As we all know, before Guo Degang and Deyun She became popular, cross-talk was already on the verge of surviving. At the end of the last century, the most popular cross-talk actors were still new cross-talk spokesmen such as Jiang Kun and Feng Gong, however, a large number of sketch actors represented by Zhao Benshan, Pan Changjiang, Guo Da, Huang Hong, Cai Ming, Gong Hanlin, Zhao Lirong, etc. were more in line with the audience's appetite, and gradually squeezed cross-talk into the horns on the stage, and the situation was embarrassing.
In 1993, there was a cross-talk actor who came out of nowhere and almost took on the heavy responsibility of saving cross-talk from water and fire, he was Lausanne.
Lobsang, whose original name was Lausanne Nyima and Chinese name Yang Hong, was born on September 9, 1968 in Kangding, Sichuan. Lausanne is talented and intelligent, can sing and dance, especially good at imitation and ventriloquism, and was admitted to the Music and Dance Department of the Central Institute for Nationalities at the age of 13.
In July 1986, after graduating, Lausanne was successfully admitted to the All-China Federation of Trade Unions Literary and Labor Troupe and became a national dancer. However, his poor self-discipline and love of drinking led to his body getting fatter and fatter, gradually marginalized, and eventually fell behind the scenes, responsible for managing a big fan as a background; standing next to him was Guo Degang, who was responsible for pulling the curtain.
Lobsang and Guo Degang, considered difficult brothers, often borrow wine together to pour sorrow. Guo Degang wrote in his autobiography "My name is Guo Degang" that at that time, he often went to the street with Lobsang, who was five years older than him, and Lobsang, who was good at imitating, said that he was Japanese in holiday language, and he followed Lausanne's ass and pretended to be a translator to make passers-by laugh.
Frustrated Guo Degang mixed for half a year to return to Tianjin, the unambitious Lobsang also followed Guo Degang to Tianjin to find a way, but unfortunately there was no result, not even the road fare back to Beijing, had to borrow two hundred yuan from Guo Degang, and made an IOU. Wang Yuebo once revealed in his storytelling that Guo Degang had always kept this IOU and showed it to him, which was also a kind of nostalgia for his former friend.
After returning to Beijing, Lausanne met the nobleman Yin Bolin, who was his later master.
Yin Bolin, like Lobsang, is also a frustrated person; he taught himself cross-talk when he was young, and was admitted to the All-China Federation of Literary and Labor Troupe as a cross-talk actor, but unfortunately, when cross-talk was in a slump, a group of well-known actors had not yet emerged, let alone a Haiqing? Yin Bolin, who could not speak cross-talk, was a member of the band at that time, and was good at instruments such as saxophone and trumpet.
Yin Bolin saw the pearls, saw the talent of Lobsang, and thought that he had the potential to speak cross-talk, so he formed a pair of partners, tried to perform cross-talk, and gradually gained recognition, and became a pillar in the group.
In 1993, Lausanne and Yin Bolin were recommended by the ACFTU Cultural and Labor Troupe to the Ace Qu art program "Quyuan Miscellaneous Talks" of the Central Television, and the column group was also very optimistic about them. After careful planning and repackaging, Lobsang put on the Tibetan national costume, as a Tibetan boy, learned art from Yin Bolin, in this form as a carrier, created a series of cross-talk "Lausanne Learning Art", which is interspersed with singing, dancing, ventriloquism, musical instruments and other artistic elements, giving full play to lobsang's good at imitation and versatility, has been recognized by the national audience, Lausanne has become a well-known comedy star.
The rise of any new person is bound to upset the balance in the circle and affect the jobs of a large number of vested interests, so controversy inevitably arises.
Lausanne is not from a science class, the basic skills of cross-talk are close to zero, the time of contact with cross-talk is very short, and he is a veritable cross-talk layman. Lausanne's performance is in the form of cross-talk, but it is not different from teasing, more like a sketch, which has dance, instrumental music, ventriloquism and other forms, how to look at it is not like a serious cross-talk.
Lausanne's doubts were later revived in Guo Degang; however, no matter how his peers questioned them, the audience was happy to do so, and led to another boom in the cross-talk market. Ma Ji once wrote an inscription for Lausanne, "Before the ancients, after the no see the comers", which shows how popular he was in that era.
Guo Degang persevered in the voice of doubt, but Lausanne did not; it was not that he gave up crosstalk, but that life gave up on him.
Guo Degang revealed in his autobiography that Lobsang loves to drink, and the amount of alcohol is very large, to what extent? When he didn't have a drink, he drank it with boiled water; it was this hobby that hurt him.
On October 2, 1995, after the performance in Lausanne, I had a lot of drinks with a few friends, and I had a little conflict with my friends at the wine table, and I was more irritable. After the end of the liquor bureau, Lobsang drunkenly drove to the next liquor store; near the south of The Zizhu Bridge in Beijing, he rear-ended a truck parked on the side of the road for repairs, and died of his injuries at the age of 27.
According to Yin Bolin, the truck was directly parked in the middle of the road because of a flat tire, and did not open the double jump, nor did it place a tripod, and the Brake Towing Mark of the Fukang car driven by Lausanne was as long as 32 meters, and the estimated speed was at least 80 km / h or more, which showed that he had seen the danger, but because the speed was too fast, the brakes were not enough, and eventually caused tragedy.
Yin Bolin also revealed that Lobsang had just returned from Lhasa a few days before the accident, and they had participated in the celebration of the thirtieth anniversary of the founding of the Tibet Autonomous Region together; when he was in Lhasa, he received infusion and oxygen treatment due to physical discomfort, and after returning to Beijing, he had diarrhea, plus he took his parents to Beijing together.
According to this, the tragedy of Lausanne has long been doomed, a drunken young man, lack of self-discipline, will not self-regulate, even if he avoided that car accident, I am afraid he will not be able to escape the next time, and his artistic career is also difficult to last; so this is fate.
If Lobsang had not died young, perhaps the revival of cross-talk would have come earlier, and Guo Degang's road to cross-talk would have been flatter; perhaps, Guo Degang and Lausanne could join forces to push cross-talk to a higher level.
The hypothesis is a hypothesis after all, Lobsang is dead, poor he can not even enter the family tree of cross-talk, becoming the "sea clear leg" in the eyes of others.
Although Lobsang has a master Yin Bolin, but Yin Bolin does not have a master, directly involving Lobsang; of course, maybe he does not care about whether he can enter the cross-talk family tree, and even does not know such a thing as the cross-talk family tree, after all, he values fame and fortune, not the false name of so-and-so's apprentice.
However, the cross-talk family tree needs Lausanne to add luster, and he is the most successful person in the two-hundred-year history of cross-talk, which is worth remembering.
In today's cross-talk industry, the performance styles of Meng Hetang and Lu Xin and others all have the shadow of Lausanne.