Hyper-realistic paintings are very familiar to us, painters rely on a pen, dare to compete with high-definition cameras, and even these hyper-realistic works, bring us a visual experience, more clear and shocking than the photos taken by the camera.
Hyperrealist painters compete for whose works are closer to the real thing, one after another superbly skilled hyperrealist painters appear, although the subject matter of painting is different, but the hard indicator of the competition is who paints more really.
So, is there a limit to hyperrealistic painting? Xiao Dai believes that there is, and when the hyper-realistic painting reaches a certain level, it is almost impossible to be broken by the latecomers. This is because the things we see with our eyes are like this, the painter will perfectly reproduce it to the picture, and then use his own hyper-realistic experience to process, just such a painting, high-definition photos are downwind, on this basis to further improve, it is almost difficult to ascend to the sky.
The works of Chinese hyperrealist painter Leng Jun, even he himself believes that the painting has reached the extreme, in recent years, he has rarely seen his hyperrealist works, it seems that painting has reached the limit, and it is difficult to seek new artistic breakthroughs. If Leng Jun is the ceiling of the hyper-realistic oil painting with female themes, then the hyper-realistic painter that Xiao Dai wants to introduce to you today can be called the ceiling of the hyper-realistic small animal theme.
In fact, in the first two years, Xiao Dai noticed this hyper-realistic painter, and did not expect that today he is still depicting hyper-realistic paintings of the same subject, and his works are more realistic than a few years ago.
This hyper-realistic painter is Kim Yong-sung from South Korea, who is famous for painting fish in glasses and reptiles, and he draws huge works with a small brush, even if he holds a magnifying glass, he can hardly find flaws, and he really does not let go of every detail.
Hyper-realistic works are often compared because they are comparable to high-definition photos, and Xiao Dai believes that whether it is shooting or hand-painting, as long as it is put into creation, then it has value. Similarly, hyperrealist painters also find their own expressive needs in their works.
Kim Yong-sung's hyper-realistic painting is not a painting comparable to a photograph, but a thoughtful creation, and he compares the fish trapped in a glass bowl to a human being in modern life. He believes that the works he has painted are for people to enjoy, but he does not know the pressure that these animals are under to pose these movements, just like contemporary people, on the surface, dressed up brightly, and seem to live a happy and stable life. However, the real state of life of these people may not be different from the fish in the painting.
Although Kim Yong-sung tells the hidden meaning of the work, the viewer does not care about it, because their eyes are attracted by these paintings that are so meticulous that people's hairs stand up, and Xiao Dai also believes that it is no longer important whether the hyper-realistic works are painted to this extent, and whether the connotations in the works are integrated.
Next, let's enjoy Kim Yong-sung's latest hyper-realistic works, and don't be startled by these paintings.