Tang poetry is the pride of Chinese cultural history, and the Tang Dynasty is the peak of the development of poetry, and countless outstanding poets have emerged. In their works, they describe the mood of sadness and joy and clutching, imagine the beauty of love and career, and show their different unique dispositions.
Zhang Jiuling was a famous poet of the Sheng Tang Dynasty, he was honest and outspoken, brave to take responsibility, and actively promoted young talents, and Wang Wei was very grateful for his kindness. However, the poet's life was extremely bumpy, and it was also euphemistically reflected in his poetic works. The following shares Zhang Jiuling's two five laws, uniquely conceived, not conventional, worth reading carefully.
Gui Yan
Although the petrel is faint, the spring is also temporary.
Do you know that the mud is dirty, only to see the jade hall open?
Embroidery when double entry, Huatang day several times.
No intention to compete with things, eagle falcons can not guess.
Zhang Jiuling inherited the mantle of early Tang poetry and created his own unique poetic style of thinking deeply. Every time I read his famous work "Looking at the Moon and Looking Far Away", I will feel profoundly. This poem is also one of his masterpieces, expressing the poet's reluctance to go with the flow.
The author compares himself to Haiyan, who says that he is of a low status and was not born into the Zhong Ming Ding food family. In the warm spring, the swallows are also happy to come, but they do not want to stay here for a long time, and when the autumn is over, they will leave again.
Swallow is very industrious, he does not know the dirt of the low, still do not know the hard work of the mud, build his own beautiful home, and then live in peace. In just two sentences, the author euphemistically expresses his spirit of hard work and selfless dedication.
The author also uses the metaphor of "embroidery, huatang" to the court, the poet is like a swallow, every day in spite of tiredness, and even sometimes risk danger, through the fog, flying in the wind and rain. It was very hard, but it was also a pleasure.
The last two sentences implicitly tell Li Linfu and others that the swallows "have no intention of competing with things", and ask the "eagle falcons" not to be suspicious. The poet contrasts swallows with eagle falcons, echoing the word "micro", which also shows the author's lofty heart and elegant character.
The poet skillfully uses contrast and metaphor, and the whole text is short, the lyrics are fluent, and the imagery is clear and admirable.
and Wang Sima Fold Mei sent Jingyi Kundi
Parting thoughts and playing together, Fenrong wants to hold on together.
Climb the tree of the south alone, when the north wind is far away.
Lin Xi welcomed the spring early, and the flowers were worried about going late.
There are also folded plums, and there are more Dihua poems.
Although Zhang Jiuling worked hard in the imperial court, he was constantly ostracized because he was unwilling to cooperate with Li Linfu and others. This poem is the author was degraded to the governor of Jingzhou, depressed, and then endowed with a poem lyrical, lyrical of the author's longing for the homeland and relatives.
Sima Wang was a friend of his, and once they went out together. In early spring, plum blossoms are blooming delicately, friends fold plums and chant poems, and poets also take advantage of the music to recite a poem and send it to Kundi in the capital.
The first link is directly expressive and expresses the feeling of longing. The poet grew up with Kundi, and when he was a child, he did not understand things, often played and played, but he was very happy. Now separated, extremely missed, temporarily unable to drink together, can only send a plum blossom to the far side, hoping to share this beautiful fragrance.
The poet stood under the tree, but thought of the distance. Such a beautiful spring, I should have enjoyed the beautiful scenery with my relatives, but unfortunately I was in a foreign country, and I had no way to return to the garden, and I didn't know when I would be reunited. "North Wind", here refers to the capital.
The poet is full of sorrow, the spring in the southern country came earlier, even Lin Mu lamented that the spring girl was too diligent, and the flowers seemed to be worried and worried, worried that the spring would continue. The author does not want to enjoy the beautiful spring here alone, so he adopts empathy, not to say that he misses his relatives, but uses the sorrow of flowers and trees to express a kind of affection, which is wonderful.
In the last two sentences, the poet once again expresses the feeling of brotherhood. The poet folds plum poems and sends them to the far side, the mountains are high and the road is far away, and perhaps the other party will not be able to receive his letters at all. But the poet only rose on a whim, fortunately, this poem has been circulated for a long time, and people can truly feel the author's good intentions. "Di Hua", that is, brother, can also be extended to relatives in the capital.
Zhang Jiuling's poem is uniquely conceived and not conventional, and the author casts emotions outward and euphemistically expresses a strong feeling of longing, which is admirable.