Chinese civilization has a long history, and poetry and songs are wonderful. Classical poetry is a bright pearl in the treasure house of the motherland's culture, which not only records the immortal culture and great wisdom and courage of the descendants of Yanhuang, but also makes future generations of readers deeply enlightened. In ancient times, many scholars and doctors liked to read the works of the sages, and then recreate them according to their own understanding and experience, thus giving birth to more and better works.
Wang Anshi and Huang Tingjian of the Northern Song Dynasty were very research-minded, and they were good at drawing on and inheriting the excellent poetry of the ancients. There is also a poet who is not as famous as them, but there are many works that are loved by readers. The following is a famous work of Caizi, which is beautiful and unworldly, and Kou Zhun also feels a thousand feelings after reading it.
Gangnam Song
Southern and Northern Dynasties: Liu Yun
Tingzhou picks white apples, sunset Jiangnan spring.
There are returnees in the cave court, and Xiao Xiang meets the deceased.
Why don't the old people return, and the spring flowers should be late.
Don't be new and happy, just talk and deeds are far away.
Liu Yun was a minister and literary scholar of the Liang Dynasty of the Southern Dynasty, who had few ambitions, was a clean and honest official, worked diligently, and was rich in knowledge. This "Jiangnan Qu" is his masterpiece, the writing is subtle, depicting an admirable picture of grievances.
Jiangnan Qu is the name of the poem, and the author first shows the beautiful spring scenery of Jiangnan at sunset: at sunset, spring is full of spring, Xia Ying Tingzhou, and white apples float. The grass on both sides of the strait is lush and the trees are verdant, and the gulls and herons on the water are flocked to play.
The river is bustling with people and cars. In the crowd, there was a woman who was eagerly watching the passers-by, but did not attract attention. The woman waited for a long time, and finally saw a familiar figure, and she hurried forward to greet her.
"There are returnees in Dongting, XiaoXiang meets the deceased", these two sentences indicate that the visitor is an old friend of her family, who has just returned from Dongting Lake, and also brought the news of her husband, which makes the heroine overjoyed, and she can't wait to get the exact address of her husband.
The heroine also ignored shyness, she eagerly asked, why are the spring flowers about to wither, but the husband has not returned? The implication is that I have been looking forward to his early return and reunion, and then wandering in the sea of flowers together to enjoy this beautiful spring scenery that is about to disappear. However, the guest only said that the distance was far away, but did not explicitly tell her the specific location.
In fact, it is because his husband has another new love, in order not to make the heroine sad, the friend is "not new and happy". The other party was afraid that she could not bear such a heavy blow, so she had no choice but to lie and tell her that because of the long road, her husband could not come back for a while.
In remembrance of Liu Yun Tingzhou's Aria, there are still relics, because the book is a must
Northern Song Dynasty: Kou Zhun
The smoke waves are thousands of miles away, and the white apple incense scatters the east wind.
When the sunset is over Tingzhou, the sorrow is constantly like spring water.
Kou Zhun was the prime minister and poet of the Northern Song Dynasty, who learned to be rich in five cars and liked poetry. Once, while flipping through ancient poetry works, I accidentally read Liu Yun's "Jiangnan Qu". Kou Zhun believes that the poem is subtle and timeless, the words are condensed, and what the woman reacted to after hearing the news, the author did not describe, this is the "widow", that is, the beautiful soul that has not yet been fully discovered.
In the opening paragraph, the author first shows a desolate picture of smoke and smoke waves and thousands of miles away, and then imagines the spring scene of the east wind rising and the white apple fragrance scattered, which is reminiscent of the scene in Liu Yun's poem, and can also be used by the word "white apple" to associate with the heroine's unfortunate encounter.
The reader may be sad about the scene, and the poet will also sigh. The solidification of this emotion in the poem not only shows that Kou Zhun has a high evaluation of this poem, but also is infected by the unfortunate encounter of the heroine in the poem, so he hopes to dig deeper into the legacy.
After Kou Zhun reminds the reader of the scenery in Liu's poem, and highlights the fact that the wife has no doubt about her husband's loyalty, she is just full of sorrow, like a long stream of spring water, forever looking at it in pain, what a moving image. As Li Yu wrote, Qing Jun can have a few sorrows, just like a river of spring water flowing east. After such a supplementary description, the contrast between the obsessive woman and the negative man is even more stark.
Liu Yun's poem is beautiful, he tells people that the goodness of the world is not only to tell the truth; sometimes white lies can also save a love that is about to be broken. Kou Zhun felt a lot of nostalgia, and after further excavation, he raised his poetry to a high level. The author praises the woman's loyalty to love, praises her hard work to the family, and praises the noble sentiments of countless women under the sky who bear the burden of humiliation!