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<h1 class="pgc-h-arrow-right" data-track="113" > today's article hesitated for a long time, afraid that the subject matter is too old, everyone is not interested in reading. </h1>
But in the end, I decided to write it, because it was really instructive.
Last year I wrote about two critics whose fates were similar at first, and whose artistic achievements were remarkable, but whose endings were vastly different.
One is Bai Yushuang, who enjoys the reputation of "Queen of Commentary", and the other is Xin Fengxia, the founder of "New School" Drama.
Although the difference between the two is 20 years, their artistic achievements in judging dramas are as bright as stars.
After reading the lives of these two people, my biggest emotion at that time was that whether the country is strong or not really has a great impact on personal destiny.
Born in 1907, Bai Yushuang was born in the darkest time of the old society, even if she was famous again, no matter how high she was praised by others, she was like duckweed, and she could not help herself, and at the age of 35, she died of incense.
Twenty years later, Xin Fengxia, born in 1927, was only 22 years old when new China was founded, and it was the right time for youth and a bright future.
<h1 class="pgc-h-arrow-right" data-track="119" > but later when combing through the experiences and personalities of the two people, I found that the influence of the environment is important, but the core impact is still personal personality. </h1>
The influence of character on the direction of destiny is crucial.
Bai Yushuang has lived a legend in a short period of time, but her personality is based on self-suffering and self-pity.
She was sold to the drama class since she was a child, and she showed her talent for singing, that is, she imitated the heartache "Horse Widow".
After officially taking the stage, she boldly innovated and innovated according to her low voice, but what she was best at was to touch people's hearts with pity, as if those were the only way to express their inner sorrow.
The biggest feature of The new Fengxia is the large heart.
She has an autobiography called "Beauty in Innocence: New Fengxia Self-Description", in fact, the so-called innocence, that is, she has a big heart and a strong sense of bluntness.
Her childhood was also miserable, she was scolded every day, but she had a big heart, and she was still smiling and giggling when she was scolded and beaten, thinking that this was God's tempering of herself, and she firmly believed that she would suffer bitterly and be a good person.
<h1 class="pgc-h-arrow-right" data-track="120" > the attitudes of the two are also diametrically opposed to singing. </h1>
In today's workplace, the attitude of these two people is:
One is to regard singing as a lifelong struggle;
A person who achieves only by talent has no position of his own and no ideals.
Bai Yushuang's artistic talent is recognized, she can innovate according to the characteristics of her voice, and quickly get the recognition and praise of the audience.
But when she thought that the meat drama at that time was vulgar and wanted to delete it but was resisted by the audience masters, she immediately gave up and chose to cater to the audience.
This also laid the hidden danger for the subsequent disaster: later in Beijing (then called Beiping), the then mayor used this as an excuse to say that she was ill-mannered and drove her away.
In addition to hard work and talent, Xin Fengxia is more active in singing.
Every time she goes to a new place, she first understands the local style, and adopts the strengths of the family while forming her own style.
But she has a "righteous atmosphere" in her heart, those vulgar bridges, even if the audience likes it, she would rather not sing, have no money to earn, and refuse to cater to the submission.
<h1 class="pgc-h-arrow-right" data-track="121" > white jade cream on the stage has unlimited scenery, but it is squeezed by the adoptive mother under the stage, and there is arrogance and cannot stand up. </h1>
Her adoptive mother took control of her money and ordered her not to fall in love or marry anyone.
She did not dare to resist, but behind her back, she secretly eloped with a music worker in the drama class to the countryside and lived a secluded life.
I have to say that Bai Yushuang's step is really not very good, short-lived greed, but there are endless disasters.
She prides herself on seeing through the mouths and swords of those audience masters, and chooses the honest and honest low-level workers.
But this honest man can only hide in the corner to give her a short period of tranquility, but he can't give her any life security, nor does he have any ability to protect her.
In less than half a year, Bai Yushuang was forced by reality to leave the man.
When she returned to the stage, her adoptive mother was more harsh on her because of her "disobedience", 365 days a year, every day on stage, and she did not even have time to catch her breath.
This "elopement" also ruined her reputation, and people liked to watch her plays, but they did not respect her at all.
Originally, in that kind of world where people eat people, it was extremely rare for her to break out of a road by relying on her artistic talent and diligent practice.
But because they do not cherish feathers and lack an awe-inspiring and inviolable temperament, can those local tycoons and gentry who have no morality to speak of seize the opportunity to bully her?
<h1 class="pgc-h-arrow-right" data-track="122" > Xinfengxia is the complete opposite. </h1>
Her adolescence was spent in the wandering drama team, compared to the white jade cream did not take long to sing red, she was not a star and a half.
At that time, because Bai Yushuang sang meat dramas, leaving a bad demonstration, Xin Fengxia went to sing and comment on the opera, and the treatment was to be thrown rotten eggs and rotten vegetable leaves.
When she went to Beijing Tianqiao to sing, she was not only deducted from her work by the bully class owner, but also the military police, goons, and hooligans, and exploited layer by layer.
Originally did not make a few money, Xin Fengxia is a chivalrous, often seeing people more miserable than herself can't help but want to help.
Those who smoke big cigarettes, their own families have given up, she also thinks of pulling people, can save a moment is a moment.
She seems to have no affection in her heart, and everywhere she goes, she calls herself "jianghu disciple", whether male or female, as long as she is singing, is her fellow person, and it is worth her to talk about the righteousness of the jianghu.
Such a broad-minded pattern makes her walk smoother and smoother in the bumpy mud, and the road is getting more and more open.
Not only did he marry Wu Zuguang, a cultural person from a family of scholars, but he was also recognized by Qi Baishi as a dry daughter and often sent her money.
Also wading through the bitter water, Xin Fengxia and Bai Yushuang had different moods, and the paths of life were also diametrically opposite.
A 35-year-old died, a happy family, and died at the age of 71.
<h1 class="pgc-h-arrow-right" data-track="123" > many times, the darkness of society, the evil of human nature, and the harshness of the environment have a great impact on our lives, and it is most helpless to be born at the right time. </h1>
But more often, whether we live each day with joy or misery is really not determined by external influences, but by our own hearts.
Even if the days are hard, we have at least two choices: whether to accept it optimistically or pessimistically.
Most of us are ordinary and ordinary, living a repetitive day every day, with our own joys and sorrows.
But some people, who live their lives like sad faces, think of life, it is a chicken feather.
Some people try to make themselves happier and try their best to live a day full of fireworks.
What determines the difference between the two is not the surrounding environment, but one's own mentality.
If time is used for self-pity, where is the time to make yourself happy and happy?
- END -
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