Archives of Contemporary Chinese Poets: Kitajima, Shu Ting, Aldinf-Wing Ren, Nishikawa, etc

Archives of Contemporary Chinese Poets: Kitajima, Shu Ting, Aldinf-Wing Ren, Nishikawa, etc

Rong Chang

Xie Fei: Archives of Contemporary Chinese Poets Collection (I)

Xie Fei Writers Network March 9

Archives of Contemporary Chinese Poets (I)

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Author's Note: Poetry in the new century is born after death, excellent poets all over the motherland, I spent six years chasing their poetic footprints, interpreting poetry, identifying poetry, and feeling the soul of poetry...

North

Mr. Kitajima is good at using condensed language to outline distinct imagery, and is also good at pinning long-distance feelings in specific images, and he can also convey a certain life experience or irony in humor, so that poetry has a stronger artistic appeal and ideological enlightenment, and he is better at meandering ways of expressing the chest and implicitly constructing his own poetic mood. He contains deep and detailed talking so that we can hold our breath and hear the poet pour out his delicate and solemn feelings to the world with such deep affection, and, thousands of turns, twists and turns, to achieve the artistic conception of poetry that "tastes infinitely and is hot, drilling and inexhaustible", just like the deep and thick sound emitted by the ancient clock of a thousand years, which resonates with it and has compassion.

Aldinf Wingman

Mr. Aldinf Yiren's poems are like a heavy sigh from the depths of the ancient nation, awakening the reflection of the sleeping in the historical memory of the nation, using words to replace the words of heaven, the sky is high and far away in the vision of man, the sky is the source of life and the place of hope; the words of the earth, the depth of the earth is the foundation of man's survival, these images slowly cross the time and space and are renovated again and again by contemporary fashion, and the image of an ancient and new Salar tribe stands vividly in front of us. His poetry is his true psychological refraction and spiritual display, forming a swaying, robust and heroic character and quality of the wind god, subjective affection is stronger, attaches importance to the creation of artistic conception, and takes aesthetic creation as the guide, presenting the metaphysical soul of a nation.

Shu Ting

Ms. Shu Ting's poetry has a sense of gratitude from the soul, the verses turn static into motion, from the part of the rendering of beauty, from the whole but beyond the sense of beauty, sublimating the natural Zen, almost objective to the extreme, without any emotional color of the transcendent thing. She is good at using synaesthetic techniques to form composite imagery, forming an interchangeable transfer of vision, hearing, smell and psychological sensations, which on the surface seems to have a hazy feeling, in fact, every image she writes is very real and clear, extremely intelligent and spiritual, like scattered perspective in Chinese painting, more like a meditative realm, with a kind of atmosphere, and realizes the true meaning of life in plain nature.

Nishikawa

The ideological and artistic nature of Mr. Nishikawa's poetry is often not limited to form, but points to the way of human nature, or a kind of upward self-transcendence, his poetry has always given me the feeling of exploring a spirit, in the pursuit of art to open up a way for survival to let the soul out of the predicament, at the same time, to understand the fickle meanings in different contexts to expand the vision of mental images, let people feel kind and simple and fresh and fluent, wise and open-minded and tender and delicate, not deliberately carved chapters and sentences, but pen and ink to convey the charm, Inadvertently, a surreal imagination is born, so that it reaches a subtle and profound poetic realm.

Han Zuorong

Mr. Han Zuorong's poetry has always penetrated into his experience and thinking about the existence of life, and he uses his life to embrace the external world, so that the psychological structure of the creative subject and the stimulus mode of the object world appear homomorphic and isomorphic. He is good at capturing subtle feelings, with spirit and charm to express this inner poetic beauty in the strings, coupled with the poet's unique personality and attitude towards the world, as well as traditional artistic expression techniques, than the specific embodiment of the poem, symbolism, allusions and other specific embodiments in poetry, so that it has formed a poetic art style of near and far-reaching, thick and elegant, and deep in humor, which well demonstrates the unique inherent inclusiveness of poetic language and the unique aesthetic characteristics of poetic texts.

Liu Cheng

Mr. Liu Cheng's poetic aesthetic ideal is deeply embedded in the poetic blood of 5,000 years of Chinese culture, but also contains Western philosophical consciousness and contemporary spirit, the original meaning of the fate in his poetry is not the so-called destiny of fate, but to examine life with the mandate of heaven, to confirm the destiny of heaven with life, is the highest realm of life. It is not difficult for us to see that Mr. Liu Cheng's poetry is extremely elegant, solemn and thick, refined and subtle, magical imagery, bold language, attaches great importance to intuitive imagination and the creation of artistic conception, pursues a very high rationality to enhance instinct, purify emotions, has its own unique temperament and endowment, and is full of innovative spirit.

Kitano

Mr. Kitano's poetry can dive into the core of the human soul and reflect on its complex nature, through the verification of "the unity of heaven and man" to open the deep passage of the subconscious mind to the truth of things. His poetic imagery and spirituality rely on the intuition of both emotion and reason to capture, through the pattern of his aesthetic intelligence to confirm and manifest, with art to truly reflect the real life from ancient times to today, respect for human life, dignity, value, emotion, and the spirit of freedom. It can be said that historical rationality has a humanistic dimension, humanistic care exists in a historical dimension, and the ideal of the spiritual value of poetry is expressed here, which is an inner charm, emotion, wind bone and spirit.

Lei Pingyang

Mr. Lei Pingyang's poetry is to carefully observe everything around him, his subjective emotional color penetrates in the artistic conception of poetry, breaking through the circle of self to directly integrate strong feelings, rich imagination and profound philosophy into the image, and its meaning will be more social significance. His poetry is the process of the display of the true self, so that the self-dissection in the form of expecting self-redemption allows people to truly experience a kind of pain and helplessness, kindness and sentimental poetry through the lines of his words, and such poetry can be described as a needle hidden in the cotton, daily killing is everywhere, there is a natural need, there is also cruel sin, the poet put this rebellious and awakened breath from the bottom to the depth of the simple poetry to a height of thought, sharp flashing light.

Wang Xiaoni

Ms. Wang Xiaoni's poems are concise, clear and idyllic, precise and sharp and slightly ironic, showing a kind of subject's feelings. She is an extremely sensitive poet to life, her poems are mostly about some small emotions in personal life, and more of her own experience is included in the casual, burying a sincere and pure love for poetry in the deepest part of the soul, and the wind and rain, watching the rainbow all the way calmly. Her poetry has become more and more thick and wise, she has always been an idealist, her ideal enthusiasm and self-consciousness, and her keen and meticulous understanding of the wisdom and meticulousness of the world, at the same time transformed into her wisdom and spiritual poetry, constitute a poetic inhabited world with a strong breath of life.

Fu Tianhong

Mr. Fu Tianhong's poetry is cheerful and broad, profound, indomitable and also represents the aesthetic characteristics of all his poems, the subject of poetry appears the declaration of self-independence and personality, the inner world of a poet constitutes the basic theme of his poetry, the autobiographical factors in poetry have been fully highlighted, the strong emotional and inner world confession of his poetry, as well as the recollection of the past in the quiet of reason, constitute the first element of creation. The story has magical fantasy colors and vivid and vivid characters, which not only makes people think about what is determining the fate of a country and even all mankind.

Tan Wuchang

Mr. Tan Wuchang's poetry themes are very extensive, the forms are diverse and flexible, often love to use the characteristic small scenes or the portrayal of life details to evoke a large realm, the small things are large, it is more conducive to the strong and concentrated expression of the object, the expression of major content; the support of the object is excited, the perception of Yongzhi, so that the thoughts entrusted to the object wrapped in the natural expression of feelings, evoking people's rich associations; entrusting the meaning of the object, relying on a specific and limited image, and adopting the symbolic technique of words and meanings to create a far-reaching artistic conception. His poems focus on the experience of emotion, using plain and simple language to show the most essential truth in life, and sending out a long exclamation from the bottom of the heart, giving people a strong spiritual tremor.

Lan Xiaoyu

Mr. Lan Xiaoyu's poetry always gives people a fresh and detached feeling in a new way of presentation, with a taste of life, emotion, philosophy, and shows certain regional characteristics of life. He organically combines the consciousness of the north with the psychology of the north, the original taste of the poem is not mixed with the slightest impurity, the coldness from the ice and snow gives people a refreshing feeling, showing the poet's frankness and depth, showing a healthy and heroic spiritual outlook, the seemingly ordinary and simple poetry on the surface, in fact, it also contains a lot of internal changes, the process of survival, it can be seen that the unique living environment of the northern snow country has achieved his strong and vigorous poetry style.

Ancient island

The atmosphere and open-mindedness of Furushima's poetry are not expressed in words, but in a kind of thought, and this kind of thinking does not even carry any metaphors, but it can make people feel comfortable and suddenly cheerful after reading. This is also the expression method of "cleverness": cleverness is craftsmanship, and clumsiness is simple. The use of this language art in poetry can often receive a unique and intriguing artistic effect, and the simple and natural poems forged by his blacksmith shop have no trace of axe chiseling, bright and intriguing. In expression, it is always calm, soothing, thorough, open-minded, and wise to show a rhythm of life, and pursues a seamless integration with nature. The poet's good intentions in making words and sentences give people a sense of subtle condensation.

South Gull

Mr. Nanou's poetry can be said to be a true projection of his own mental journey. His poetry is not so much a lyrical song as a sharp sword, a precise and sharp sword that breaks through the veil of hypocrisy; a sword that pierces through the inferiority of man, and bursts out of the electric stone fire brilliantly flashing in his poetry. This kind of beauty is the beauty of the original appearance, it can be strange and absolute, it can be bloody.... His poetry has a sense of daunting, I think this may stem from his intellectual and perceptual, for life he takes objective and subjective as the poles, combing meticulously, static understanding constitutes the spiritual movement of his poetry "G major", insight is hidden inside, thinking is manifested outside, and intellectuality is a natural overflow of his wisdom and experience.

He Sanpo

Mr. He Sanpo's poems have long-range and close-up views, upward and downward views, cool colors and warm colors, and human voices and water sounds. Organically, the beauty of painting, music and poetry are fully combined, and the "meaning" and "image" are combined, expressing the spiritual realm of "forgetting worries and leaving things far away". The charm of the landscape that the poet experiences has the vitality and spirituality of life, and the poet's own charm also has a transcendent sense of life and a philosophy of life in the emotion. Most of Mr. He Sanpo's poems are simple in imagery, the theme is clear, and nature contains a genuine childlike heart of the poet, and the poetry is naturally true, full of confidence, and gushes out, showing the world an eclectic poetic world.

Pan Hongli

Ms. Pan Hongli's poems, with their personalized emotions, rich connotations, beautiful and condensed language and originality of style, let us feel a kind of original beauty, human beauty and artistic beauty, and naturally flow from the depths of the poet's soul to the spiritual undercurrent hidden under the surface of daily life. The poet's reasonable publicity of the human spirit and the poetic inquiry of the eternal value of human beings gradually sublimate from the bottom of the verse, and find that the ultimate value of human universality hidden in the spiritual meaning of poetry, the real beauty exists in the harmony between man and nature, the greatest beauty is the harmony between man and heaven and earth, all things, the harmony of in and out, endless life, unconsciousness, and unity, and Ms. Pan Hongli is well versed in the essence of the traditional Chinese poetic culture "Taoist nature".

Angel

Ms. Angel's poetry has always been written for the soul, love to think about life, and in thinking about the pursuit of a kind of transcendence of life, implying the precognitive idea in the underworld, or a transcendent consciousness, good at expressing an artistic intuition, she likes to subtly transition such intuition to perception, and the spirit of reason is just wrapped in the expressive content and expression of poetry, true and concrete, specific and meticulous, meticulous and clear. Her poems only speak to her own soul, expressing her own harmonious poetic atmosphere in a subtle and circuitous lyrical way, and consciously completing a self-transcendence from a rational consciousness.

Note: The serial number of the archive is only the time of reading and tasting poetry, and there is only one title in front of poetry: Chinese contemporary poet.

Xie Fei is the deputy director and researcher of the Xing'an Cultural Research Institute of Heilongjiang Province; the vice chairman of the Federation of Literary And Art Circles; the initiator and core poet, poetry critic and theorist of contemporary women's intellectual spiritual poetry; the chairman of the Contemporary Women's Intellectual Spiritual Poetry Theory Research Society; and the chairman of the Contemporary Female Writer Chi Zijian Works Research Society. He is currently the chief editor of the Journal of Women's Intellectual Spiritual Poetry, the Contemporary Women's Intellectual Spiritual Poetry Theory Research Series, and the Contemporary Female Writer Chi Zijian's Appreciation Series.