The big guys in the circle, count and count.
Usually there is no news, but as soon as there is movement, the entire industry must follow the shaking.
No, a while ago, Jia Zhangke was interviewed by CCTV and was asked about the topic that has been discussed recently - whether actors should obtain an actor qualification certificate.
Jia Zhangke's words immediately became a hot search.
"I disagree."
If art is confined to a framework, it dies.
Because the essence of artistic life lies in creation.
Jia Dao's reply was also very direct: "I agree with eclecticism"
In fact, from ancient times to the present, whether at home or abroad, there are not a few actors who are not from science classes.
Many of them have not only achieved their own deductive careers, but also achieved immortal works.
We can imagine, if there really is an actor access mechanism in this world, what kind of changes will be in the history of film?
Crossover actor
The first to bear the brunt must be the cross-border actors.
Access mechanisms will keep them loyal to their jobs.
The film industry will miss out on a lot of good actors.
The most convincing is the Hong Kong sister - Maggie Cheung.
Born in a beauty pageant, he entered the show business circle because of his good figure and appearance.
After cooperating with Wong Kar-wai, she seemed to have suddenly opened up the second vein of Ren Dou.
From the cousin with a slight vase nature in "Carmen in Mong Kok" to the subtle and layered performance in "Fancy Years".
After the metamorphosis, Maggie Cheung has become a presence that cannot be ignored in Chinese classics.
So far, Maggie Cheung is the only actress among Chinese to win the film queen laurel at the Cannes International Film Festival with her film "Clean".
Of course, many people also remember her crying scene in "Sweet Honey".
Facing the corpse of the eldest brother, she saw the moment of Mickey Mouse tattoo, thought of the efforts she had made with the eldest brother to make herself happy, first laughed, and then suddenly realized that the Siren had passed away, and collapsed and cried.
This real and heart-wrenching improvisational performance is still talked about by fans.
So people almost forgot who she was.
In the beginning, she was only second in the beauty pageant. Now it is a benchmark for Chinese actresses.
Of course, singers cross-border filming is also a common thing in the entertainment industry.
A while ago, the TV series "Sweeping The Black Storm", the big tujue Chen Jianbo, who had a big waist, no head and no brain, and extremely poor taste, played vividly, it was Zhou Xiaoou, the former lead singer of the Zero Point Band.
And there are not a few actors in the music industry who have won awards.
Like our "criminal nemesis" song god Jacky Cheung.
In addition to the main business of catching bad guys at concerts, there is also a side job is acting.
With the interpretation of the middle-aged Chinese teacher in "Man Forty" in the face of various wanderings and struggles of teacher-student love.
Jacky Cheung was nominated for the sixth film emperor at the Hong Kong Film Awards and was also named a film emperor at the Indian Film Festival.
Of course, the god of song also contributed the memes that swept the internet in "Carmen in Mong Kok".
When it comes to crossover actors, it is certainly indispensable to those traffic idol stars.
In fact, some "experts" pointed out that this actor access mechanism should be set up, precisely because these traffic idols without acting skills have come to the show business circle to mix a foot.
Lead to a worse atmosphere in the circle, do not look at acting, only look at the flow.
But Jiang Wen once said that everyone can be an actor, because each of us acts in life.
The idols are the same, simply because they habitually or quite dedicatedly immerse themselves in the perfect image that their team has created for themselves.
So it's hard to get a real life experience. It would be difficult to act well.
But our neighbor, the idol powerhouse of Japan, has a good example.
This year, there is a film director who has just celebrated his twentieth death, named Shinji Somi.
He is a director who is particularly fond of Uncle Pickpocket's selfishness.
He is particularly good at photographing the restless inner world of young boys and girls.
And his works have also spawned a genre of cinema – idol films.
As the name suggests, the protagonist of this type of movie must be played by an idol.
At the same time, it has also cultivated a group of older idol actresses who are still active in the Japanese film industry.
For example, the heroine pharmacist Hiroko Maru in "Sailor Suit and Machine Gun", which was once popular in Japan.
In the film, she completes the metaphor of adulthood by shooting in a sailor's uniform.
The young idol discovered by Shinji Somi in Snow Break, Yuki Saito.
Through a dance of madness and self-forgetfulness that was used to vent his bitterness by learning the truth about the adult world, it became a hit in Japan.
In a later collaboration, Shinji Somi, with "Ah, Spring", a film that focuses on Japanese tramps, even brought idol star Yuki Saito to the Berlin International Film Festival, one of the three major A-category international film festivals at the top of the film industry.
In modern times, Japanese idol actresses have also taken the initiative to shoot literary and artistic films in order to seek a breakthrough.
For example, former AKB48 members, Ji Hand Ma Miao.
She starred in "Anti-Eroticism", filmed by the well-known director Yuan Ziwen, which once became the most innovative existence of feminist films, and was also a typical representative of the daily active pink film dead but not stiff.
The abundance of nudity, and the cries of cries for women, allows her to prove her attitude towards performance in stylized images.
In addition to art films, in the commercial film "Win the Championship", which was based on the Chinese women's volleyball team a while ago, directed by Chen Kexin.
Director Chen is also bold to use women's volleyball players, playing themselves in the film.
All the volleyball scenes in it are really played with guns and bullets, which has become the highlight of this acclaimed and well-received film.
A popular actor
If cross-border actors still have some stage experience, it is possible to pass through the access mechanism.
Then the ordinary actor has not been trained by the class for a day, and all the theoretical bases are zero, and it is very likely that the whole army will be destroyed.
If there is an actor access mechanism, the finishing touch in many good works may no longer exist.
For example, in the interview, Jia Zhangke mentioned the actor Han Sanming in "The Good Man of the Three Gorges".
In real life, he is a coal miner.
Perhaps no one is better qualified for the role of worker in this movie than he is.
The character profession is the profession of a real-life performer.
Those almost habitual and instinctive actions will make the characters in an art film on the screen more vivid.
Another typical example is the uncle of Bi Gan, a rising star in the field of literary and art film directors.
In addition to starring in "Roadside Picnic", he also played the rogue leader in "The Last Night on Earth".
He holds the microphone, pretends not to care because of the betrayal of his lover, and when HangErlang sings Wu Bai's "Strong Reason", he is the most vivid and real character in this movie full of reasoning and poetic logic.
Why is it so vivid?
In fact, Bi Gan's uncle was a wanderer who mixed in society before filming.
This kind of role makes him play it easily, and even plays it in his true colors.
You see, art can also get hooligans on the right path.
Including Zhou Xun, Huang Bo, Wang Baoqiang, these actors who are from the grassroots.
They belong to the type of God who appreciates rice.
He was then discovered by Bó Lè and played his acting talent.
If people have an access mechanism, even if God rewards food, they will become unable to enter the industry.
And sometimes, the vegetarian portrait can even make a classic
For example, Guoshi Zhang Yimou's "No One Can Be Less" is the all-vegetarian junior lineup that is enabled.
The production team really went to the mountains to find a group of children to shoot a scene. The sour, sweet, bitter and spicy in China's mountain village education is vividly presented.
When it comes to children, I have to mention it. If there is this access mechanism, how an underage can become a leading actor in a movie will also be a difficult problem.
Then there may be a lot less movie emperors in this world.
For example, Yanagi Yayoi, at the age of 14, became the youngest film emperor in Cannes history in Cannes with the help of Hirokazu Kore-eda's "Nobody Knows".
Of course, there is also Zhang Zhen, who entered the industry as a teenager, and he will not enter the show business circle because of "The Juvenile Murder Incident on Muling Street".
Children's performances are sometimes even more agile than adults.
The profession of acting must be indispensable to minors.
There are too many examples to list, and if you insist on saying it, uncle pickpockets in "Family with Children" alone can give you three.
scenario
If the world had an actor access mechanism, many scenes in the movie would no longer exist
Tian Zhuangzhuang's "Horse Thief" has caused a sensation at home and abroad.
Foreign film critics have published articles to discuss.
Of course, the most famous is the sentence of director Tian Zhuangzhuang,
In the face of the domestic audience's blunt "can't understand" evaluation, the director joked: "My film is made for the next century audience to see"
One of the reasons why this film has a high reputation in the film industry is that it blurs the boundaries between recording and acting.
There are many folk scenes that the director improvised in Tibet.
For example, let the actors join other tribes to perform sacrifices together.
The same technique can be seen in Dapeng's "Auspicious Ruyi",
Let the actors join the lives of a group of ordinary people.
The actor access mechanism cuts off the opportunity for ordinary people to participate in the performance, which may make this kind of work extinct.
Film is the spiritual food of human beings, as well as the projection and care of life.
If you confine it to rules and regulations, it's like making life a monotonous three-point line.
Without eclectic creativity, it slowly dies.
If the actors had access mechanisms, perhaps Chaplin was just a tramp on the streets of New York, and the world would have one less great master of art.
If actors had access mechanisms, perhaps the New Wave would no longer exist, and movies would have died in the same hollywood business practices of the last century.
If the actors have an access mechanism, there may not be those of us who love movies, and life has less reason to look for hope.
Even if this way without standards does have a lot of industry chaos, we can't choke on food, I believe that when the capital frenzy passes, the big waves will pan for sand, and the real gold will always appear.
As Hao Lei said in an interview with Xu Zhiyuan, there have been more profitable professions than actors, handsome men and women who do not love performing arts, and they will slowly let go of the performance!
When those people follow the traffic and go somewhere else.
What remains is the real actor.