Lu Yi is 45 years old this year, and to this day, it is really a bit embarrassing, there is no Tang Guoqiang's life, and there is no Andy Lau's luck.
The only honor that Lu Yi won was the Golden Phoenix Award, and most of the other awards were the most popular awards of the audience.
The audience's love represents the heat but not the achievement of acting.
It is a bit of an exaggeration to say that Lu Yi has no acting skills at all.
In 1998, when Lu Yi played the male protagonist Xiao Tong in Zhao Baogang's TV series "Never Look Away" and became a hit, his acting skills were enough to hang 90% of today's domestic idol drama actors.
At that time, before graduating, he won the 18th China Television Golden Eagle Award for the Most Popular Actor with "Never Look Away".
What everyone is saying is that Lu Yi is the future of China's film and television circle.
After 1998, Lu Yi became a popular student in China.
Walking on the street, a bunch of fans, that will chase the star is really chasing the star, Lu Yi went there, where the traffic is blocked.
In 2000, Lu Yi starred in the love idol drama "Summer Love Quotes", which completely sat in the position of his first domestic student.
But what no one ever thought was that in 2001, Lu Yi's "Like Fog Like Rain and Like Wind" actually became a "stepping stone" for others.
Years later, other actors who played with Lu Yi in "Like Fog Like Rain and Like Wind": Chen Kun, Zhou Xun, Sun Honglei.
Chen Kun became a movie resource café.
Zhou Xun is the Golden Rooster, Golden Statue, Horse Award, Paris Film Queen.
Sun Honglei, Magnolia, Feitian, Golden Eagle Emperor, reached the top level in the Chinese television circle and achieved an honorary Grand Slam.
Only, Lu Yi was still a little embarrassed.
Lu Yi's embarrassment was not in the people.
No matter how outsiders evaluate, Lu Yi has a good character and a high reputation in the circle.
For more than twenty years since his debut, he has not hyped up, no scandals, and when he was popular, he openly married and had children, and he was indifferent to fame and fortune, and his ambitions were not great.
Whether it is an idol drama, a main drama, or a historical drama, he is willing to take it, and in every scene, Lu Yi works hard to shape the role.
Lu Yi fully deserves the title of "actor".
Even at the age of 45, Lu Yi still has a scene,
He's a lot better than ordinary people, he has a good life,
He is a good father, a good husband, but the embarrassment is embarrassed in the acting, Lu Yi's acting skills can only be said to be qualified, but the outside world's expectations of Lu Yi: never passed.
Nitpicking said: Lu Yi's acting skills must have a breakthrough, and it must be a breakthrough to be worthy of these film and television resources he has today.
However, it seems that when Lu Yi's acting skills came to the moment of "New Three Kingdoms", he was doomed to become the next Tang Guoqiang.
The reason why Lu Yi is intentionally compared with Tang Guoqiang here is because:
They all took the lead with the career of "yan value xiaosheng", and the role of this "Three Kingdoms" role is an important reference for the success of the transformation, and the actor's career has also reached a crucial turning point.
Tang Guoqiang was born in 1952,
At the age of 38, he acted in the 1990 version of "Three Kingdoms".
Lu Yi was born in 1976,
At the age of 34, he acted in the 2010 version of "New Three Kingdoms".
Unfortunately, this comparison, Lu Yi is too far behind. Tang Guoqiang's version of "Zhuge Liang" canonize the gods, while Lu Yi's version of "Zhuge Liang" canonize the ghost.
Tang Guoqiang shaped Zhuge Liang at different ages: the arrogance of young heroes, the middle-aged people who bore their weight alone, and bowed to exhaustion in their later years
The historical Zhuge Liang was 27 years old when he came out of the mountain, a talent of Yiqun, a weapon of heroism, eight feet long, a very great appearance, and a different person at the time.
From the appearance of "Liu Beisan Gu Maolu", Tang Guoqiang's teacher version of "Zhuge Liang" has a heroic and martial spirit, and Zhuge Liang's eyes have a proud but not arrogant, and a self-confidence but not conceit.
Lu Yi was too tender as water when dealing with "Zhuge Liang".
It is handsome, but it is only handsome, there is no heroic domineering spirit of the "Tang Guoqiang" version, there is no heroic spirit that is proud of the crowd,
Lu Yi's version of "Zhuge Liang" does not look like a heroic talent at all, nor does he look like a strategist in the chaotic era.
Bow your head and lock your eyebrows, but instead look like an introverted, miserable showman.
I'm not accusing Lu Yi of not having acting skills.
But the problem is that this treatment is somewhat biased, you look at the picture above, it is difficult to believe, in front of you is a 27-year-old who can analyze the general trend of the world, publish a book of Eastern Wu, and fight the heroic talent of confucianism.
Lu Yi's "Zhuge Liang" is very handsome, but it is too soft, the aura is not supported, how to look like an angry daughter-in-law, too feminine.
If it is said that the youthful heroism is caused by the different aura of the actor's appearance, the middle-aged version of "Zhuge Liang" is to deal with the problem.
Lu Yi did not have the strength of Tang Guoqiang.
When Liu Bei went to Eastern Wu to marry a relative, he must be more fierce and less auspicious.
Zhang Fei, Guan Yu came to accountability.
The performance of Tang Guoqiang's version of "Zhuge Liang" is rich and layered, and the calm and stable posture can also taste the best.
He smiled and decided that Liu Bei had gone to Eastern Wu to get relatives, but when he heard the news outside about the careers of Zhang Fei and Guan Yu.
Teacher Tang Guoqiang put away his bare teeth, and his smile became a kind of subtlety and introversion. From the calmness of strategizing, it has become a kind of fun from the heart.
He knew that Zhang Fei and Guan Yu were here to hold them accountable.
The smile at the corner of his mouth was both confident and childish and cute about Zhang Fei and Guan Yu's motivation to come to accountability.
Faced with the rebuke, Zhuge Liang confidently replied: "Yun Chang's words are reasonable. In times of tribulation, honor and disgrace are shared. Now the turning point has arrived,
The land of Thorns is in my possession. When I am working together and conspiring together to do great things, how can the Lord bear to abandon them? ”
After saying this, the "Zhuge Liang" played by Teacher Tang Guoqiang almost did not laugh in front of Zhang Fei and Guan Yu, which was not a mistake, but a kind of confidence in planning.
An affirmation of this brotherly impulse.
In the scene handled by Lu Yi in "New Three Kingdoms", the way of handling directly opened the gap in character understanding, the same scene -
Zhang Fei and Guan Yu came in to hold them accountable, Zhang Fei came in and scolded Zhuge Liang, and the Yi version of "Zhuge Liang" faced Zhang Fei's anger.
He first threw himself at the innocent horse, then turned his head and cried, like a child with an air bag.
This is a screenwriting problem, nothing more than the screenwriter is writing the script, I want to make Zhuge Liang of "New Three Kingdoms" more humane and emotional.
But the point is that Lu Yi is doing his job well, but he did not strive for his understanding and creation of the role, Lu Yi only handed over a 100-point answer in the 100-point question.
But the real creation requires 110 points, or even 120 points, to hand over 110 points of answers out of 100 points.
Historically, any classic has been shaped and left behind far beyond the "classics of the past" before it finally becomes a classic.
Zhuge Liang's most difficult to play is the different ages of life, different characteristics, different moods, different feelings, different behaviors...
The master's table is Zhuge Liang's watershed.
Before leaving the master's table, Zhuge Liang helped Liu Bei fight in the country, smooth sailing, everything was under control, the world's major events, and planning.
After leaving the master's table, Zhuge Liang bowed to Shu and guarded the country, and everything needed to be resolute, decisive, calm and wise.
Therefore, Zhuge Liang in his later years was tragic and magnificent, and this tragic grandeur was the bravery and tragedy of "knowing that he could not do it, but doing it", and the persistence and tragedy of "bowing down and exhausting, and then dying".
When he was a teenager, he was full of spirit, waving fangs, lifting weights lightly in middle age, bowing and helplessness against the sky in his later years.
Tang Guoqiang's version of "Zhuge Liang" is also here, which vividly plays Zhuge Liang at different stages of life.
Lu Yi's version of "Zhuge Liang" is different, whether it is juvenile, middle-aged, or old age, he always pulls a sad face, less strength, less of a full force, although An can go against the sky, but against the sky of the tragic strength.
This is not all Lu Yi's problem, the 2010 "New Three Kingdoms" script originally had a big problem:
The screenwriter wants to innovate, wants to change Zhuge Liang, and wants historical figures to close the distance with the audience.
He hoped that Zhuge Liang was not a perfect person.
The screenwriter hopes that Zhuge Liang is a mortal, a person with deficiencies, a person with emotions, so that the audience can see the real people.
The intentions were good, but it was screwed up.
Noshi is written into the script, the story lacks logic, persuasiveness, flows in lyrical superficial lines, emotions come and go, somehow.
Zhuge Liang of the new "Three Kingdoms" has been a complaining woman from the beginning, a breath bag who can't move to seek perfection.
Therefore, even if Lu Yi did more homework, it would not help, even if Tang Guoqiang came to play this Zhuge Liang, it would not be possible to become a myth again, but even if he could not become a god, the role could still leave a classic.
Art needs to be created, it needs to be constructed within.
In the past Hong Kong's golden age, there were also many bad movies in movies, Andy Lau, Wu Zhenyu, Wu Mengda, Chow Sing Chi, Jackie Chan, Xie Xian, Tam Wing Lin, Ren Dahua, Leung Ka Fai, they also acted in bad movies.
However, people only say that movies are bad, but they don't accuse them of acting badly, and if all the movies come down and mention the problem of actors, then actors need to reflect on themselves.
Lu Yi's acting skills were actually explored from this new "Three Kingdoms", in fact, the "Name of the People" behind him did not blame him, and he was played by a group of SSS-level old drama bones.
It was normal for Lu Yi not to be able to pick up the play.
Lu Yi's 34-year-old is very similar to Andy Lau, 34.
The 34-year-old Andy Lau is very hot, but his acting skills are also being criticized, because the ones who play against him are: Liang Chaowei, Zhou Xingchi, Liang Jiahui, these are enough to write into the Chinese acting textbooks.
The biggest shortcoming of Andy Lau and Lu Yi's acting skills is that they are very soft, lack explosive strength, and do not let the audience remember the explosion moment.
As a result, Andy Lau's Academy Awards ran with him for 13 years.
For the first time, Andy Lau was nominated for the first time with "Carmen of Mong Kok", losing to "Seven Little Blessings" Hong Jinbao,
The second time, in 1992, Andy Lau was nominated for the second time with "The Biography of Leiluo", losing to "A Tale of Two Cities" Zeng Zhiwei...
The third time, in 1996, Andy Lau was nominated for "Chariot of Fire" and lost to "Woman Forty" Qiao Hong...
Until 2000, Andy Lau met Du Qifeng, and with the fourth nomination for the Academy Award for "Dark War", Andy Lau finally won the first Academy Award in his life. That year, Andy Lau was 39 years old.
Lu Yi is 45 years old this year, he has not yet come up with the representative works of the acting school, and he seems to really not have Andy Lau's luck.
Whether it is compared with his peers or his predecessors, Lu Yi is really a bit embarrassed to get to this day, but it seems that all this is predestined, which is Lu Yi's own choice.
The university teacher taught Lu Yi to perform emotionally, but his graduation thesis was "On the Importance of Rationally Controlling Performance".
His personal understanding of performance prefers the theory of separation, and his emphasis on rational analysis and treatment of the role, but the effect of separation above reason eventually opens up the distance with the audience.
But perhaps, this is Lu Yi's choice.
Life, not necessarily to compete for the first, do not have to take a movie emperor, take an honor and add a grand slam, in order to say that it is perfect.
Now such a Lu Yi is also very good, do not argue, do not listen to, thousands of sails over, wash away the lead, men are still teenagers.