If Quentin's violent aesthetic is to carry a samurai sword, and a knife is set up to land on the white snow with a patchwork of red plum blood, it looks like tension stimulation.
That Du QiFeng is five people standing in different positions, very spatial, and then the gunshots begin to slow motion.
The biggest significance of "Gunfire" is that Du Qifeng has initially formed his own unique video style.
From the position, the rhythm of the gunshots, the tacit understanding between the men, there is a black humor of fatalism.
The opening scene begins with Lin Xue, who has just finished dancing, walking out of the dance hall, and after that, the appearance of several people is led out in turn by Lin Xue's wandering.
Du Qifeng's arrangement of the film characters allows us to see that this film is not simple.
Zhang Yaoyang, a solicitor, was full of smiles and begged for life, and Ah Ghost, who chewed gum, was willing to cut people's hair in the barbershop.
The characters are built up one by one with the brisk music and Ah Fei's unspeakable wanderings, and have nothing to do with it.
In the bustling and crowded streets of Hong Kong, there is a feeling of "forgetting each other in the rivers and lakes".
On the side of the street where you pass, there is a destined person who is living.
From the opening of the movie, we can see that the order of the characters is not simple.
Therefore, to analyze the details of "Gunfire", you can start from the order of positioning.
After coming out of the hotel, the five people quickly lined up in a row, followed by Ah Lai, Yao Yang, Ah Fei, Wen Ge, and Ah Ghost Ashin, which was also a fixed formation of the mall gunfight.
Ah Lai explores the way, Ah Fei closely protects Brother Wen, Ah Ghost and Ah Xin are responsible for the back of the temple, and Yao Yang is a mobile sniper, and the rational division of labor is a perfect formation.
A group of people just put on a cool expression on the elevator, they encountered the shooting of the security guard, fortunately, the ghost's vigilance was very high, the reaction was fast, and Yao Yang shot the security guard at the same time.
In the previous several gun battles, the tacit cooperation of several people has reached its peak state, after killing the security guard, the ghost behind the temple quickly pointed the muzzle of the gun at the top of the elevator, Andhin reacted slowly, and it was obvious here that his lack of combat experience could be seen.
The path-exploring Alai carefully came to the middle of the two pillars downstairs, this position can see most of the angle of the front hall, and can also block the shooting from both sides, it can be said that this position is very perfectly chosen.
Ah Ghost and Ah Xin quickly stood on both sides of a pillar after getting off the elevator, the position of Ah Ghost could stare at Ah Lai's back and left side, Anden had mastered the right side and the blind spot of Ah Lai, but there was still a blind spot behind the pillar, and the people on the left and right did not dare to act rashly, the gun was held tightly in their hands, and the orchid finger that saw the letter boy slightly cocked up made people vaguely worried.
After Ah Lai and Ah Xin got off the elevator, Yao Yang quickly took over the position of the two, the muzzle of the gun pointed at the elevator and shot at the killer, after a shot, Ah Mai took a step back so that the opponent had no chance to shoot, during which the killer also used the trash can to make a feint, calm Yao Yang directly shot the back of the killer's hand.
During this period, the fat boy has been pasted next to Brother Wen.
The killer behind the pillar, who was also the sniper who shot at Amai in the back, did not dare to act rashly because neither side knew the location of the other, until a transporter who was not afraid of death walked to the middle with headphones, and the mirror reflected the position of the five people also exposed the location of the killer.
The three people quickly turned to aim but did not find the killer, at this time it was Ah Lai's gun that pointed at the air, echoing the shooting plate at the end of the dinner table, while Ah Ghost and Ah Xin were pointing at each other with guns at this time, and also echoed the end. After a series of firings, a killer and a disguised transporter were killed, during which the transporter was given a close-up of the posture of the gun, and before the gun could come out, a bullet was fired in the stomach.
One of the remaining gunmen escaped, the gunfire stopped, and Ah Ghost shouted: Ah Fei!
Ah Fei rushed out with the boss, and the tacit understanding was evident.
This ah fei is also the only line in this gunfight.
Several withdraw in turn, and the action is crisp and clean. And even the retreat was an extremely perfect position, leaving no flaws for the opponent at all.
At this point, the most wonderful gunfight in the whole film has come to an end, which really completely echoes the title of the movie, gunfire, because in this clip, there is only gunfire, no dialogue.
The core of "Gunfire" and the ancient scholar's sketches, Shen Congwen's timeless and condensed poetic novels are in the same vein, and there are not too many dramatic waves, the main plot of the movie only tells two things, catching the sniper to find out the mastermind and deal with it, as well as camouflage to escape these two paragraphs, the actual market is about 15 minutes, only a few strokes end, the rest of the time is some very fragmented scenes, everyone is talking about the paper ball, the static gun battle in the mall, and the sniper duel-style shooting, Du Qifeng's inspiration is sprinkled here, A few scenes that seem to cost nothing, but few people think of, support the entire film.
Missing the impression of the Galaxy at that time, the taste of Hong Kong at that time, "Detective", "Wen Que" and "Gunfire" really outlined an impression of the Hong Kong city.