Preface
There is no majesty of the mountains, no rushing of the great rivers, far away to the extreme eyes are the sea and the sky, quiet enough to fill the ears only with birds and insects. The reeds are swaying, the cranes are dancing, and the vast wetlands make the water gentle and the wind tender. When DanQing's magic hand stepped into the tranquility of the beach, the pen also blossomed, and the people were also ethereal. Whether it is a beautiful hair or a long hair shawl, whether the reed bud is short or the crab leaf is flying, carrying the painting clip all the way to the east, even the back of the shoulder carrying the morning sun is also beautiful into a painting. Inheriting the firmness of the local atmosphere, arrogance and literary atmosphere, and immersed in the contamination of the Maritime School, jinling school and Wumen school, the "wetland painting school" has risen on the natural ecological and cultural ecological horizon along the coast of the Yellow Sea. There is a fascinating mysterious land here, a group of masters active in the contemporary art world. People are full of expectations: how can a strong nostalgia be presented in art? How many Stars of Yanfu painters twinkle in the halls of art?
Exploring ways for readers, solving problems for the public, and setting up a stage for culture are still the consistent persistence and responsibility of modern express newspapers to continue the mainstream media. Recently, our modern express online edition just led the column of "Yellow Sea Book Garden" with his left hand, and held his sister article in his right hand, "Wetland Painting Garden" to meet with you. "Wetland Painting Garden" will carefully create the "Wetland Star" section, showing the proud achievements of local artists and the exquisite brush and ink realm of Lin Quan. Cooperation and interaction with a variety of media and platforms, and integration into the domestic art world are the energy transmission that we should have, and it is also our advantage. Let us take it with us in the "Wetland Painting Garden", with great piety, and jointly outline, rub and smudge the beautiful picture scroll of "the capital of the wetlands of the East, the world of cranes and deer", let the embroidery mouth groan, the clever brush swing, and vividly present the wetland cultural feelings!
The "red carpet" of the Avenue of Stars has been rolled out, making us stare forward to: Who is coming to us today?
Ji Chengye
Ji Chengye, graduated from the Fine Arts Department of Nanjing Normal University, is currently a member of the Chinese Art Education Research Association, a director of the Chinese Calligraphy Education Professional Committee, a vice chairman of the Jiangsu Provincial Art Education Professional Committee, a special painter of the Jiangsu Provincial Academy of Chinese Painting, a member of the Jiangsu Provincial Artists Association, the chairman of the Yancheng Fine Arts and Calligraphy Education Professional Committee, the president of the Yancheng Education Calligraphy and Painting Institute, and the president of the Yancheng Red-crowned Crane Art Research Association. For more than 30 years, he has devoted himself to the research of art education, and more than 300 Chinese paintings have been published and awarded in national, provincial and municipal newspapers and periodicals. He has published seven series of works, including "Ji Chengye Chinese Ink Painting Collection", "Ji Chengye Chinese Painting Collection", "Ji Chengye Red-crowned Crane Art Chinese Painting Collection", "Approaching Famous Artists - Painter Ji Chengye", "Red-crowned Crane Ink Painting Tutorial" and so on. He has served as the editor-in-chief of "Jiangsu Art College Entrance Examination Course", the deputy editor-in-chief and editorial board of Jiangsu Provincial Compulsory Education Art Textbook, etc. In recent years, he has held eleven solo exhibitions and double exhibitions in Shanghai, Nantong, Yancheng and other places.
The Chinese painting "Hi Shang Mei Ti" fan surface 50cm
The Chinese painting "Ling Frost Gao JieXian as a Companion" fan surface is 50cm
The Chinese painting "Harmony and Wind Ruiqi" is 68X68cm on paper
Chinese painting "Warm Winter Sun" 68X68cm on paper
The Chinese painting "Hongyun Dangtou" is 90X60cm on paper
Chinese painting "Everything is Auspicious" on paper 136X68cm
The Chinese painting "Yong and Song Crane With Jianqing" is 136X68cm on paper
The Chinese painting "Drunken Beauty Beach Red" is 192X96cm on paper
Chinese painting "Clouds of Hometown" 240cm× 120cm
The Chinese painting "Flying High and Flying High" is 240X120cm on paper
Chinese painting "Winter Love Homeland Series One" 230x200cm on paper
Chinese painting "Winter Love Homeland Series No. 2" 230x200cm on paper
Chinese painting "Winter Love Homeland Series No. 3" 230x200cm on paper