laitimes
return

This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines

This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines

one

Uncle Lee's Book of Customs before August 1918

This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines

Linwei Lingzang Statue (Early Years)

This is Li Shutonglin's "Wei Lingzang Statue"

You can compare:

This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines

Let's take a look at the "Zhang Raptor Monument":

This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines

Linzhang Raptor Monument (Early Years)

This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines

This is also written by Li Shutong in his early years, compared to a comparison, it is still very similar!

Uncle Li copied it before he became a monk, but there are more than this points, "Stone Drum Text", "Yishan Carved Stone", "Tianfa Divine Stele" a series of Wei monument statues, Tang and Song Dynasty famous calligraphers of all kinds of ink, it can be said that there are all kinds of things, learn what is like what!

At one time, the "Pacific Newspaper and Pictorial" in Shanghai dominated the screen, and the pictorial newspaper became Li Shutong's personal calligraphy serial. It can be said that it integrates the ancient and modern, and uses the square circle at the same time.

This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines

Sanitary Golden Mirror Four Screens (c. 1897)

Seal book, learn Deng Shiru, the pen strength is strong, the momentum is calm.

This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines

Lishu Four Screens (Linyang Dan, 1899)

Lishu, learn Yang Da, fangyuan and use both, square pen steep, round pen light and thin.

Return to Infant (around 1900)

This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines

Chunhong Mingyue Eight Words

This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines

A cut of plum words half a song

Large characters in letters, thick lines and hard lines, dense knots and openings, the wind of the north monument jumped on the paper.

This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines

Epitaph of Mrs. Jiang Muqiang (1918)

This is the "masterpiece" of the "folk book" era, which was obviously influenced by Zhong Xuan and the Second King.

This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines

To Xu Yao Tingzha (1896)

This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines

Excerpt from Wang Cihui's Question and Answer Volume (1899)

Xingshu, learning is Su Shi Huang Tingjian, Su's wide flat knot body, Huang's opening pen, is also a full ten.

two

Master Koichi · Monk's book "Hongyi" after 1918

After Li Shutong became a monk, he became Master Hongyi, a devout Vinaya ascetic monk! His calligraphy also began to sharpen the sharp edge step by step, washing away the lead.

This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines

One Law and Ten Thousand Edges and Five Words (1919)

This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines

Seven Words (1921)

This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines

The Buddha and the Lotus Pond Master (1922)

In the past five years (autumn 1918 to 1923), Hongyi has not yet stepped out of the "common book" road, the North Monument is still the core of his calligraphy, "Zhang Ronglong Monument" stele Yin calligraphy, the use of round pens in the theology, so that the rigidity of the North Monument square pen, slowly reduced.

This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines

The Buddha trumpet and the Buddha's Lord's French

This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines

Zen Master Yuanmiaoye, "Ten Major Obstacles" (1927)

In these four years (1924-1927), under the inspiration of Yin Guang, Hongyi borrowed from Wei and Jin Xiaokai, and the atmosphere of the North Monument was finally completely broken, and a new style of Calligraphy began to form quietly: calm, calm and idyllic.

However, this is only the time of serious creation, and the letter to a friend is not.

This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines

To a layman

This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines
This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines

To Liu Zhiping

The pen is flying ink and dancing, relaxed and free, and the artist temperament that has been collected in the Buddhist gate is undoubtedly revealed.

Great Compassion (1929)

This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines

Buddha Number (1930)

This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines

One Instant Text With Seven Words (1931)

This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines

The Vast Pure Seven Words (1932)

In this five years (1928-1932), the law was changed, explored, and finally the early "Hongyi" took shape. Although the face is clear, it still swings from side to side: sometimes rigidity is still there, sometimes it is quiet.

This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines

Rulai Puxian Eight Words (1933)

This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines

Buddha Number (1934)

This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines

Poem "Wing Chun Fung Temple" (1935)

This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines

Name of Grand Master of huayan sect (1936)

This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines

Elysium Amitabha Buddha (1937)

This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines

Recitation of the Buddha's Six Sayings to Save the Nation (1938)

This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines

One Heart Equality Five Words (1939)

This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines

The Four Sayings of Minnan Buddhism (1940)

This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines

Lingfeng (蕅益) Master Police Training (1941)

This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines

Chang Won Heng Tu Five Words (1942)

In this decade (1933-1942), Hongyi's calligraphy matured, the fireworks faded step by step, and he slowly wrote out the Buddhist self. The calligraphy style is extremely uniform, and even if there is, it is only a gradient from plump to thin.

This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines

Wills (1942)

This is the real Buddhist calligraphy, and the fireworks in the world fade between the lines

The Intersection of Sorrow and Joy - The End of The Pen (1942)

calligraphy Li Shutong Wei Lingzang statue North Monument Zhang Raptor Monument Buddha number
Previous: If you want to steal the gold medal from the national table tennis player! Which of the 6 individual events should foreign players start from?
Next: How can China correctly understand Russia's attitude towards Ukraine?

Read on