On February 18, the movie "Chen Xiang's 6:30 Fist King Mother" was released on the legitimate video platform. Produced by Chen Xiang's team, the film tells the story of a mother who is not satisfied with all kinds of things, and finally wins the opportunity to be the heroine of the film by punching, and then changes her fate. The embarrassment of this film is that it strives to shout inspiration and strive to prove that it is in the dimension of realism creation, but all aspects of self-hi and false hi, resulting in the lack of realism in the whole movie. It can be seen that the screenwriter and director love and learn the comedy style of Stephen Chow, but at the same time, it can also be seen that the screenwriter and director can only learn the superficial things in Chow's comedy, and use them in a hurry, resulting in great mistakes in film creation.
Stephen Chow comedy should be divided into at least two directions: early and late. In the early content of Zhou's comedy, he liked to use satire in an unreal narrative dimension to achieve a more advanced sense of comedic realism. The film works in the later stage of Zhou's comedy like to achieve comedic effects through their previous comedic talents in the real dimension, but they often fail. For example, "The King of New Comedy." Some of Chen Xiang's film works actually learn the style of Zhou Xingchi's later comedy. Whether it is Chen Xiang or Zhou Xingchi, once their works enter reality, they immediately have the problem of excessive exaggeration and no resemblance. In order for the story to hold, they have to lower the CHARACTER's IQ in order to make the story and laugh points set up, and so on.
In this "Chen Xiang's Mother of the Fist King at 6:30", the biggest hard injury is the unreasonableness and inaccuracy of the entire story content. A mother who sent flowers and sold flowers, through months of boxing training, was able to prove herself in the boxing arena, and won the respect of the director and the opportunity to play the heroine of the movie. This kind of story is not so much inspirational as it is false and self-deprecating. The biggest taboo of film and television drama works in the dimension of realism creation is that they are not real, and they are too self-congratulatory for the sake of inspiration. If Stephen Chow's "The King of New Comedy" at least has some humanistic care for low-level actors, then Chen Xiang's "King of Fighters" has even lost the authenticity of this role.
I don't know why, Chen Xiang's team is obsessed with the creation of realism. Obviously, there is no trace of aura, but you have to match the logical and confused content of your own story with the so-called reality and seek the so-called inspiration. Realism, of course, is the most important thing to adhere to in the creation of film and television dramas, but at the same time, the way to adhere to it is not right, like Chen Xiang, it is actually a great insult to realism. Why? Is it too much to say insults? I think, no. Works like Chen Xiang's "Mother of the Boxer", if classified as realistic themes, are really telling those newcomers who have no film and television skills that this kind of self-hi and fake hi can be done.
Why is it difficult to create in the dimension of realism? Because it can't fake stories and characters. We can be specific to this Chen Xiang-style self-hi and fake hi film works, to seriously analyze. The heroine is a mother in the flower business. This movie, in order to create the aura of the protagonist, as soon as it comes up, it allows this person to perform the role of the crew well. From a practical point of view, this is nonsense. The play-within-a-play at the beginning of the film is just the content of the ancient puppet drama. How can a woman who usually does small business be able to control the role after entering? If it is said that the play in the play is realistic, it is not surprising that the female protagonist's own life itself can be controlled. But this apparent irrationality immediately creates a false character.
For example, in order to portray the heroine's misery, there is immediately a daughter who can't speak, a man who drinks all day, a father-in-law who is almost demented, a substitute who brings funds to the group, and so on. These seemingly story contradictions and conflicts, in fact, none of them can stand the scrutiny, they are just splicing on the basis of random fabrication. Stitching together a lot of sadness to a character, and then stunned that they are inspirational and realistic, it is estimated that even silly fans will scoff. Inspiration must be based on a real foundation. This kind of spliced content is more like Xianglin sister-in-law's nagging.
Even in the general offensive stage of the film's story, because of the so-called fierce contradictions and conflicts, it has to enter a state of "false hi". Let the heroine, who has only trained for a while, enter the boxing arena and play regular matches to prove herself. At this moment, I don't know how many fans think that it is better to let this director practice for a few months and then play the professional game in the cage. As long as you train hard, you can definitely play games, you can definitely get results, etc., which is really just a story that low-end screenwriters can come up with. Whether it is a film in a realistic style or a movie in another style, the rationality of the story logic is very important. Ordinary people, can play boxing matches, but also can play full, "King of Boxing Mother" does not even need the basic story logic.
This is the typical fake hi. The whole movie of "Mother Boxer" lacks a reasonable story total attack, and only this kind of fake hi is there to support the scene. For Chen Xiang, his creative ability in the realistic dimension has been repeatedly proved after several online film works that he is really incompetent. Give up the realistic style, or say, stop taking reality to give yourself gold, be seriously funny in the non-realistic themes, learn the ironic style of the early zhou comedy, and perhaps, Chen Xiang's works, you can still watch. If you continue to take this "pseudo-reality wind", it can only make fans more and more disappointed. (Text/Ma Qingyun)