Cover news reporter Li Yuxin
Xiao Haiyang in "Together through the Window" seems to be always unruly and untamed. When he stood up to the attribute of "scum school bully" and was always competing with credits and English level four, he lived the same daily life as many college students, seemingly ordinary and full of light.
Therefore, when the actor Pang Hanchen posted his photo with his "daughter" in the hit drama "My Time, Your Time" on Weibo, some netizens quipped: "This... Does the ocean still go back to school? More fans were surprised that it turned out that "Ocean" had become a father.
Pang Hanchen played Wang Hao in "My Time, Your Time"
In fact, not only the role of the father, but also the works of Pang Hanchen since 2016, I can see that among the roles he has played, there are high-quality students in the department of architecture, music dreamers, business elites, swimmers, investment company managers, etc., who are not only the one who thinks of "passing the fourth level", but also Xiao Haiyang with a little childishness.
In the recently broadcast "My Time, Your Time", Wang Hao, played by Pang Hanchen, is not only a legendary professional player, but also stable and capable, but also very different from the role of Xiao Haiyang, with few similarities.
"When I got the role of Wang Hao, I actually had some hesitation because I hadn't played a similar role, so there was still pressure, but I wanted to challenge it once." As a result, there was finally Wang Hao of the "Pang Hanchen version".
Pang Hanchen starred as a firefighter
Finish the script and turn the original book
"Finding the emotional resonance of the characters"
As long as you have watched the film and television drama "Dear, Beloved", you will understand Pang Hanchen's hesitation and pressure, which is self-evident. In terms of roles, the role of "Wang Hao" has been played by actors before, and the audience has a "fixed impression" of the role; as far as the work is concerned, after the previous work became popular, the entire series of "My Time, Your Time" has been given higher expectations.
Pang Hanchen's hesitation in the early stage basically came from this. Playing a role that has been presented in front of the public is a "thankless" job no matter how it is seen. But after a moment's hesitation, Pang Hanchen still made up his mind, because the more he knew the role, the more he could see Wang Hao's silent forbearance, and also saw his tenacious sense of responsibility. This is a role that Pang Hanchen has not yet encountered in his acting career. Gradually, he found the "ice-breaking road" to interpret the characters.
How does an actor approach a character? Maybe a thousand actors, there are a thousand ways. But the way Pang Hanchen chose is by no means "flattering". After learning that the play was adapted from a novel, he finished the novel and found the original author to understand her thoughts on the character. After that, I finished the script and found the producer and director to talk about "human design". After several efforts, he found that the aspects that Wang Hao showed in this play were quite different from the previous play. "I took the original book, the script, and what the producers and directors told me to do with a combination. I found that this drama shows more of Wang Hao's capable big brother image in the workplace. ”
At the same time, Pang Hanchen also played the role of father for the first time in the play, which is far from the state of the actor himself, but he still found a way. "I have a sister, in fact, responsibilities and feelings are common, I use the way of finding emotional resonance to play a 'dad'." 」
"Into the play" and "out of the play"
"Be an actor who can afford to put it down"
Turning to Pang Hanchen's Weibo, you can often see a letter he wrote for the role after the film and television drama he starred in. Between the words, Pang Hanchen will recall the bits and pieces of getting along with the characters, and the emotions revealed are real and simple. But more, it is stripped of the soberness and reflection of the characters, the gaze of the actors on the roles, and it is also a kind of "serious farewell".
Pang Hanchen once said that he is an actor who is easy to fall into the role and cannot get out, and he is a "projectionist" in psychology who is easily influenced by others. In the first few years of entering the industry, Pang Hanchen was almost "obsessed" with the roles he received, full of blood, like a burning flame, and wanted to give all his energy to the role. "I will change the names of the recipients in the takeaway and the courier to my characters in the play." The plays I brush, the books I read, and even the music I listen to are all things I think this character should watch and listen to. Especially when exposed to characters with negative emotions, "playing" becomes more difficult.
If it is said that it is the "passion" of the actor in the early days, he has been in the industry for 7 years, and he will still use some "hard work" to approach the role. For example, in a film and television drama "Hello, Flame Blue", which focused on the theme of firefighters just finished some time ago, he followed the fire brigade to close the training camp for half a month. In the earlier "Waves and Flowers", because the role is a swimmer, he spends seven hours a day swimming training. "I think that's what an actor should do, put in the dedication to the role."
Speaking of "paying", Pang Hanchen's tone became serious, he gave an example of the efforts of screenwriters in the industry, saying that the screenwriter spent several years to create the script and coexist with the characters, and the painstaking efforts and hardships expended are indescribable. "So, how can an actor spend 2 days reading the script and acting?" We can't treat the role easily, to live up to the efforts of the screenwriter, director and even more people, and we can't be a 'slag actor'. ”
Recalling the difficulty of "playing" in the early days of the actor, Pang Hanchen has matured a lot, seems to have found a measure to make himself comfortable, and has learned to say goodbye to the role better to meet the next unknown role. In his words, it is "to take it, to put it down." "When you pick it up, love 'him'. When it's time to let it go, let 'him' live well in that fictional world. If you can't get out and continue to immerse yourself, take the shadow of the character to the next play, this is not good. ”
Thirty only
"Believe you'll be seen"
"Give yourself time to be alone and disappear." Pang Hanchen said that on the days when he is not filming, he will use some outdoor sports as a way to solve the problem. Like surfing and diving, he has begun to participate in public welfare undertakings in recent years, becoming a youth public welfare ambassador of a marine environmental protection organization, and enjoying the "feeding" and energy brought to him by doing public welfare. The amazing thing is that he who has received public attention because of the role of "Xiao Haiyang" has really formed an indissoluble relationship with the ocean.
Born in 1990, Pang Hanchen has passed the "year of standing". He also admitted that in the years when he was constantly approaching the age of 30, he also had a sense of urgency and anxiety about his career. But despite this, he is still paying a lot of time and energy costs to the role, and there is no "any scene to pick up".
Pang Hanchen participated in marine public welfare activities
"I still believe that people who act in a down-to-earth manner will eventually be seen by the audience." In fact, the display in front of the screen is a thing that can use business skills. But by the time I was 30, I wasn't in such a hurry. ”
At the end of the interview, Pang Hanchen talked about his play "Hello, Flame Blue" that he had just finished some time ago, in which he played a firefighter. Late at night when he was filming, he dreamed of his own role and found new inspiration from the dream. So at three or four o'clock in the middle of the night, he excitedly texted the sleeping producer, asking if he could add a small detail to the character. "When this play is broadcast, when this detail is seen, I think it will make the audience feel tears and surprise."
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