Fireworks in the world, rich and noble winds - Liu Yong's "Looking at the Tide of the Sea"

Look out over the tide

Southeast shape sheng, three Wu metropolis, Qiantang has been prosperous since ancient times. Smoke willow painting bridge, wind curtain green curtain, jagged 100,000 homes. Clouds and trees around the sand, angry waves roll frost and snow, the sky is endless. City column Pearl, Huying Luoqi, competitive luxury. Heavy lake stacked with Qingjia. There are three autumn guizi and ten lotus flowers. Qiangguan makes it clear, Lingge pans the night, and plays fishing for Lotus Baba. A thousand riders with high teeth. Take a drunken listen to the drums and enjoy the smoke. The other-day map will be a good scene, return to Fengchiqua.

Liu Yong was one of the representatives of the Northern Song Dynasty's euphemisms, and this poem is one of his many euphemisms. This word mainly describes the wealth and beauty of Hangzhou. The first film depicts the natural scenery of Hangzhou and the prosperity of the city, and the next film writes about the West Lake, showing the peaceful and quiet life of the people of Hangzhou. The whole word is dotted with points and faces, light and dark intersections, laying out Xiao Chang, describing it decently, contrary to Liu Yong's usual style, with a wide-open, undulating brushwork, and showing the prosperity and magnificent scene of Hangzhou. The slow tone of this word and the ups and downs of the lyrics correspond, the rhythm is coordinated, and the emotion is gentle, which is a masterpiece of Liu Yong. In this word, Liu Yong uses a big opening and closing brushwork, which is what makes him different. When I first read Shangque, the beautiful scenery of Hangzhou's Jiangnan came into view. Bustling and leisurely are the way the city looks. It also makes people feel like they are rocking on a boating lake. However, the pace of xiaxia has become faster, and the use of quantifiers, the two sentences "Three Autumn Guizi, Ten Lotus Flowers" are indeed highly condensed, and it summarizes the most beautiful features of the West Lake and even the whole of Hangzhou, and has the artistic power to shake people's hearts. And "a thousand horses with high teeth" wrote out Sun He's spirited appearance.

If shangque is the embodiment of Liu Yong's high degree of self-discipline at the end of the pen, the pen is like a thin knife, and the carving words are like pecking objects, which reflects the profound writing skills. Then the lower que, there is no pure technical flow and high degree of condensation as the upper que. Xia Que is more romantic and affectionate, reflecting Liu Yong's own style and the sentiments of a literati, let's take a look at The City of Hangzhou with a strong feeling of Master Liu. Lake Hill Kiyoka, Three Autumn Guizi, Ten Mile Lotus. Qiang pipe is quiet, sunny painting smoke and rain. One day, the wind and clouds are harvested, and the fishing fire is lit. The Qingnuo girl who picked the diamond horn sang Wu Nong's soft language, and the lake was a fishing old man. In the distance, crowds of people gathered high tooth flags. The word "hip-hop" comes alive with the whole scenery. Drunken eyes misty, red sleeves add fragrance. The sound of Xiao is far away, the drums are thick and hot, and the poetry is written, praising this land of bell spirits glowing with smoke and mist, and the wind and currents are wanton. When he returns to the capital one day, I will praise this place well. Master Liu is a man who keeps his promises, boasting, boasting for nearly a thousand years.

Looking at the tide of the sea, just like in the thick river of historical time, a clear covenant, a graceful and gentle rise of fireworks in the world, the "Jiangnan Scenery Map" of wealth and currents. It has entered the eyes of countless later generations and has been beautiful for centuries.