Modern Chinese literature is the cultural evidence reflected in various fields during the period of social transformation of modern China, which has played a great role in the modern transformation of Chinese society; it also has great enlightenment significance for the transformation of the current society, and has become an indispensable part of China's excellent traditional culture and an excellent cultural heritage of the Chinese nation.
As the core series of the "China Modern Literature Protection Project", the "Chinese Modern Art Literature Series and Fine Arts Volume" (the third series), with Shao Dazhen and Lu Fusheng as academic advisers and Li Chao as the editor-in-chief, will be published by Shanghai Calligraphy and Painting Publishing House recently.
△ "Modern Chinese Art Literature Series, Fine Arts Volume" (Third Series)
"Modern Chinese Art Literature Series, Fine Arts Volume"
(Series 3)
Academic advisors: Shao Dazhen, Lu Fusheng
Editor-in-Chief: Yuesheng Culture
Editor-in-Chief: Li Chao
Folio: 16
Number of volumes: 25 volumes
Binding: Hardcover
Publisher: Shanghai Calligraphy and Painting Publishing House
Publication date: December 2021
Pricing: CNY16000.00 (all 25 volumes)
"Chinese Modern Art Literature Series and Fine Arts Volume (Third Series)", edited by Yuesheng Culture and edited by Li Chao, collects thousands of art documents in modern China in the early twentieth century, covering traditional Chinese painting, calligraphy, gold stones, etc., as well as various categories of Western art, comprehensively reflecting the development of the field of modern Chinese art, and is of high value for us to understand the history of Chinese art history and the history of Chinese art development. This book is the first large-scale concentration of modern Chinese art literature, and it has been comprehensively, systematically and authoritatively sorted out and published; the literature presents the overall context of Western art theory and creative practice entering China in modern times and the impact on the traditional Chinese art theory and practice system; the publication of classic art literature is in line with the actual needs of libraries for collection and services in the digital era.
Author: Woodcut Creation Law
Author: Bai Wei Compiled
Publisher: Reading Life Publishing House
Published: 1937
This is the third series of the "Chinese Modern Art Literature Protection Project" sub-project "Chinese Modern Art Literature Series and Fine Arts Volume", which includes nearly 90 kinds of modern art books, most of which have never been sorted out or reprinted in contemporary times. In addition to the monographs of domestic authors at that time, the books included many Western and Japanese art monographs that were translated, so a large number of precious art documents were preserved.
Book: Basic Guide to Calligraphy
Author: Sheng Youxuan, editor
Publisher: Okawa Shoten
Published: 1938
As Li Chao, editor-in-chief of the "Chinese Modern Art Literature Series and Fine Arts Volume" (the third series), said: "According to the evolution of the traditional continuation, Western painting and eastern painting, and popular circulation in the history of modern and contemporary Chinese art, in the vision of academicization, internationalization and socialization, it corresponds to the rich and detailed historical content of Modern and Contemporary Chinese Art, and presents the knowledge of relevant documents (with certain connotations of art knowledge) and documentary (with words, symbols, The means and methods of recording images and other documents), materiality (through books, periodicals, albums, catalogues, textbooks, etc.) corresponds to many modern and modern art life and cultural situations such as modern art education, art creation, art exhibition, art community, art dissemination, art travel, etc., telling readers vivid Chinese stories in modern art. ”
END
Editors| Hanhua, Qingyi
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