Zhejiang Provincial Culture and Art Research Institute. Ni Donghai, a national first-class director, executive vice president of the Zhejiang Drama Association's Directing Arts Committee, former secretary and vice president of the Zhejiang Provincial Academy of Culture and Art, and Wang Xiaohong, former deputy director of the Hangzhou Repertory Theatre and a national first-class actor, attended the meeting.
Sun Junming, member of the Party Committee of Hangzhou Wenguang Group, director of the Cultural Development Department of Hangzhou Wenguang Group and chairman of Hangzhou Performing Arts Group, Hong Jiancheng, general manager of Hangzhou Performing Arts Group and general manager of Hangzhou Grand Theatre, Zhang Yuan, general manager of Hangzhou Dramatic Arts Center Co., Ltd., Chen Zhongnan, secretary of the party branch, Fu Jie, deputy general manager, Wang Weiguo, actor and elderly Ye Qingshan, and Zhu Hongbo, male lead actor and young Ye Qingshan, attended the seminar. The meeting was presided over by Zhang Yuan, general manager of Hangzhou Dramatic Arts Center Co., Ltd. At the meeting, the general director Wang Xiaoying connected with the on-site remote video, briefly expounded the original intention of creation and the intention of the selection, the lead actor Wang Weiguo shared the creation process and role understanding, the leaders and experts commented from different angles, gave affirmation to the play, encouraged and spurred on the cast, and pointed out the existing problems and improvement directions. Shen Yong said that the drama "Spring Tide" is a play that meets the needs of the current environment and the times, and profoundly expounds the "Zhejiang spirit" that cannot be forgotten. When it was first performed, it was created for the purpose of "three places", and today, the rehearsal performance has extended more significance. The spirit of Zhejiang is the spirit of China, which is in line with the spirit of the times. Zhou Guanjun pointed out that there are many works on the theme of "reform and opening up", and this play describes the story with emotion, closely following the father-daughter relationship, husband and wife love, and brotherly love, and the method of running the emotional line through the story is very clever.
Drama is a traditional and serious art form, but the dramatic structure and expression of the play are novel, and the stage performance is rigorous and well-coordinated. From the perspective of the screenwriter, Yu Qingfeng focused on the creation of the script, believing that the reconciliation of the father and daughter of the play is a warm realization and the art of reform and opening up. The narrative method of multi-time and space transformation is very flexible and free, and the character expression of the elderly and young Ye Qingshan is clear. Xie Lihong has repeatedly emphasized the three words "not easy", believing that the play is very clever, and the rigid theme is expressed in a soft form. The director uses two lines and two characters to start from several life stages, so that the whole performance has a lot to see.
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