The great poet Du Fu is not only worried about the country and the people, which poet of the Sheng Tang Dynasty is not romantic and wild?

When it comes to traditional Chinese poetry, people must think of Tang poetry first, and when it comes to poets, people will first think of the poets of the Tang Dynasty. When it comes to the poets of the Tang Dynasty, everyone will blurt out the words romance and wildness.

Just like wine is Li Bai's label, food is Su Dongpo's label. And romance and wildness are the labels of the poets of the Sheng Tang Dynasty. But there seems to be an exception, and this person is Du Fu. Du Fu's impression of the world is that he is worried about the country and the people."

Zhumen wine smells of flesh, and there are frozen bones on the road.

”、“

There are tens of millions of buildings in Ande, and the cold people in the world are happy

This is Du Fu's impression of the world. Because of this, Du Fu had"

Great realist poet

"Such a title.

Du Fu zimei Shaoling Ye lao, once served as a member of the Zuo Shiyi and inspection department, so many people call Du Fu "Du Gong Department". Although Du Fu and Li Bai are jointly known as Li Du, they are also two of the greatest poets in China. However, Du Fu and Li Bai's family lineage is completely different, compared with Li Bai, Du Fu can be called a typical second generation of officials.

Du Fu's distant ancestor was Du Pre, a scholar and famous general of the Jin Dynasty, Du Pre Neng Wen Neng Wu, the typical Wen Neng Pen An Tianxia, and wu Neng on ma Ding Qiankun type of pillar, Du Fu has always been proud of this. Du Fu's grandfather was Du Zhenyan, a famous poet of the early Tang Dynasty and one of the founders of Gelug poetry.

Although in Du Fu's generation, his family was in the middle of the road, but his way of dealing with the world was quite influenced by his family style, and since he was a child, he dreamed of contributing to the country and relieving the people's worries. It is precisely for this reason that he was given the label of realist poet by posterity.

In terms of poetic style, Du Fu inherited the rigorous grammar of his grandfather Du Zhenyan, if it is said that Shen Qi, Song Zhiqing, and Du Zhenyan were the founders of Gelu poetry, then Du Fu was the one who carried forward Gelu poetry. Du Fu's poems are known for their neatness, the most famous of which is the Seven Laws of Ascension.

Speaking of "Ascending High", we have to mention Cui Hao's "Yellow Crane Tower" and Li Bai's "Dengjinling Phoenix Platform", these three are considered to be the best seven laws, from the perspective of Gelu, it is Du Zimei. The half-ancient and half-law "Yellow Crane Tower" is better than the artistic conception of "the people of the past have taken the Yellow Crane, and the Yellow Crane Tower is empty here" with lofty intentions. Look again at the famous battle sentences of the three poems:

Du Fu: Boundless falling wood, the Yangtze River rolling in.

Cui Hao: Harukawa Calendar Hanyang Tree, Yerba Buena Parrot Island.

Li Bai: Three mountains and half of the blue sky, two waters divided into Egret Island.

In my opinion, Du Fu is still slightly better. The law is rigorous and neat, and the verses are full of worries about the country and the people, which is the great realist poet Du Fu.

Romantic Du Zimei

How can the poets of the Sheng Tang Dynasty not be romantic, how can they not be romantic, even if it is Du Gongbu, there is also a very romantic side. In 744 (Tianbao 3), Li Bai was given the gift of gold and returned, and he came to the eastern capital Luoyang. At that time, Du Fu, who was three years old at the Chinese New Year's Eve, was in Luoyang at that time, and when he heard that the idol was coming, Du Fu, a little fan, tried his best to meet with Li Bai. Mr. Wen Yiduo described this meeting of these two greatest poets:

"We should draw corners with three links, send three drums, and then put forward a pen to dip it into gold ink, a big book and a special book." For in our four thousand years of history, apart from Confucius meeting Lao Tzu (if they had met), there is nothing more significant, sacred, and memorable than the meeting between these two people. ”

I don't know what the two talked about when they met, but not long after one thing, du Fu followed his idol Li Bai and started a very famous and magical trip. For Du Fu, this was a journey that could be taken as soon as he could go. At the age of 33, Du Fu, who is also quite famous in the poetry world, should have been the time to go all out to seek fame. But he put aside these for the time being, saying that they would go away, they were crazy for several months in the Hebei area, and on the way, they "pulled Gao Shiya down the water".

Such Du Zimei, dare I say that he is not romantic? Of course, after a few months, the first person who could not stand this kind of "poor travel" was Du Fu, the "second generation of the rich". He wrote the song "Gift to Li Bai", which means that maybe I can't stand it anymore, and I want to go home first. Du Fu wrote in "Gifting Li Bai":

Qiu Lai took care of Shang Piaopeng and did not feel ashamed of Ge Hong on Dansha.

Drinking and singing in the air, flying for whom?

Wild Du Fu

Du Fu, like most of the poets of the Sheng Tang Dynasty, not only has a romantic side, he also has a wild side like Li Bai, and he also has the wild side of Lao Tzu, who is the first in the world. This can be seen in several of his poems:

Wangyue

How about Dezongfu? Qilu Qingwei.

Create Zhong Shenxiu, yin and yang cut dawn.

Swinging the chest was born in the clouds, and decided to enter the bird.

Will be the top of the mountain, overlooking the mountains small.

Presumably, there are very few who have not read the ancient song "Wangyue", even if they have not read this poem, they must have heard "will be the top of the mountain, overlooking the mountains." Such verses. In Du Fu's poem, the wild and domineering spirit of giving up oneself to others is never lost to Li Bai, who is known for his wildness.

In fact, Du Fu's ability to "brag" is not small, in the "Twenty-two Rhymes of Wei Zuo Chengzhang" he wrote:

On the day of the youth, it was early to watch the state guests. Reading a book breaks through ten thousand volumes, and the next pen is like a god.

Endowed with the material to promote the enemy, the poem looks at the son to build a relative. Li Yong asked for a face, and Wang Han wished to be a neighbor.

Du Fu said: "When I was a child, I served as a guest to visit Wang Du. I read tens of thousands of books, and I wrote and composed poems with divine help. Ren Ci gave the world only Yang Xiong a competition with me. In terms of writing poetry, only Cao Zijian may be able to compare with bi. Li Yong has always sought opportunities to meet me, and Wang Han has always wanted to be a neighbor with me.

Such a Du Fu can be said to be wild and boundless. In today's parlance, the cowhide has blown up. Of course, Du Fu did have that strength.

Let's look at his other wild poem, this time it is not Yang Xiong and Cao Zhi who lie on the gun. Instead, the famous poet Luo Binwang became famous at a young age.

Grand Tour

Seven years of thought is strong, open the mouth to chant the phoenix.

Nine-year-old book in large characters, there are made into a bag.

Luo Binwang became famous for composing "Wing Goose" at the age of seven, and Du Fu said, "I opened my mouth to write poetry when I was seven years old, and I don't have such a low-level thing as a wing goose. "Fortunately, King Luo Bin can't see this poem, and if he can see this poem, I guess he will be angry and vomit blood."

Will anyone say that Du Fu is not wild enough? Will anyone say that Du Fu will only worry about the country and the people?

The hour hand has something to say

There is nothing wrong with Du Fu being worried about the country and the people, and there is nothing wrong with Du Fu being a great realist poet, but Du Zimei also has a romantic and wild side. Even if Du Fu is a great romantic poet, I reckon that except for Li Bai, others will basically approve of it.

The cultural prosperity and national strength of the Sheng Tang Dynasty created the romance and wildness of that generation of poets. The poet's poetic style is largely influenced by the social environment, region and cultural atmosphere. There were no poets who were not romantic and wild in the Sheng Tang Dynasty, not to mention the great Du Zimei.