A few days ago, CCTV released news on the Internet that Chen Peisi joined the CCTV program "Gold Medal Comedy Class" as the chief gold medal mentor.
"Gold Medal Comedy Class" is a comedy variety show created by CCTV, aiming to inherit the spirit of comedy, so many comedian predecessors were invited to sit down, and Chen Peisi was one of them.
The audience waited for twenty years, and Chen Peisi finally returned.
In 1998, Chen Peisi and his old partner Zhu Shimao appeared on the stage of the Spring Festival Gala for the 11th time.
No one knew at the time, and this was the last time.
Since then, every spring festival gala, "Remembering Chen Peisi Zhu Shimao" has become a reserved program among the audience.
In fact, in 2015, Chen Peisi landed on CCTV with his self-directed comedy TV series "So Big A Home", which was his first cooperation with CCTV since 1999.
But after all, the TV series is different from the variety show, not only has a sense of distance from the audience, but also does not have the inner taste of the sketch of the year, and this drama does not set off too much splash.
Therefore, as soon as the news of the "Gold Medal Comedy Class" came out, it immediately attracted countless people to watch, and the audience believed that this was the "official return" of Chen Peisi, and many people shouted "Ye Qinghui" below.
There are also people who frantically brush Chen Peisi's famous lines below: "The captain does not shoot me", "The imperial army entrusted me to bring you a word"...
Some netizens asked below, can you still see Chen Peisi on the spring evening?
Some netizens also lamented the passage of time, and Chen Peisi in front of the camera has changed from the young second son to the current gray-bearded people's punk artist.
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The first day of the Lunar New Year is the day when each David TV broadcasts the local Spring Festival Gala.
This year's Spring Festival Gala of Beijing Satellite TV is mainly played with the nostalgia card:
The protagonist group of "Family with Children" gathered again, and Xiao Yu Xiaoxue and Liu Xing, who grew up, changed the childishness and mischief of the year; the "Iron Triangle" in "Iron Tooth Copper Tooth Ji Xiaolan", Zhang Guoguo, Zhang Tielin and Wang Gang, gathered together again, showing the style of the year...
The ones that touched the audience the most were Chen Peisi and Zhu Shimao. The two people who have not appeared on the screen for a long time have given the audience a lot of surprises as soon as they appear.
In particular, Chen Peisi's son Chen Dayu and Zhu Shimao's son Zhu Qingyang staged a good play of "Old Noodles And New Eating", reinterpreting Chen Peisi and Zhu Shimao's classic sketch "Eating Noodles".
"Old Noodles And New Eating" adapts the plot of "Eating Noodles" and integrates some new phenomena in the current showbiz, such as "digital actors" who only read numbers and do not read lines, newcomer actors who have not filmed but only think about sponsorship and have eyes above the top, and "capital actors" who want to override the entire crew before filming...
At the same time, it also retains the most classic bridge section of the sketch, eating noodles.
Moreover, this show vigorously restores some of the sets and props of that year, such as the pillars behind the stage, the red plastic bucket used to put noodles, and the large bowl in the hand.
And most crucially, Chen Dayu, wearing a knitted sweater hat and a light gray-brown jacket, looks exactly like his father did.
In particular, the tone and tone of Chen Dayu's lines sound the same as Chen Peisi.
The moment Chen Dayu opened his mouth, when he picked up the bowl and engaged in a "no-physical performance", when Zhu Qingyang was on the side, shouting "say lines" and "say lines", Chen Peisi and Zhu Shimao, who were watching from the side, squinted and smiled, and their faces were full of feelings about the years; one with tears in his eyes, stared at his son on the stage, and his heart was surging with excitement.
The audience at the scene was also moved, and the audience in front of the TV set was even more tearful, because when the program was broadcast, it was also interspersed with the pictures of Chen Peisi and Zhu Shimao's performance.
The two people in the picture are young, strong and energetic. And now, the white beard and white hair have faintly appeared, and the wrinkles have climbed up the faces of the two people.
It has been 36 years since the two first performed on the stage of the Spring Festival Gala.
In 1983, Chen Peisi and Zhu Shimao met at the Bayi Film Studio.
At that time, Chen Peisi was an actor in the Bayi Factory Actors Troupe, and Zhu Shimao was filming the movie "Wrangler" and lived in the factory guest house.
The two of them were very close at first sight, and they got together all day long, pondering the performance.
After pondering and pondering, the two decided to create something new, which had "Making Movies" based on the usual filming and rehearsals.
(Stills from Zhu Shimao's "Wrangler")
The two took "Making a Movie" and went around performing, and there was not a single one in the audience who did not laugh.
Huang Yihe, the director of the Spring Festival Gala at the time, discovered the value of "Making Movies" and decided to invite them to perform at the Spring Festival Gala in 1984.
However, the show has two problems:
First, the performance time of "Making a Movie" is 25 minutes, but considering the Spring Festival Gala market, it must be cut for more than 10 minutes.
Chen Peisi and Zhu Shimao thought about it, but for the sake of the integrity of the art, they did not want to delete it, so they politely declined the invitation.
But Huang Yihe persevered, constantly lobbied, and even invited actors with rich experience in cross-talk performances such as Ma Ji and Jiang Kun to give them advice and processing.
This is the play "Eat Noodles".
Second, the performer agreed, but whether he could get on it was still a question.
Chen Peisi and Zhu Shimao performed "EatIng Noodles" in front of the director group, and everyone laughed forward and backward. However, the director group is also playing drums in their hearts, will this kind of uneducated program cause controversy among the audience?
This hesitation reached the Chinese New Year's Eve. When the "News Network" was finished and the Spring Festival Gala was about to start, Huang Yihe found them and said:
"No leader nodded, but no leader shook his head, I decided to let you go, but you must not make a mistake, if something goes wrong, you bear the responsibility; no mistake, I bear it."
(Huang Yihe)
The decision was made on an ad hoc basis, and the scene was naturally a little flustered.
At that time, the field needed to add a chair as a prop, Zhu Shimao shouted at the side, and the person who finally sent the chair was actually the host Jiang Kun.
But no one noticed. Because all the audience's eyes were attracted by Chen Peisi, who was a bit of a stream of air on the stage, and Zhu Shimao, who was handsome with thick eyebrows and wore a suit and leather shoes.
Huang Yihe's decision was not wrong, and "EatIng Noodles" was very successful. According to Chen Peisi, as he was acting, he found that the audience was gone, and it turned out that they were all covering their stomachs and laughing to the ground.
Until now, this performance is also a classic in people's minds.
A few days ago, when there was no physical food broadcast on the Internet, the comment area was mentioning Chen Peisi, the "founding father" of no physical food broadcast.
This non-physical performance, but also directly to people to see hungry, let everyone's heart remember the bowl of noodles in Chen Peisi's hand, this is not, as soon as the tutorial came out, it immediately attracted netizens to watch.
Before "Eat Noodles", there was no such performance form on the stage, and after that, it was clear that there was such a classification as sketches.
Chen Peisi and Zhu Shimao conquered the audience in this way, and the sketches became an indispensable part of the Spring Festival Gala stage.
In the next ten years, the two together, each time before midnight, as the finale of the Spring Festival Gala, contributed a lot of classics.
In the 86-year"Lamb Kebabs,Chen Peisi played an unlicensed trader, pretending to be an uncle in Xinjiang, and fighting with the law enforcement officer Zhu Shimao.
As long as you see Chen Peisi with a sticky beard and a look in his eyes, the next second you can already make up a fake Xinjiang Mandarin with the taste of lamb skewers:
"Smell the stink, eat the incense, swallow it into the stomach and shine."
In 1990's "Protagonist and Supporting Role", Chen Peisi, who played a supporting role, played all kinds of clever tricks in order to become the protagonist, and finally played the main role with the support of the audience.
I didn't think about it, but because of the habit problem, I returned to the script of the supporting role when acting, which was amazing.
Among the classic lines, netizens can blurt out, and even made memes:
"You brought the devil here?" "I didn't expect that you, who had thick eyebrows and big eyes, also betrayed the revolution!"
This can be described as the pinnacle of the duo's skit stage, which immediately caused a sensation across the country after it was broadcast. Since then, the sketch has officially replaced crosstalk and become the first protagonist of the Spring Festival Gala.
Chen Peisi and Zhu Shimao also established a performance model, one evil and one righteous, one martial art and one article.
After that, there are "Police and Thieves", "Brother-in-law and Brother-in-Law", "The Great Change of Life", etc., all of which are quite bright, and many works are deeply rooted in the hearts of the people.
Until now, some netizens believe that Zhu Shimao is really Chen Peisi's brother-in-law.
Soon, the time came to 1998. This year's Spring Festival Gala is full of big names and stars.
Na Ying and Faye Wong's "Meet 1998" is still a golden song sung; Fan Xiaoxuan's "Health Song" has made the audience in front of the TV set remember this eccentric girl from Taiwan; Andy Lau, Zhou Haimei, Mao Ning, Zhang Xinzhe and others have sung, and the two sides of the strait have congratulated this time.
New and old comedians gathered together, and the cattle flock Feng Gong, Huang Hong Song Dandan, Zhao Benshan Fan Wei, Zhao Lirong Gong Hanlin and others did their best to make the audience laugh.
Chen Peisi and Zhu Shimao performed a play "Wang Ye and the Postman", which was far from their usual style.
"Wang Ye and the Postman", adapted from the script "The Games of All Nations" created by Mr. Yan Su, tells the story of Wang Ye, played by Zhu Shimao, who was ordered by Cixi to lead the postman played by Chen Peisi to participate in the sports meeting held by foreigners.
Cixi's original intention was to let the postman go to the foreigner as a foil, but he did not expect that the postman won the first place in the running competition.
The prince played by Zhu Shimao represented the ruling class at that time, and his words reflected the fear and flattery of foreigners everywhere, depicting the real situation of the so-called "heavenly kingdom" at that time, but admiring the foreign world.
Chen Peisi played a postman who represented the people at the bottom of the time, but unlike the ruling class, he showed the people's pride in their own nation.
Chen Peisi used the characteristics of the studio to skillfully interact with the audience. When the postman won the first place in the run, the atmosphere of the whole scene was also pushed to the climax:
If you want to gain the recognition and respect of the world, you must not rely on fear and flattery, but on your own real strength.
"We Chinese, we have to straighten our waists!"
In the past, the works of the two men started from the small people at the bottom, interpreting their sorrows, joys and angers, and greatly narrowing the distance with the audience: from small vendors to restaurants on the street, the audience can have a strong resonance.
This time, they put the entire era on the stage, staged a black humor, in the personal tragedy and joy, into the more family feelings.
It can be said that "The Prince and the Postman" is a very advanced work.
However, after stepping down, Chen Peisi cried bitterly: smashed, acted smashed.
Because, this work Chen Peisi prepared for seven years, even the clothes he wore during the performance were specially sewn by him.
As a result, due to the negligence of the staff before the play, the microphone on Zhu Shimao's clothes was not tied tightly, and the microphone fell off as soon as he appeared on the scene.
No way, during the performance, Chen Peisi had to "paste" next to Zhu Shimao all the time, so that Zhu Shimao could rub the microphone. By the time Chen Peisi ran around the venue in the back, Zhu Shimao on the stage was almost already yelling out his lines in his throat.
Moreover, the sound effects prepared in advance were not put on the scene, which can be said to be a very serious stage accident.
Since then, Chen Peisi and Zhu Shimao have never been on this stage again, and once they left, they have been absent for more than 20 years, rarely appearing in the public eye.
Some people say that it is because Chen Peisi has high requirements for artistic creation, and CCTV always rejects him, so he rejects CCTV.
That's right:
In the Spring Festival Gala of 1988, he performed the sketch "Dog Baby and Black Girl", asking the director team to agree to his request and use montage techniques to shoot and transport the mirror, which was rejected by the director team;
In 1991, during the performance of "The Police and the Thief", a very important cutscene was deleted, which could not help but remind people of him who refused to appear on stage;
In 1998, when playing "The Prince and the Postman", he asked for high technology, but no one paid attention to him.
Later, Chen Peisi said in an interview: "This can't work, that can't work, it's equivalent to restricting the development of an artist." ”
"When I have something better, they keep this door closed forever."
Some people also said that it was because of that lawsuit that CCTV rejected Chen Peisi.
In 1997, Chen Peisi discovered that the China International Television Corporation, a subsidiary of CCTV, had engraved their works on the Spring Festival Gala stage without his and Zhu Shimao's permission and made them into a CD-ROM for sale.
So Chen Peisi immediately coordinated with CCTV, and CCTV had a very good attitude at the time and immediately admitted his mistakes in work.
Unexpectedly, two years later, Chen Peisi found that his work discs were still popular and sold in the market. So he and Zhu Shimao filed a complaint and took China International Television Corporation to court, demanding that the infringement be stopped and that they publicly apologize.
In 2002, the court rendered a judgment requiring the defendant to immediately cease the infringement, published an apology statement in China Television News, and paid Chen Peisi and Zhu Shimao 333293 yuan in damages for copyright infringement, as well as 3,174 yuan in reasonable expenses incurred as a result of the case.
Since then, Chen Peisi has disappeared, and there are even rumors that he went to the mountains in Beijing to plant trees. Until an interview a few years ago, he also said that you must refute a rumor that there are no pomegranates in the mountains of Beijing.
Chen Peisi does not linger on the stage of the Spring Festival Gala.
In 2011, Ha Wen, who was the director of the Spring Festival Gala for the first time, wanted to invite Chen Peisi to come back, but he politely refused.
The stage made him famous, but it also gave him a shackle.
There is a bigger stage in his heart, and that is his comedy.
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The vast majority of the audience's understanding of Chen Peisi comes from the 11 sketches above the Spring Festival Gala. It took more than two hours to unify, which was far from the real Chen Peisi.
Now few people know that Chen Peisi is not only a sketch actor, but also a film actor.
In 1979, China's first comedy film, Look at This Family, was released, starring movie stars Liu Xiaoqing and Chen Qiang, and Chen Qiang's son, Chen Peisi.
Since then, Chen Peisi has embarked on the path of an actor.
In fact, Chen Peisi did not want to be an actor since he was a child.
His father, Chen Qiang, played Huang Shiren in "The White-Haired Girl", and is famous far and wide. Later, he also starred in "Red Detachment of Women", within a radius of hundreds of miles of Coconut Grove Village, one of the top two large landlords in Nan Batian.
Coupled with Chen Qiang's acting skills are very delicate, refuse to exaggerate performances, and oppose the practice of "facialization", the character image is real and natural.
In this way, Chen Peisi directly became the "little Huang Shiren" in the mouths of his friends. Angry, Chen Peisi shouted, "I am not Huang Shiren, I am Huang Jiguang!" ”
A few years later, the Cultural Revolution came. Fifteen-year-old Chen Peisi watched his father being pulled to criticize the fight, and his father, who had been surrounded by applause and applause, turned into a "street rat" that everyone shouted and beat, and Chen Peisi was even more distant from the actor industry.
In 1969, Chen Qiang was beaten into the "right wing", and Chen Peisi also followed his father to Inner Mongolia to join the team.
His construction corps is in a desert area, the living environment is extremely difficult, the young people cultivate their own land and eat, and even the house may have to be built by themselves.
Chen Peisi, who can't eat enough every day, wants to go back to Beijing, and if he wants to eat, he has to go back to Beijing, and the fastest way is to apply for an art group.
As a result, Chen Peisi successively applied for the Beijing Military Region's Cultural and Labor Troupe and the General Political Drama Troupe.
Influenced by his father since childhood, he performed very well, but he was not admitted, because Chen Qiang was still a "rightist" at that time, and no one dared to ask for it.
In 1973, Bayi Factory recruited new trainees. Chen Qiang found an old friend actor Tian Hua when he played "The White-Haired Girl" and asked Chen Peisi to try it.
Chen Peisi impressed everyone with his wonderful performance and officially entered the Bayi Factory.
After that, Chen Peisi was finally able to eat a full meal, with five large steamed buns in one hand, accompanied by a plate of cabbage, and he could eat three meals a day.
And he also embarked on the path of an actor that he had rejected at the beginning.
However, due to the influence of looks, Chen Peisi is not a protagonist face in the traditional sense:
Big nose, thick eyebrows, small eyes dripping and turning, whoever looks at it thinks he has bad eyes. After coming to bayi factory, he also played two roles, passerby A and bandit B.
His childhood experience made him not want to play the villain like his father.
Chen Peisi's father thought about going back and forth, and finally decided to start thinking about comedy with his son.
The movie "Look at This Family" is the first cooperation between the two. In each scene, Chen Qiang himself first performed it, and then let Chen Peisi imitate and teach by hand, and Chen Peisi's acting skills soon improved even more.
In 1982, Chen Peisi played the "second son" in the movie "Xizhao Street", and later, he made a series of films, forming China's first comedy series , the "Second Son Series".
Later, Chen Peisi performed "EatIng Noodles" on the spring evening, became famous in a war, and laughed at countless audiences.
At that time, Chen Peisi's performance of comedy was still based on learning and theory, and although he suffered in life, he never understood the core elements of comedy.
The first time he really touched the core of comedy was in 1985, filming "The Young Master's Ordeal".
At that time, there was a scene scene, in the countryside of Henan. To shoot is the young master Jin Fu, played by Chen Peisi, in a forest, robbed by robbers, not to mention the gold and silver are soft, even the clothes and shoes have been robbed.
So he had to cut open the grave, take off the clothes of the dead man inside, and then run barefoot all the way to the car.
But the country lanes are full of tribulus terrestris, with three or four spines on one petal.
Moreover, tribulus is yellow, mixed in the soil, and cannot be picked clean. Chen Peisi finished a film, and many of them plunged into the soles of his feet.
As soon as the director shouted to stop, Chen Peisi immediately sat down on the ground, raised his feet one by one, and pulled the thorns out, causing him to grin in pain.
At that time, many ordinary people in the village heard that the big star Chen Peisi had come here to shoot a movie, and they all came to watch. Seeing Chen Peisi sitting on the ground like this, humming and chirping, all of them laughed and laughed.
Chen Peisi thought to himself, why are everyone so cruel?
But he soon realized that this is not the core of comedy?
Every laugh in the comedy is originally created by the pain of the characters themselves, whether it is mental or physical, if there is no sadness, it will not achieve the effect of comedy.
"This work brought me to the core of sadness and let me know where the core dynamics of comedy are."
Later, "The Ordeal of the Young Master" won the Little Hundred Flowers Award for Best Actor in 1988, and Chen Peisi's research on comedy became more and more in-depth.
So there are those small character images he created on the Spring Festival Gala stage: thieves and slippery vendors, thieves with mouse eyes, postmen who pretend to be stupid...
From simple amusement, it is more and more full of tragedy and irony.
Since 1991, Chen Peisi has opened his own company and made his own films. And these movies have achieved a lot of results, the awards that should be awarded, the explosions that should be exploded.
Whenever chen Peisi mentioned this matter, Chen Peisi proudly said: "Our films were in the top three at the box office at that time, and the front may be Hong Kong and Taiwan films, but ours did not fall out of the top three." ”
It can be said that the early 90s was the peak of Chen Peisi's comedy.
But the box office exploded, word of mouth exploded, and the money didn't know where it went.
At that time, the situation of cinema lines stealing and underreporting the box office was very serious, and it was obvious that the movies had a good response, but the theater always said that the attendance rate was not high.
Therefore, Chen Peisi sent 5 teams of people to the cinema in Hebei to supervise the tickets, and it was found that Mingming broadcast 7 times, only 3 shows were reported, the attendance rate reached 80%-100%, and the result could only reach 40%.
"Empress Dowager Auspicious" invested 4 million yuan, according to this situation, the box office should be able to reach 13 million, but the final profit is only 30%, which is too big a gap.
This made Chen Peisi mentally broken, and the money earned by each movie was just enough for the early stage of the next one, and if it went on like this, the company would lose money sooner or later.
In 1997, the New Year file dispute, "Party A and Party B" and Chen Peisi's "Good Man Three and a Half" were released at the same time. "Good Man Three and a Half" has a daily box office of about 200,000, which is very good, but it was only released for five days, and it was withdrawn from the mainstream theater line and arranged to the suburbs.
However, "Party A and Party B" sold well, from Christmas to Spring Festival, with a box office of 40 million yuan, becoming the highest-grossing domestic film of the year.
Chen Peisi did not grasp the distribution channels.
Concealing the report and stealing the box office, you can still hold it, but the movies released at the end of the good end are forced to be withdrawn, and no one can stand it.
As a result, the film was no longer made. Two years later, Chen Peisi "broke up" with CCTV.
Since then, he bid farewell to the Spring Festival Gala, and also bid farewell to the movie, starting from scratch and moving to the stage of drama.
In 2001, Chen Peisi produced the first drama "Childcare". Before the investment, the producer told him that the play could lose 300,000 yuan. Chen Peisi gritted his teeth and said, "I do." ”
He didn't pull sponsorship because he knew that if he couldn't make money, it would be difficult to pit others. It just so happened that he had made an advertisement before, and he put the advertising fee into this drama.
On the day of the premiere of "Childcare", Chen Peisi was very nervous.
But he was nervous not because he couldn't make money, he once said: "When I do drama, there is no such thing as sadness and joy, the movie is not very good, and my theatrical practice activities cannot be stopped, so I choose drama." As for whether you can make money or not, it doesn't matter, it's true. ”
He was nervous because he hadn't been on the stage for a long time. The last time he took the stage to perform a play was in 1976.
Before the performance began, he sat alone in the corner of the theater, passing words, walking the play, burying his head, and no one paid attention to him.
No one expected that "Childcare" would become! In the first show of the Chang'an Grand Theater, the attendance rate reached 95%!
When the first round of "Childcare" was performed 33 times, the Avenue Company founded by Chen Peisi recouped its investment.
After the national tour, the box office accumulated more than 40 million, becoming one of the highest-grossing dramas of the year, and also created tens of millions of box office myths in the national tour.
After that, Dadao Company produced a lot of stage comedies, and the Chinese drama industry was injected with a lot of fresh blood.
Among them, there are many excellent works, such as "Balcony", which is very popular, because it directly hits the social pain points, pins and needles, and has also been included in the textbooks of the Shanghai Theater Academy.
In 2014, Chen Peisi was interviewed by the "Easy to See" column. Host Yi Lijing asked about the Spring Festival Gala that year, chen Peisi said:
"No regrets." "I'm a very clean person."
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There is such a sentence in the pop circle, people's punk Chen Peisi, rock king Ma Sanli, pop godmother Zhao Lirong.
Ma Sanli's name comes from a commercial that the old man shot decades ago, which is also the only advertisement he has shot in his life.
In the film, he wears a sunglasses necklace and watch, wears a leather T-shirt, and when he picks up the microphone, he has a rock 'n' roll flavor.
Zhao Lirong's name comes from her performance "So Packed" at the Spring Festival Gala, she wears a riveted leather vest with five silver chains on it, and her mouth is a flow:
"Blossom in the spring, fourteen five six, ah June six I can't see that I hit six or nine heads in the spring, so the packaging is simply too uncomfortable, I can't open my mouth, I can't keep up with the walk, you say it's uncomfortable or uncomfortable, you say it's uncomfortable or uncomfortable!"
Later, she also left a lot of raps, from "court jade liquor, one hundred and eight cups", to "nod yes and shake the head, come and go is go", each of which is a classic.
Chen Peisi's name comes from a short film he shot, "96 Rock Guide".
In this film, Chen Peisi changed his previous funny image and played a fierce man: a colorful Mohican head, wearing a large skeleton ring, and a dangling cross gold necklace on his chest.
The character, named "Sharpie," is a veteran producer in rock circles who has his eyes above the top, pointing to Mike Jackson's song in a bar and saying "hot chicken."
He ran to the rooftop to think about his rock career, but was attracted to the attention of three migrant workers on the side.
The three migrant workers were harassed by bed bugs and were very distressed, so they ran to the roof to scratch the itch.
The action of the migrant workers to scratch the itch attracted the attention of Shapi, because it was so itchy, these migrant workers kept twisting their bodies, and their bodies kept trembling.
Sharpie looked at it, this is the real gold he was looking for! So he ran over and began to praise these migrant workers madly, and said that he would make them into superstars and make them into A MV.
So Shapi began to train these three migrant workers.
To cultivate migrant workers into rock stars, there are three steps: first, do not pay attention to civilization; second, abandon wives and children; third, dress up.
Not to talk about civilization is to explode foul language and do indecent actions; abandoning one's wife and abandoning one's children is because rock and roll have the concept of destruction, anyway, after becoming a star, there is everything, the old does not go to the new; dress up, try to imitate European and American stars, how cool how to come.
As for cultivating musical literacy? Sorry, there is no such item.
After the training was completed, the three migrant workers made their debuts and became the most legendary band in the history of rock and roll: the Bugs.
With the connections and experience that Sharpie has accumulated over the years, the Bugs became a hit and soon became the most popular band of the moment.
However, Sharpie retreated at this time, and after making a lot of money with the Bugs, he quickly disbanded the band and ran away with the money.
The three migrant workers, abandoning their wives and children, have long lost the ability to live a normal life and have become blind.
The film is ironic.
In the 1990s, it was the brilliant period of the development of Chinese rock, and the popularity of the Black Panther Band and the Tang Dynasty Band made more and more people pay attention to the business opportunities of rock and roll.
However, the quality of bands that have sprung up after the rain is uneven, and many of them are just for the sake of making money.
There are also so-called band members, who were carried to heaven overnight and fell into hell.
(Black Panther Band of dou wei's period)
Looking at the present, why not:
Shoddily made mobile games only for the purpose of circle money, internet celebrity face anchors everywhere, stubble after stubble of various drafts...
It can be said that this is a film with a very comedic core of Chen Peisi, and combined with Chen Peisi's works and deeds over the years, it also has the title of people's punk.
Good works that never go out of style.
Two days ago, when he returned to CCTV, Chen Peisi responded that he participated in this program in order to spread his comedy ideas.
It is no different from the reason why he left that year.
The People's Artist Chen Peisi is indeed worthy of his name.
For many years, Chen Peisi's sketches have actually been put over and over again by various channels.
Therefore, although Chen Peisi has left the Spring Festival Gala stage for many years, and many audiences in this session have not even been born at that time, everyone still misses Chen Peisi year after year.
Some people say that the current Spring Festival Gala is less and less the original Taste of the Year, the previous sketch is to make a stem, and now the sketch is to take out the rotten stem on the Internet and perform it again.
Not only Chen Peisi, but also the familiar faces that disappeared one by one, whether it was Zhao Lirong or Zhao Benshan. On the Internet, they take out the past cross-talk and sketches to see, over and over again.
As Chen Peisi left in "Protagonist and Supporting Role":
"You can control me, can you also control who the audience likes to see?"
No, Chen Peisi, is back!