"Cutting Window Flowers" Zhu Yang
"Happy Harmony and New Year's Greeting" Qiu Jianguo
"Wear new clothes for the New Year" Hong Yu
"Sticking to the Spring League" Sun Dianzhen
"Welcome to the Winter Olympics" Li Jiaxin
"Jinshan Yinshan Ben Xiaokang" Xu Shan
"Winter Rhyme Overture" Han Lei
"Picking Lotus" Chen Nan
"The Well-off Life" Feng Xue
"Jiande Intangible Cultural Heritage Yanzhou Shrimp Lamp" Li Wen
"New Countryside, New Life" Tang Qing
"Harvest Gong and Drum Knock" Mao Fuxian
"Qingfeng waist drum", "Chagan morning song", "Yanzhou shrimp lamp", "Luzhong Zhengyue", the folk customs of the north and south of the river are coming to the face; "cutting window flowers", "pasting spring lian", "catching up with the New Year" and "worshiping the New Year", the atmosphere of the New Year festivals across the country is rich and lively, and the vivid and vivid New Year paintings tell the folk customs, convey the taste of the New Year, and infiltrate people's hearts. During the Spring Festival Lantern Festival, "New Life, New Fashion, New Year Painting" - our well-off life art works display activities were recently launched throughout the country, the broad masses of people and professional art workers jointly picked up paintbrushes to depict their new life, new changes, through woodblock New Year paintings, New Year paintings, peasant paintings and illustrations with New Year painting elements, vividly depicted the new picture of the people's well-off life in the new era, fully highlighting the main theme of the era of high spirits and progress.
New Year painting is an art form that is spread in Chinese folk and is popular with the Chinese people, whenever the New Year comes, people use New Year paintings to decorate the environment, wish the New Year auspicious, and hope that the next year will be smooth and rainy. New Year painting carries the people's yearning for a better life, it originated from the ancient "door god painting", in China, the New Year painting is not only the artistic embellishment of the New Year festival, but also an important carrier of folk aesthetics, carrying the function of cultural inheritance and moral education. Most of the formal language of New Year paintings adopts big red and green colors, full of festive atmosphere, and the use of exaggerated techniques in modeling is very artistic, in which the characters, animals, etc. are vivid and cute, full of vitality, reflecting the artistic creativity of Chinese folk.
These New Year paintings, which are integrated with the festive atmosphere, with the lives of the people, with the culture of the ancient capital, and with the activities of the Winter Olympics, embody the communion and symbiosis of tradition and fashion, culture and technology, culture and consumption, and highlight the charm of the new era emitted by China's excellent traditional culture. On the occasion of the Spring Festival, the New Year painting is a visual feast for the people, and I hope that the New Year painting will retain more good memories and make the New Year full of New Year's flavor.
(Author: Zhang Yumei)
Source: Guangming Daily