"The Year of Prostitution" tells the story of contemporary "prostitutes". On the one hand, it expresses the wonderful and secret of "Another World", on the other hand, it provides explanations for the doubts that its existence may bring, and seeks spiritual support such as emotions.
Japan is a country with an unusually developed customs industry, and Cowboy is also one of the unique landscapes. Choosing men to serve women as the entry point for the topic of "prostitution" is actually to make a breakthrough in the essential sexual theme (both performance and beautification, as to how the effect is another matter). As a guest, women's needs are often not only sex, the delicate richness of feelings is more moving, and the eccentric is not too annoying. Male service personnel, in the process, will also change their attitudes towards women and sex.
Especially in "The Year of the Prostitute", the male protagonist played by Matsuzaka Momori is a college student with a motherly complex and trapped in the past and a little world-weary and "ignorant". In the process of serving women, in the experience of facing various situations and meeting various needs, he has gained and grown in the understanding of sex and emotion. As a result, "prostitution" is not just a flesh and skin business based on money, but also a "beneficial physical and mental" male-female interaction that is necessary for society, and a harmonious understanding and reciprocity is achieved.
Another important character in the film is a mother and daughter who each have "missing". Mothers are infected with HIV and daughters are unable to speak, which also becomes an obstacle for them to seek and meet their emotional and sexual needs. Their solution is to "unite the two into one", combined, the mother is responsible for communicating with the outside world, and the daughter acts as a substitute for the mother. Their own situation is also a starting point for them to set up a cowboy club for women.
Of course, this does not explain the relationship between mother and daughter as reasonable, and "prostitution" is not the only feasible way. In the film, their relationship is still perverted, distorted, and a specific relationship in a set situation.
"The Year of Prostitution" expresses demand with service and normalcy with perversion, which can also be regarded as targeted. But whether it is a human or a personal struggle, the effect is entertaining, and the theme can only stay on the surface.
In addition to Matsusaka Momori, the female actors in the film (especially the generation of the era and for male audiences) are also a major attraction.
Playing the role of the mute girl is rich hands Ma Miao. This former idol, after the baptism of Yuan Ziwen's "Anti-Erotic", has transformed into a sexy actress, and it is currently successful. The rich and wonderful type is very good, and the future development still depends on whether you can meet good directors and works.
Playing Matsusaka Momori's classmate and crush is Yuki Sakurai (桜井ユキ). Yuki Sakurai is a very popular actress who can act in nude drama, and last year starred in a fancy "The End of Sleeping Beauty", and the bed scene was aimed at the national husband Takahashi Issei (the role is actually very small).
In addition, Tetsuto Ryo and Sasaki Shinto are both from photo idols. The former is matsusaka Momori's one-night stand at the beginning of the film, and the latter plays a pair of old men and young wives with special fetishes with Nishioka Tokuma. In contrast, Sasaki Shinshin, starting with Takashi Ishii's "The Girl of Humanity", has been active in movies in recent years, but most of the films with heavier characters have not entered the mainstream (including "The Worst", which was adapted from the actress's novel last year). Sasaki Shinto, similar to Yuki Mamiya ("Wet Woman", "Sweet Leather Whip"), Noriko Kijima (Kishima 嶋のりこ "Girls' School Torture Department"), all three are from a photogenic background, the appearance is not too bright but has characteristics to shape, if there is a need for scale can definitely be cooperated.
Playing the role of mother Sang is Makoto, the former chief male servant of the Takarazuka Troupe's flower group, which is no wonder that he is very imposing in the film. She doesn't have to undress in the film.
Another person who does not have to undress is Jiang Bo Apricot, who plays a 70-year-old woman who is extremely prone to orgasm. The film that impressed her the most was Kiyoshun Suzuki's "The Tale of Sorrowful Autumn", which tells the tragedy of the rise and fall of a female star.