In the scenery of nature, the moon is very romantic, and it is easy to inspire people's artistic associations. A crescent moon can be associated with the budding things of the first birth; a full moon can be associated with a beautiful reunion life; the purity of the moon is reminiscent of a bright and upright personality. In the image of the moon, the infinite beautiful vision and ideals of human beings are concentrated. Throughout the ages, I don't know how many people have borrowed the moon to send lovesickness, and the moon is worried.
Therefore, Su Shi completely regarded the Yuehan Palace as a lifeless court, and Su Shi wrote this word in the year of Ying Chen, when he asked himself to be a taishou in Mizhou (present-day Zhucheng, Shandong) because he opposed Wang Anshi's new law. He, who has always adhered to the discipline of "respecting the lord and the people", not only has a strong concern for the political situation of the imperial court, but also has a complicated mood of expecting to return to Beijing, so when it is the Mid-Autumn Festival, he is drunk and drunk, and then he sends his thoughts about the court and the people of the world to the moon, so that he can explain that I want to return with the wind, and I am afraid of Qionglou Yuyu, and the heights are cold. Because he was not a person in the Moon Palace, but a person in the court, what he actually wanted to return to was not the Moon Palace, but the court, and he wanted to return to the court to serve the monarch and benefit the people. Borrowing the moon palace metaphor for the court is completely in line with the borrowing metaphor. Some explanations are that Su Shi is "a good way to go", after middle age, he once said "return to the Buddhist monks", so he regarded himself as a Moon Palace person, so he had to take the wind to return to the Moon Palace to see, I think this explanation is very far-fetched. It is extremely inconsistent with Su Shi's own flamboyant personality.
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