A water
There were less than ten people at the New Year's live concert of Gojo people, so that Renke told the story behind "Cao Cao You Don't Be Afraid" and Ah Mao said, "You see, there is no audience on the scene, and your story is not as vivid as before."
There are many live concerts, and there are very few who travel through multiple worlds like Gojo.
The first world is the stage dressed as the "Big Time Cabaret". Singers and musicians leave their silhouettes frozen in the light fog, the air is not hot, and the applause is sparse.
The second world is the world of the small movie before the opening, where the characters wander around the billiard room and the underground garage, and the plot of fighting and killing is staged in the absence of sunlight. The man hero inside is not like a hero, and the one who said that he received the box lunch was too handsome. Heroism and realism are staged at the same time there, and the young hero is affectionate, and in the blink of an eye, he becomes a shirtless uncle's belly meat is loose. Uncle's eyes narrowed, and he gave you a feather, "The ideal world is hidden in your dreams" ("The Ideal World").
The third world is on the audience's screen. The number of spectators finally rushed to more than three million, and the bullet screen that could not be turned off was full of "I am __(location)" self-reported location, and occasionally appeared "so-and-so, I am here, where are you?" "The silenced, invisible spectators gathered more and more like ghosts, and bunting flags were planted all over the earth. Between the two songs, Renko pulled out his mobile phone and checked the number of people on the live broadcast. The singer waved his hand twice, and the singer on the screen waved without delay. He showed a slightly surprised expression.
The fourth world is very wonderful, Ah Zhen and Ah Qiang in the song, the audience Ah Zhen and Ah Qiang coexist with Ah Zhen and Ah Qiang in the movie. "If the audience named Ah Zhen and Ah Qiang is also watching the live broadcast, I will give you this song." There is no flesh, no flesh, virtual and real Ah Zhen Ah Qiang gathered here, breaking the barriers between space and media, a bit of a meta-universe meaning.
Watching "The Lion Boy" last week, the host of the Lion Awakening Conference borrowed the shape of Ah Mao, and the teachers and masters of the teenagers were middle-aged Ah Zhen and Ah Qiang, begging for a living in salted fish and streets and alleys. When Ah Juan rode a bicycle, "Daoshan Pretty Boy" sounded. Renke changed his words: "Why are you watching the webcast?" "At once, the world of "Lion Boy", the world of Screen Man and the world of the Big Time Dance Hall were opened up.
"The Lion Boy" is unexpectedly good-looking, although most of it is a routine, but it uses the power of realism to cross the galaxy between reality and fantasy, and finally reverses the routine. Lion dances and dreams are like fireworks, which can only be brilliant for a moment, and after the embers are extinguished, they still have to get along with difficult lives. The burned routine cannot forgive Ah Zhen, Ah Qiang, Ah Juan, Ah Cat, Ah Dog and the hardships of life.
If there were five people in the metaverse or the virtual world of the Matrix, and there were Azhen Aqiang, I would have a lot less fear of it. With them, the spiritual space in this world will not be too tight.
The world of the Five-Strip People is also composed of routines and anti-routines (that is, realism). They are poets, actors, musicians, singers, etc., like the old storytellers, they are full of ideas, passionate, and full of strong interest in people. Because of the interest, so play, tell, sing, sigh, everything does not fall. It is both clever and cunning, and simple and unpretentious. Both addictive (drinking) and detached.
People who are curious about human nature tend to have the least bias. Without prejudice, in reality, in movies, and in songs, Ah Zhen Ah Qiang can meet in the big time song hall.
The last world comes up sporadically. At one point, it was found that the bullet screen and the number of spectators stopped updating, and the rest of the electronic activity on the screen except for the living people was stopped. Neither did the audience, the five-striped man tied to the past naked, singing old songs (there is a new one), from the virtual world of rubbing shoulders, to resetting to the lonely state at the factory with one click. What about then? "You have to get rid of these annoying things and love her with all your might" ("Beautiful, Beautiful, Handsome").
Editor-in-Charge: Chen Shihuai
Proofreader: Luan Meng