The film directed by Han Han is related to two words, one is highway and the other is Wenqing.
From "After the End", "Riding the Wind and Waves" to "Flying Life" and "Four Seas", they all belong to the road, on the journey, continue their stories of being literate and chasing dreams.
In these four movies, Che is the protagonist in the film, carrying Feng Shaofeng, Deng Chao, Shen Teng, Liu Haoran and they began a "rebellious" story.
"After the End" is a few young people who left The East Pole Island and encountered various opportunities through self-driving, thus having different ways of returning.
"Riding the Wind and Waves" is Ah Lang traveling to the past in the process of racing, learning about his own life, as well as more stories of his parents, and finally welcoming back his racing car and reconciling with his father.
"Flying Life" is a racing driver Zhang Chi who has been in the limelight.
In order not to live a lifetime, it was decided to return to the field, compete with the younger generation again in Bayinbrook, and fly to the track without the sea.
The small freshness, pseudo-literature and partial blood of "Four Seas" are more like the young version of "Flying Life", and there are also some shadows of "Head Text D".
However, compared with "Riding the Wind and Waves", "Four Seas" is more similar to the latter, but it has more of a dream-chasing ring than "Riding the Wind and Waves", the theme of the latter is the reconciliation of father and son, and the former is dream-chasing and reconciliation.
In these four films, no matter how the actors change and how the story is arranged, the core style has never changed, that is, Han Han has been repeating his novel "1988, I want to talk to the world".
"1988, I Want to Talk to the World" is a novel based on a station wagon.
Through various realistic scenes such as what he sees on the road, memories of the past, and confusing character relationships, as well as the protagonist's own views on what he sees and hears on the road, he arouses his own views.
In addition, this journey of talking to the world is different.
On the spiritual level, it seems to have transcended the shackles of the legal and moral levels, and the protagonist's starting point is to find faith in another world and see the world with a "rebellious" eye.
From this novel, combined with "Four Seas", "After The End", "Riding the Wind and Waves", "Flying Life", the two have the same destination.
This is Han Han's film, a commercial film that is standardly cloaked in the cloak of a literary film, and more accurately, it should be called a pseudo-literary film.
Han Han will make his film have a sense of nostalgia and literary youth through lines, composition, and photography, and then use his own little wisdom and humor to make the movie not dull.
For example, In "After the End of the Future", Wang Luodan said: "I have been excellent since I was a child, how to be good." ”
In "Riding the Wind and Waves", Deng Chao asked Li Ronghao, "Do you dare to open your eyes a little wider", Li Ronghao said, "I have reached the maximum." ”
Shen Teng in "Flying Life" said: "After so many years, finally someone told me to drive an express train", Wu Renyao, played by Liu Haoran in "Four Seas", and Wu Renteng, played by Shen Teng, the name of the harmonic terrier.
In addition, the composition and photography in Han Han's films also have the effect of taking screenshots as wallpaper.
For example, the scene where Wang Luodan and Chen Bailin bid farewell in "After the End of time", and the scene where Deng Chao, Peng Yuyan, and Zhao Liying went to see the movie together in "Riding the Wind and Waves".
The scene where Shen Teng leaps at the end of the film in "Flying Life", and the scene where Liu Haoran and Liu Haocun sit on the beach in "Four Seas".
These careful thoughts will make the film attract a group of young people, and will also let young people and young couples enter the cinema.
Because the words of literature and art, youth, youth, blood, inspiration, and dreams in the film are exactly in the arms of young people.
They are the literary and artistic youth and the young people who are enthusiastic about "if we are not crazy anymore, we will be old, and we will not have memories of how to pay tribute to it".
Han Han's film created such a dream for them.
Therefore, Han Han's film has a stable box office chassis, because there are a group of fixed audiences who like this tone.
For example, "After The End" box office is 628 million, "Riding the Wind and Waves" is 1.046 billion, and "Flying Life" is 1.728 billion.
As for whether it can attract passers-by to buy tickets, it depends on the actors, the story and the degree of funnyness.
After all, Han Han's films will not have any deeper connotations, they are all floating surface things, and naturally they will not become classics, but Han Han's films are definitely worth the ticket price.
The box office of "Four Seas" is expected to be around 1.5 billion to 2 billion, becoming a dark horse, and the possibility of being black to the end is unlikely, not to mention that Shen Teng is not yet a starring actor, giving him little room to play.
At present, there are four seeded players in the Spring Festival slot.
They are "Watergate Bridge", "Miracle", "Four Seas", and "This Killer Is Not Calm".
Zhang Yimou's "Sniper" is not directed by him alone, and his daughter Zhang Mo accounts for a larger proportion, so the probability of counterattack is very low.
Of the four films, "This Killer Is Not Calm" became unique due to the withdrawal of "The Super Family".
It may be fortunate that twist flowers have achieved twist flowers, and "This Killer Is Not Too Calm" has become the only pure comedy in the Spring Festival file, which is in line with the tone of the Spring Festival, so it will become a seed player.
However, due to the previous corrupt reputation of the twist actors, the quality of the film is worrying, and the box office trend may decline, exhaust, and not three.
So the real opponents of "Four Seas" are only "Watergate Bridge" and "Miracle".
The biggest factor affecting the box office of "Four Seas" is the ambiguous epidemic situation and the X factor of the heroine Liu Haocun.
If "Four Seas" wants to become the box office champion of the Spring Festival, unless the reputation of "Watergate Bridge" and "Miracle" is completely broken.
Just like last year's "Hello, Lee Huan Ying" box office counterattack "Detective Chinatown 3", but such an outcome is almost impossible.
"Water gate bridge" is the sequel to "Chosin Lake".
Originally a movie, it was divided into two films, three hours after "Chosin Lake" and two and a half hours after "Watergate Bridge".
"Watergate Bridge" also made up a part of the remake, so the probability of "rotten" is very small, and the final quality of the finished film should be similar to that of "Chosin Lake", but it will not break the lower limit of failure.
Not to mention, "Miracle" may not be able to replicate the miracle of "I Am Not a Medicine God", but it will not be too bad.
After all, this is Wen Muye's second work, and it is also the most promising newcomer director in Ning Hao's Bad Monkey Project, and it is impossible to smash the signboard.
Moreover, "Miracle" also belongs to an alternative main theme, the main theme that everyone has seen in the past two years is all war themes, and "Miracle" interprets positive energy with black humor realism, which is more popular.
Since "Watergate Bridge" and "Miracle" can't rot, then "Four Seas" can only be relegated to third.
But the clever thing about Han Han is that he knows that he can't fight those big productions and can't become a box office champion, but he can find his own positioning, not up and down, muffled and rich, and in the spring festival stall of the fight.
This is Han Han, he may not be a good director, but he is definitely a good businessman, just like his films, may not become a classic, but there is also a pass guarantee.