Is this to weld Si Teng's makeup to his face?
Two days ago, Jing Tian and Xu Weizhou's new drama "City of Streamers" was officially announced, looking at this familiar background of the Republic of China, familiar with the fine eyebrows and red lips, it seems that she really wants to implement this "expensive and unkind" makeup.
Although this time she is no longer the flower of Gaoling, but plays a gentle and practical but thoughtful governess, but the clear-eyed people can see that she is still the cruel person who can play people between the palms.
I still remember that in last year's "Si Teng", which was praised by the whole network, Jing Tian stepped on high heels, and the white embroidered cheongsam on her body lined her posture and slowly appeared.
With her rich facial features and exquisite makeup and hair, it really fits the cold woman who gives up on me. Of course, ji Guanlin's voice acting is also the focus of extra points.
After that, she changed her style at an average rate of one set per episode, and the gorgeous was dazzling.
Although Jing Tian said in an interview that wearing a qipao is like "locking the throat", in addition to the qipao, there must be few costumes that can show the charm and sexiness of oriental women.
The cheongsam is better wrapped in the figure, can show the curve of the figure to the greatest extent possible, and emphasizes the slender neck and slender waist of women, which are plump and colorful.
At the same time, the makeup that goes with it is also very exquisite. Or take JingTian as an example.
The black hair contrasts with pearls and white skin, while the red lips are as eye-catching as cinnabar prints. The slender eyebrows are traced according to the bone phase, increasing the distance between the eyebrows, there is a kind of arrogance and delicacy, and the entire makeup surface is full of oriental charm.
The delicate eye makeup is the icing on the cake, so that the eyebrow makeup together highlights her brilliance.
Although it is said that the qipao can best represent the Chinese charm, in fact, it is the most picky.
Without the flowing temperament, it is the old mother who smiles at the daughter's wedding; the lack of slim fit has become a little girl who steals her mother's clothes.
So whenever I see a beautiful woman who can wear a cheongsam well, I can't help but boast more: It's also too good-looking!
Beautiful and agile are Bai Xiuzhu, played by Liu Yifei, and Yu Manli, played by Song Yi.
They were both pure and feminine, their eyes were bright and clear, and the slightly upward-looking tips sometimes gave them a shrewd spirit, which met the criteria for judging beauty in that era.
Especially Liu Yifei, at that time, her small face was really pampered from childhood, and she was spoiled by people.
Soft and mature are Maggie Cheung and Mui Yanfang.
When most people mention the qipao movie, the first thing that comes to mind must be "Fancy Years", which brings this culture to the movie completely. In the film, Maggie Cheung keeps changing the cheongsam, sometimes elegant, sometimes pure, sometimes gorgeous, but what can't be changed is the feminine breath of oriental beauties.
This is also true in "Ruan Lingyu", and the thin and drooping eyebrows and the sadness under the eyes of Maggie Cheung in the film immerse the whole film in the atmosphere of old Shanghai.
In "Rouge Buckle", It is Mei Yanfang's glamorous and vulgar feeling that is just right. Unique charm, a thousand turns, more with a little vicissitudes.
Ni Ni is more flattering, but she often reveals a kind of disobedience and careless seduction. With a thin bent eyebrow and a single pick of the tail of the eye, you can understand why in ancient times, the eyeliner was called the phoenix.
Tang Wei wearing a cheongsam also has a bit of this meaning, but her sexiness will be more introverted.
The red lips not only match the hairstyle, but also add a bit of style to the plain cheongsam, which causes Mr. Yi to lose his measure.
Republic of China drama has been criticized for makeup is not the same, it is not a matter of a day or two, in the general impression of the audience, in addition to the exquisite body, but also have the appropriate makeup to match. The reason why Jing Tian's cheongsam style in "Si Teng" is highly praised is also because it captures the essence of the Republic of China makeup.
Most people's understanding of the Makeup of the Republic of China comes from the old beauty moon card, and the elegance of the Republic of China period is fully displayed here.
The function of the month card is the same as that of the calendar, except that beautiful portraits and fresh and exotic products such as cigarettes, department stores, and cosmetics are added, so that people can watch the calendar and also watch the advertisements in passing. Most of the beauties on the moon card are combed with the hair of the love that is popular on the beach, the eyebrows are particularly dark, the slender and long curves are like a crescent moon, and the blush and upper eyelids are covered with rouge.
Cherry has a small angular mouth with a thin upper lip that highlights the peak of the lip, while the lower lip is slightly thicker and rounded in shape.
This makeup is more like the Danjiao makeup in Peking Opera, with slender eyebrows and bright colors, which echoes the various printed cheongsam. But the Republic of China makeup, which is often described as "thin eyebrows out of charm", is not the only way to open.
■ "A Generation of Grandmasters"
Shen Shiti Sam Sanzetti, a Jewish photographer who lived in Shanghai during the Republic of China, used his camera to record the ten thousand styles of women in the Republic of China.
At that time, women began to be educated, and they were also exposed to many foreign new things, not only did their aura improve, but also gradually formed a unique makeup aesthetic. Zhang Ailing once said that she wanted to "comb aisi's head at the age of eight and wear high heels at the age of ten", and after getting the first payment, she immediately went to buy a Danqi lipstick.
In Sam Sanzetti's photographic works, you can see that not everyone in the Republic of China loves to bend their eyebrows, and some people still retain their original eyebrow width, and also emphasize the eyebrow peak when they make eyebrows, which looks more sharp.
Similarly, women at that time preferred long eyebrows and fallen tail eyebrows, no matter what the front section of the eyebrows was drawn, the tail of the eyebrow must be stretched down along the orbital arc. Therefore, the thick eyebrows in the Republic of China drama today are not all out of history.
During the Republic of China period, eye shadow and mascara have been introduced, in addition to using rouge to put on the eyeshadow, most of the Republic of China women began to use gray and cyan eyeshadow with the uplifted inner eyeliner, plus curly eyelashes, outlining a pair of heroic Dan phoenix eyes.
■Greater Shanghai
Wearing a cheongsam, it is natural to take a breath at all times, straightening the waist and neck. The same is true of the makeup of the old beauties, with a hint of pride and arrogance, and the eyebrows are flying. Perhaps it is they who have laid the makeup aesthetic of Chinese girls, making people inadvertently fall in love with thick eyebrows and red lips.
Written by Olivia, Yvonne
Image source
Sina Weibo / Douban
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