There is only one kind of heroism in this world, that is, after seeing the truth of life, you still love life. --Romain Rolland
Xiao Bai Yushuang devoted her life to the performance and development of the art of judging, and under her unremitting efforts, the White School eventually became a representative genre in the drama. Xiao Bai Yushuang was half a life of vicissitudes and experienced the world, these experiences were eventually absorbed and transformed by her, and then integrated into the art performance, forming a unique artistic style, which was admired by future generations.
In that ten-year catastrophe, Xiao Bai Yushuang suffered inhuman abuse, but she was always indomitable, she was fearless in the face of the injustice of fate, and although her life was short, Qingshi had firmly remembered her contribution to the drama.
After experiencing the precipitation of the years and then today, in the performing arts of White School Commentary, you can still find the figure left by Xiao Bai Yushuang, and the precious spiritual heritage seems to indicate the shadow of that year.
The cultivation of culture has tasted the sufferings of the world
During the years of the Republic of China, the country was desolate and withered, the people were in poverty, if it were not for the rich and noble families, it was difficult to provide children with good cultural education such as poetry and etiquette, and in the era of war and chaos, the poor people often had to flee with their families in order to live, and what is more, they would sell their children into the fenced house in exchange for some money and grain to live.
Xiao Bai Yushuang was born in such a poor family, was sold into the troupe since childhood, did not have the opportunity to read and write, and her cultural education almost all came from the troupe.
At that time, the troupe was headed by Bai Yushuang, so under the strict teaching of Bai Yushuang, Xiao Baiyushuang progressed rapidly, although she did not receive formal traditional education culturally, but what she saw and heard in the troupe was of great help to her personal cultural accomplishment.
Later, Xiao Bai Yushuang became the performance director of the troupe, because her ability to summarize and analyze was extremely strong, and through careful analysis of the characteristics of her and Bai Yushuang's respective singing voices, she formed her own unique singing method, and was very successful in subsequent performances.
However, she did not lose her original intention in the success of her career, and for Xiao Bai Yushuang, who experienced the suffering of the world since childhood, she cherished the hard-won opportunity and was helpful. At that time, there was a young girl in the troupe, named Xin Fengxia, due to family poverty, there was no money to buy the head of the performance line, Xiao Bai Yushuang learned about it, and immediately lent her own line to The new Fengxia.
Therefore, the essence of cultural education is not only in the book classroom, but also in the daily small things. Although artistic performance was considered unpopular and uncultured in that era, culture was determined by personal moral character and knowledge, and all walks of life were noble and inferior.
The cultural education of a person is ultimately reflected in the behavior of that person, and too many Sven scum people today have a high level of cultural education, but their behavior is disgraceful. Even if she has no formal education in her life, her contribution to society is enough to see her personal qualities.
After the founding of New China, the White School led by Xiao Bai Yushuang has become one of the main genres of drama criticism, and she actively responded to the government's call to participate in the commentary performance with new social elements, which all reflect the enthusiasm and inclusiveness of Xiao Bai Yushuang's thoughts, and are also inseparable from her life experience over the years.
During the Korean War, Xiao Baiyushuang went to the Korean battlefield to offer condolences. At that time, the Korean war was raging, and Xiao Baiyushuang risked being bombarded by shells to perform on the battlefield for the volunteer soldiers to comfort the soldiers' homesickness.
Therefore, Xiao Bai Yushuang's positive thinking and open-minded attitude towards life have won her a reputation, which is not only a high-spirit festival of a generation of artists, but also the truth, goodness and beauty promoted by art.
Thick life, blossoming brilliant flowers
Xiao Bai Yushuang's contribution to the drama is obvious to all, she has pushed the White School to a new height, made an indelible and huge impact on the country and society, and dedicated her life to the stage. An artist's great achievement must be greatly related to the depth of his personal feelings.
Art is harsh and requires talent, and it is difficult to do without one of the two. Xiao Bai Yushuang had achieved this with her hard work in her childhood, acquired training, and high acting talent, but these glorious achievements eventually brought disaster to her during the ten years of catastrophe.
Xiao Bai Yushuang has a stubborn personality, but she is also chivalrous and tender, and when she is committed to the lintel of the Guangda White Sect, she is already on the cusp of the storm at this time. When her troupe was harassed by hooligans during the performance, how a weak woman could compete with these tiger and wolf generations, so a man entered her life, but this person did not have good intentions.
At first, Xiao Bai Yushuang stabilized the troupe's performance with his help, but after seeing people's hearts for a long time, the man's wolf ambitions were revealed, and Xiao Bai Yushuang had no choice but to publish a newspaper to announce the divorce. After the divorce, Xiao Bai Yushuang wholeheartedly threw herself into the performance of the drama, after which the White Sect finally rushed to the peak of art and became an inseparable part of the amateur cultural life of the people at that time.
After liberation, with the strong support of the state, all kinds of art industries sprung up like mushrooms, and the white faction of drama critics also embarked on a new journey.
With his superb performance skills and noble personality, Xiao Bai Yushuang led the White Sect to participate in various performance activities that reflected the new era, so it was affirmed by the leaders, and has won a number of awards, laying the foundation for the mainstream status of the White School in the drama.
This is the case with artistic performance, when the obscurity needs to lay a solid foundation and wait until the opportunity comes to control it. All of this is inseparable from Xiao Bai Yushuang's thick life experience, but the gears of fate are not controllable by individuals, and in Xiao Bai Yushuang's short life, he has experienced countless desolations.
The water falls and the beauty dies with injustice
In the old society, many artists had stage names and withheld their real names in order not to embarrass their ancestors. Performers need to redeem themselves if they want to leave the industry. By chance, Xiao Bai Yushuang met a merchant who paid for her redemption and decided to take her as a concubine.
In 1941, the two married in Beiping, but Xiao Baiyushuang was unable to have children, so her relationship with the merchant plummeted, and the businessman eventually agreed to divorce her. The failure of this relationship made Xiao Bai Yushuang suffer from desolation. Life is not smooth sailing, even if you experience painful past events, you can't give up on yourself.
In that vigorous ten years of turmoil, Xiao Bai Yushuang suffered from injustice, at this time she had no chance to stand on the stage she loved, every day all kinds of torture and parade in the streets, Xiao Bai Yushuang clenched her teeth and endured.
She wanted to persevere for the sake of Bai Pai, as long as the stage was still there, no matter what kind of injustice she faced, she could strongly accept it, but in addition to severe torture, her three meals a day were difficult to guarantee, and her physical condition deteriorated, and finally on December 21, 1961, the third day after her current husband filed for divorce, Xiao Bai Yushuang died unjustly.
Before she died, she was full of grief and indignation, and issued a heart-wrenching and painful word: I have no culture, and you still want to bully me. This is an indictment of the wrongs suffered by a performing artist who has gone through vicissitudes, and the words are bloody and tearful, which makes people feel overwhelmed to read.
In the ten years of turmoil that year, countless artists in the literary and art circles were cruelly abused, and the example of Xiao Bai Yushuang was just an ordinary example of these countless examples, and they faced inhuman treatment. In the harsh environment, we can imagine that Xiao Bai Yushuang still has her heart on the stage she loves, and she looks forward to returning to the stage again, but unfortunately it backfires.
In that era, artists are still difficult to climb the elegant hall, in the mainstream vision, is not recognized, is not the embodiment of culture, in this environment, Xiao Bai Yushuang still loves his career, in the face of ordinary people unbearable bullying, this is the embodiment of a great artist's noble personality, it declares an invisible and powerful force, that is, love and hope.
Art is a technique of carving the soul, and without personal experience, the technique cannot show vitality. Throughout the ages, all those who have achieved great success have experienced ups and downs, sorrows and joys.
Little Bai Yushuang has been lonely and bitter since childhood, and due to fate, he will worship the White Sect, and finally almost single-handedly carry forward the White Sect. These artistic achievements all come from the bitterness she has experienced in half her life, experiencing loneliness and having nothing to rely on, in order to truly understand the meaning of life, and thus loving life is the most basic quality of an artist.
Although Xiao Bai Yushuang was eventually wronged, time is always just and selfless, and history has remembered her great contribution to the drama.