How beautiful a woman can be when she wears flowers on her head is that people are beautiful and beautiful, which complement each other perfectly.
The scene of Zhou Yun wearing flowers on his head is like a spring breeze that arrives early, which suddenly warms the mood of the viewers.
There is a kind of beauty in the human world, and the first reaction of people after seeing it is not to praise bright eyes, not to praise a tall nose or a cherry-like mouth. People will only sigh, pleasing to the eye, forget the vulgar, and have a special charm.
Zhou Yun had such a face. Her facial features are not accurately integrated into the plastic surgery templates that are admired in today's online world, but they are so beautiful that people can't point out any additions or deletions that need to be added.
That kind of beautiful and "unconscious" stretch does not have to deliberately show a certain angle, because the simplest beauty is "painted skin" from the outside to the inside, and the most rare beauty is "painted bone" from the inside to the outside.
The beauty of her place is not a specific person, but a scene. It is difficult to capture an adjective to describe Zhou Yun, as if only the four words "Chinese woman" can vividly express all the background colors of Zhou Yun at once.
With the status of Zhou Yun and her husband Jiang Wen in the film and television industry, you may not understand why Zhou Yun, who participated in the variety show for the first time, would choose a variety show such as "Ten Thousand Miles to Ride Alone", which did not attract too much attention. But if you have the heart to take a look, you will find that Zhou Yun and the temperament of this show are unexpectedly suitable.
Zhou Yun came to participate in "Ten Thousand Miles to Ride Alone" not to create a kind of Zhou Yun in the hearts of the audience through the program, or to play a person who is accepted by the audience. She seems to simply want to understand China's cultural heritage through tour and communication in the program, so there is a picture of the article starting with "Zhou Yun wearing flowers". Without a little shelf, or pretending to be the exaggerated "curiosity" of outsiders, Zhou Yun sat directly under the corner of the wall where the sun was shining, and let people help comb her hair.
From Jingdezhen, where the rain beats bananas at night, it has walked to Luoyang, where "I want to write a book".
"Li Fengjie does errands, and should not insert begonia flowers obliquely." The general will pick up the flowers busily, and I will plug with you. "Beauty is very much like an artifact, everyone appreciates it, but it comes with alienation, but everyone wants to understand her and see the story behind her." In the show, she habitually listens, but she still has her own thinking about the whole conversation.
Zhou Yun always appears in Jiang Wen's films. Under the lens of Jiang Wen, Zhou Yun is very beautiful, and the impressive role is the flower sister in "Let the Bullets Fly".
Although she is a woman in the wind and dust, she cannot hide her stubbornness between her demeanors, and there is an unexpected ignorance and innocence between her words.
In Jiang Wen's movie "Evil Does Not Pressure justice", the same cheongsam has changed one after another. The focus of each set of cheongsam is not to highlight the femininity of women, they do not fully fit the curves of Zhou Yun's body, and even have some looseness.
The delicate embroidery or only a simple checkerboard or polka dot element, plain and dignified, but I think she is an atmospheric woman with a story.
These cheongsams all came from the hands of Uma Wang. If you know the fashion circle, you may have heard such a joke: every rich second generation who returned from studying design abroad hopes to become the second Uma Wang in China.
Wang Ju studied at Donghua University in Central Saint Martins after continuing his studies before founding his eponymous brand Uma Wang in 2009. The brand style is deeply influenced by the Antwerp School, from The print aesthetic of Dris Van Noten to the structure of Massion Martin Margiela, which has bred its own characteristics and ideas, and the oriental beauty is naturally revealed between the stitches, and it is also the west that has achieved the heritage of Uma Wang.
When Zhou Yun was promoting the movie, the skirts of several sets of beautiful red carpet pictures were also from the hands of Uma Wang. In the scene where others are fighting, like the fairy in the sky, her skirt is always so simple, so plain, so Zhou Yun.
Some people say that this beauty is a little more difficult than the extremely aggressive beauty, and in her eyes you can see the "tiredness" after satisfaction, the kind of "disdain" that I have no quarrel with anyone.
■ In 2021, the closing ceremony of the 15th FIRST Youth Film Festival
Zhou Yun said that she had never been as crazy and persistent as the woman played in the movie. For life, she is a very compromised person, and when she encounters what kind of life she encounters, she accepts it and lives what kind of life she wants.
In the secular concept, "compromise" is a very negative word, compromise with a deserter mentality, defeat without a fight. But it seems that only those who have experienced life will understand how much courage and wisdom women who have a "compromise" or a casual attitude towards life have.
Just like Zhou Yun, you can always feel her exuberant vitality in the depths of the stretch. It was as if there was no need to flaunt one's beauty anymore, and quietly being there was enough to amaze countless glances.
Image source
Sina Weibo / Douban
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