Cover news reporter Xun Chao
On January 14, 2022, at the Tianfu Sichuan Finance Museum, the well-known screenwriter Pan Naiqi, with the theme of "The Dramatic Expression of Financial Genes", started from the four aspects of "Stage Drama Script and Stage Drama", "Dramatic Expression of Financial Genes", "Metacosm and Immersion", and "Room Escape and Script Killing", to explore the infinite possibilities of financial genes in drama creation.
"Diversified theatrical expression methods and stage expression methods have derived a variety of dramatic interpretation methods." In Pan Naiqi's view, stage art mainly includes drama (including opera), opera, music, dance, acrobatics, magic, martial arts and other art forms, she took the dance drama "Hard Food", "Tea Horse Ancient Road", "Hero", drama "Dust Settled", Sichuan opera "Eternal Life in the Fire" as an example, and introduced the stage drama category in detail.
Talking about how financial genes are expressed in drama, Pan Naiqi takes the Kunqu opera "Fifteen Consecutive", the one-act drama "Three Dollars and National Coins", the dance drama "Effort Meal", the immersive drama "Money World" as the starting point, and through stage script creation and case analysis, interprets another unique charm produced by the integration of art and finance.
Subsequently, Pan Naiqi shared from the three aspects of immersive concept and case analysis, script killing concept and case analysis, she believes that "excellent drama creation is the result of the interaction of multiple factors. In the pulse of the current era, we cannot only pay attention to the entertainment of drama and ignore the improvement of a deeper spiritual level. ”
Immersive theatrical creations such as "Escape Room" and "Script Killing" also provide endless possibilities for Pan Naiqi to explore the creation of financial genes scripts. "Script Kill is a social game that combines logical reasoning and role-playing. The difference between a script killing script and a stage play script is mainly in the character setting. The stage play is one person, one thing, clear bishop, telling the story around the protagonist; the script kills, everyone is the protagonist, so that every player has a sense of gain. ”
Pan Naiqi believes that "at this more diversified time node of artistic development, the development of stage art in the new era is not only a virtuous circle, but also a two-way choice, which focuses more on the harmony and refinement of choreography, and also reflects the tribute to national culture, calling on more people to pay attention to and think." ”