Pink lotus flowers are lighter in color than red lotuses. When drawing, first observe the growth posture of the petals of the flower head, and note that no petal is the same, so be sure to pay attention to the observation before drawing. Draw according to the change in the posture of each petal. The petals are divided into front and back, and when drawing, pay attention to the flipping of the petals, perspective and the color changes of the front and back petals. When drawing the petals, do not forget to leave the position of the lotus canopy, which is an indispensable part of the flower head.
bud
Dipped in floral green tones and garcinia, the calyx is drawn with a flank pen, and the two sepals face differently.
Draw the petals with a twilight tone titanium dioxide and then dip the water under the flanks.
Notice that the petals converge toward the middle, without opening.
Dipped in thick ink, the flank draws the flower stem, the starting pen is slightly heavier, and the pen is fast.
When the ink is half dry, thick ink dots paint flower thorns.
Initial opening
Reconcile aquamarine and titanium dioxide, and the two strokes point out a petal.
The petals should be rounded and the tip of the petal should be heavier in color.
The petals converge toward the middle, and the posterior petals are paler in color, showing a relationship between the front and the back.
Continue to draw the larger petals on the periphery, paying attention to the proportion of the size of the outer petals, but also considering the degree of openness of the petals.
Dipped in thick ink, the center flank draws a straight ink line with a pen downwards as a peduncle, and then draws small thorns, paying attention to the dense distribution.
Full
With a red-toned titanium dioxide and then water, the lateral edge stroke draws the inner petals, and arranges the size and density of the petals according to the degree of openness of the flower head.
The deeply tuned dawn center outlines the veins of the petals.
Thick ink dots paint flower buds, garcinia dots paint flower hearts, pay attention to its front and back shielding relationship.
The center draws the peduncle downwards, and the ink line has a change in the press. Then paint the flower thorns.
Gesture reference
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