Recently, Uncle Oxy has watched a lot of movies, from the Japanese director Gosha Hero.
The popularity of the Heroes of the Five Societies in China is not as high as that of Akira Kurosawa and Hirokazu Kore-eda, but it is also a very important presence for fans of martial arts films and gangster films, and has had an important impact on Hong Kong martial arts and gangster movies.
Unlike Masaki Kobayashi's kind of aesthetic that is keen to show male masculinity, the hero of the Five Societies has a super positive taste for the casting of women in the film, which makes Shu feel very attractive. Whether it is the woman of the big guy or the real female gangster, the heroes of the Five Societies from the early sword and blade films to the later female gangster films, the women in the camera have both the mysterious and beautiful beauty of the oriental gangsters, and the fierce personality charm in the determination.
Beautiful women and violence, the heroes of the Five Societies like to lay out gorgeous tattoos for the heroines under their own lenses, let women participate in the struggle for power, and use actions to fight for a place in the male-dominated violent organization.
The heroines are not small white flowers, most of them are geisha, gangster sisters, and female samurai. They all have a charming face, a complex background, and a soft but resolute body.
Today I mainly want to share with you the beautiful people with the distinctive style in the Hero Of the Five Societies movies, as well as several films that Amway Uncle Oxy thinks is very good.
First of all, Amway films. Gosha Heroes has made a "Women's Trilogy" series, adapted from the novels of Noboru Miyao, Miyao Noboru is good at describing the customs and objects of the traditional geisha world, "Yang Hun Lou", "The Life of Hanako Oni Ryuin", and "Tsuki", all three of which are very good-looking.
Not a complete gangster film, but a condensation of that past era, a fusion of love, family disillusionment, stained with the color of fate, the heroes of the Five Societies poured extremely delicate empathy and understanding into these female characters. Maybe this is the result of those fierce and deep female figures in the later period.
In Hong Kong gangster films, there are also many classic female figures, such as the shot of Qiu Shuzhen holding a card in "God of Gamblers 2", which perfectly combines sexiness and cute seduction, and is considered to be the most classic female image in Hong Kong movies.
For example, in "Naked Lambs", the female killer played by Qiu Shuzhen and Wu Jiali are all sexy to the bone. Their beauty is the beauty of felines, a combination of seduction, scheming, and sexiness.
Women in Hong Kong gangster films are special things, what is special things, special things are responsible for living in the eyes of others. The female killer played by Wu Jiali and Qiu Shuzhen is beautiful enough, but there is always a feeling of being at home and playing. And Wu Junru played the thirteenth sister in "Ancient Puzzle Boy", and she has a bit of a sense of delusional correction, and her heart is deep, but she has lost the unique charm of female characters.
The female characters portrayed by the heroes of the Five Societies are much more complex and interesting. The first is Kikazu in "The Wife of the Thief", played by Shima Iwashita.
A battle for a position, in which even the biological sisters were involved. Ordinary women die for the man they love, and women who are extremely morally kill their beloved men.
"I only hope that you can be like a man, seeing you who evade responsibility like this, and that I once loved you." 」
This side face of Zhi Ma is simply synonymous with the four words of qingzheng and nobleness.
At that time, she was not very old, but she already had the charm of a mature woman, and every move was the style of a big sister. The feeling of not being angry and arrogant is obvious, and the corners of the eyes and eyebrows are written "I am the big guy" written.
Style comes from the ultimate intoxication. Beautiful, glamorous, fierce, inviolable. In the world of the wife of the Extreme Path, women conquer the world, men conquer women.
The second is Miwako Fujitani, who plays the role of Kokuraya's boss's daughter Koki in "Female Killing Oil Hell".
"Female Killing Oil Hell" is the legacy of the hero of gosha, which perfectly interprets the style of Edo. Konanko Higuchi is also an important character in this film.
Koki, played by Mikazu Fujitani, has an affair with the second son of the oil shop owner in the movie, starring in a tragedy of lust. Unlike Kanako Higuchi's mature and cold face, Miwako Fujitani is more pure and pure, with a bit of a baby's face in the structure, and cherry mouth adds a classical and subtle beauty.
This classical beauty also makes her more depressed. Human desire is like moss in the damp wood grain, and the danger is no less than the shadow of the sword and light.
"Yang Yan" is also a very good series, which is a revenge theme. In the second part, there is a very charming actress, Miko Tamura. The original meaning of Yang Yan is that the success or failure of the human world is like steaming heat, like smoke, and the blink of an eye becomes empty.
Miko Tamura is a typical belly black miyako look, with a retro charm unique to the 90s.
This kind of appearance is the simple and crazy existence in the movie, she is a breaker of rules and institutions, and a challenger to the power structure. Looks have both classical feminine components, as well as direct explosiveness and destructive power, which is a very powerful look.
Kana Koko has starred in many of the films of the Heroes of the Five Societies, including "The Wife of the Thief" and "The Life of Hanako oni Ryuin" that we just talked about. Her appearance is also that kind of beautiful and classical type, and the silent aura is hidden inside, suitable for playing a variety of deep and complex roles.
The side face can also see the three-dimensional degree of the height difference, and the lines of the shoulder and neck are slender and smooth, thin but powerful.
Uncle felt that this kind of temperament was difficult to find among the Hong Kong stars of the same era, a kind of worldly and insightful temperament, not pretending to be flattering, nor pretending to be pure, and his face was written with experience but as deep as the sea.
These movies, in the process of watching, Uncle himself's biggest feeling is repression and entanglement, the deepest experience is that the dramatized story, most of the protagonists are also living in a long and painful wait, often decades of forbearance and struggle, only the moment when the peak of drama comes, burned into flames. No matter how deep and complex human nature is, it is only a short moment, the heart is moving, but the creator has a pair of skillful hands, written into an epic that can be repeatedly chanted.
Today's movie and beauty sharing end here.