Yangtze River Literature and Art 2021 General Catalogue

Novellas

Small bowl | Lv Xin (Phase 1)

Shadow Trainer | Li Tang (Phase 1)

Baiyun Sanli River | Qi Youyi (2 issues)

Xiao Ji ran | Rohrhoe (Phase 2)

Busy autumn | Li Hao (Phase 3)

Ice Legend | Yi Hua (Phase 3)

Spending money | Fan Yiping (Phase 4)

Missing | Ah Wei Mu Yi Luo (4 period)

Matelioshka | Female Zhen (5 issues)

Soup buns with green chrysanthemums | Zhang Ruiqiang (Phase 5)

Do you know what a prairie looks like | Zhai Yan (6 issues)

Jackdaw Returns to the Forest | Chen Gang (6 issues)

| south 20000 (7th period)

Brother | Yu Feng (7 issues)

Nile Daughter | Sun Pin (8 issues)

Auspicious ferry | Yunshu (8 issues)

Just three spring benefits no one sees | Wen Qingli (9 issues)

Tricolor Ball | Song Liren (9 issues)

Homecoming | Xue Shu (10 issues)

The young man who planted the jade bud | Hu Xuemei (10 issues)

Maling Road | Hu Performance (Phase 11)

Hero Li Yumin | Yang Yao (Issue 11)

Heavy snow makes | Royal Family (12 issues)

Clouds, green clouds | Yang Junmin (12 issues)

Novel Workshop Short Story

Continuation of the Biography of the Stranger | Dongjun (Phase 1)

Cocktail reception | Black Child (Phase 1)

Green Tears | Li Zhizhan (Phase 1)

Ruyi | Kwong Lixin (Phase 1)

Singing floating clouds | Ye Zhaoyan (Phase 2)

Ahead is the spring | Bi Liang (Phase 2)

Border town | He Dacao (Phase 2)

Used Rose | Zhang Zhe (Phase 2)

The Rain of Hovering | Zihe (Phase 2)

Poet | Lin Sen (Phase 3)

Bird Whisperer | Yu Tongyou (Phase 3)

Wooden Man | Solution (Phase 3)

A little bit of difference | Tang Qiyi (Phase 3)

If the moon is in the middle of the day | Ye Shihua (Phase 3)

Winter ears | Wang Kai (Phase 4)

Fishing alone in the snow of the Cold River | Yu Yan (4 issues)

Hill's Bread | Wang Tianli (4 issues)

Go to Tiger Creek Commune and burn your head | Kulan (Phase 4)

Invisibility | Xie Liang (4 issues)

Dad's wife | Yao Emei (Phase 4)

Bitter oak tofu | Nanxiang (Phase 5)

The strings of the universe | Ran Zhengwan (5 issues)

Night wind | Chen Xiao Hand (5 issues)

Peaceful summer, long afternoon | Couberney (5 issues)

Moonlight in the city | Yu Yu (6 issues)

Approaching | Left Horse Right (6 issues)

Nodo | Niu Li Li (6 issues)

Daytime short line | Cui Xiaolin (6 issues)

The wind is | Yang Zhihan (6 issues)

Brown paper kites | Niu Weijia (7 issues)

Distant fairy tales | He Cunzhong (Phase 7)

Look for a party card | Li Jun (Issue 7)

Falling Flower Alley | Ma Jinlian (8 issues)

Nagayoshi | Zhang Yutian (8 issues)

Spring is like the sea | Li Li (8 issues)

The season of popular jogging | Pang Yu (8 issues)

Father's long river | Zhong Qiushi (9 issues)

Gifts | An Yong (Issue 9)

Paper cotton jacket | Dong Zi (9 issues)

Fingertips are red | Talking about Yanliang (9 issues)

Somali camel | Zhu Shanpo (Phase 10)

Eighteen ladders | Wang Yu (10 issues)

Quit smoking in Zhang Jiesheng's last years | Xu Hanping (10 issues)

Hello Mr. Mei! | Yao Emei (11 issues)

Breeding pond | Li Huancai (Issue 11)

Goose Lady Anecdote | Tong Jianfeng (11 issues)

The lamp of Akilu's house | Dongjun (12 issues)

Sunny | Ghost Gold (12 issues)

Who's the jade flute | Wukong (12 issues)

Say goodbye to | Yu Changliang (12 issues)

Boxing gloves | Feng Yi Pi (12 issues)

New Ejun

Why not go down the river and | Yu Zhizhi (1 issue)

Have a white horse in your heart, sit and watch the flow of youth (creative talk) | Yu Zhizhi (1 issue)

The moon came out bright and | Zhou Fang (Phase 3)

We talk under the moon (creative talk) | Zhou Fang (Phase 3)

The four seasons flow for | Zhang Chunying (5 issues)

Knowing the world has not forgotten (creation talk) | Zhang Chunying (5 issues)

The beginning of all things | Peng Simeng (9 issues)

From the depths of the depths (creative talk) | Peng Simeng (9 issues)

Peer | Lin Donglin (11 issues)

What's in the Distance (Creative Talk) | Lin Donglin (11 issues)

Poetry space

In the rain, swallows fly (7 songs) | Shen Wei (Phase 1)

My Blood (10 songs) | Lu Lu (Phase 1)

The Theory of Homogeneity (9 songs) | A Mao (Phase 1)

Book of Autumn (7 songs) | West Ferry (Phase 2)

Out of the door (7 songs) | Liu Juwen (Phase 2)

I have a kilogram of quiet (8 songs) | June Snow (Phase 2)

Some sounds are omitted (5 songs) | Hai Male (Phase 3)

House (8 songs) | Xiao Xue (Phase 3)

Another kind of silence (10 songs) | Zhao Yadong (Phase 3)

Falling Flowers (7 songs) | Gu He (Phase 4)

You are in such a beautiful place (8 songs) | No Words (4 issues)

The ceremony of the mountain (8 songs) | Ye Dan (Phase 4)

Cold Summer Nights (5 songs) | Sangk (Phase 5)

People with No Choice (7 songs) | Moriko (Phase 5)

Moon Bay (10 songs) | Hua Zi (Phase 5)

Butterflies and Teenagers (11 songs) | Sword Male (6 issues)

In the spring (10 songs) | Such as wind (6 phases)

Yang Zhuo Yong Tso South Bank (9 songs) | Nian Wei Yang (6 issues)

Flag (long poem) | Xie Keqiang (7 issues)

Evenings when there is no snow yet (10 songs) | Jiang Fei (8 issues)

Useless (9 songs) | Fu Yuehui (8 issues)

Night Rain (7 songs) | Gao Pengcheng (Phase 8)

Bee's tongue (8 songs) | Wei Tianwu (9 issues)

Egrets fly out of the river (11 songs) | Zhang Yuanlun (Issue 9)

What is useful in the years (9 songs) | Tang Yun (9 issues)

Hada of the Earth (8 songs) | Chen Yingsong (10 issues)

Nobu Life Scene Diagram (9 songs) | Wenxi (10 issues)

Please let me be like a cloud (11 songs) | Yan Seven (10 issues)

Eels (9 songs) | Yu Fu (11 issues)

Emerging from the Fog (8 songs) | Yang Zhangchi (11 issues)

Modern Nostalgia (9 songs) | Ah Suan (11 issues)

Portraits of the World (5 songs) | Zang Di (12 issues)

Empty Mountains Are Not Empty (12 songs) | Wild Old (12 issues)

The moon has a number of clouds (8 songs) | Wang Huizi (12 issues)

Hometown Book

| Zhou Lingyun (4 issues)

The golden drum of Taosheng is | Lu Jing (6 issues)

Blood-stained land | Ji Yu (7 issues)

The history of the party in nostalgia | Guo Wenbin (Issue 7)

Red Hanjiabu | Li Luping (7 issues)

Instantly | Wang Jianbing (9 issues)

The black box of time | Wu Jiajun (10 issues)

Return to the Valley of Fools | Shu Feilian (11 issues)

Village on clouds | Sharon (12 issues)

notebook

The last poem | Li Xiuwen (1st issue)

In Middle-earth | Du Xuewen (2 issues)

On the first night of the first year to see the world | Zhao Baitian (Phase 3)

Picture and space | Hu Xian (Phase 4)

Under the controversy, | Zhang Manling (Phase 5)

Like Alan xin | Fu Fei (7 issues)

Jiangkou Shenyin | Xu Zechen (8 issues)

Face

Being friends with oneself and being enemies of oneself | He Ziying Li Xiuwen (Phase 1)

Good literature should have a sense of pain | He Ziying Ye Zhaoyan (Phase 2)

Infinite spring breeze comes to the sea | Wu Jiayan Lin Sen (Phase 3)

Stories grow, souls sing | Yu Xiangwu Fan Yiping (4 issues)

Life is not anywhere else | Chu Feng Female Zhen (5 issues)

From the small town of Gangnam to the depths of history | Yan Li Yu (6 issues)

Metamorphosis in growth, | in wandering Yan Li Sun Pin (8 issues)

Walking between cruelty and warmth | Yu Xiangzhong Qiushi (9 issues)

Each generation has its own "return" complex | Ding Dongya Xue Shu (10 issues)

All "realities" are hidden in the depths of history | Yu Xiang noon Hu performance (11 issues)

Writing a novel farther away from the novel | Wu Jiayan Dongjun (12 issues)

Talk freely

What kind of literature "new peasant" we need | Ye Li (Phase 1)

Disappearing, missing, reborn | Tan Shanshan (Phase 1)

The changes in the "new rural areas" and their spiritual situation | Yu Fan (Phase 1)

Empirical change and literary change | Liu Daxian (Phase 2)

"Seeking Innovation and Change": The Eternal Inner Trend of Literature | Li Hao (Phase 2)

Experience, literature and the | of "infinite distance" Wang Qingfei (Phase 2)

Man said Mo Yan "Late Maturing Man" | Guo Honglei (Phase 3)

"Late Ripening Man" Reading Notes | Cong Xinqiang (Phase 3)

From "Late Ripening Man", the overseas dissemination of Mo Yan's works | Ning Ming (Phase 3)

Look for light and road beyond black mirror | Li Weichao (Phase 4)

Thinking on the Path of Literary Innovation in the Era of Self-Media | Wang Ning (Phase 4)

The new paradigm of reading and writing in the media age | Hu Zhe (4 issues)

Northwest, Dunhuang and other | Xu Zhaoshou (Phase 5)

The "Ben" of the Dunhuang Benji | Jiang Yinghong (5 issues)

The multiple meanings in the traditional narrative mode point to | Zhao Yong (5 issues)

Written in the | around "ecological literature" Ji Yaya (6 issues)

Ecological Literature and Modern Imagination | Wang Chunlin (6 issues)

Ecological literature in the ambiguous zone and "anthropological propositions" that are not ambiguous | Xu Yong (6 issues)

Contemporary consciousness, everyday narrative and heroism | Cai Jiayuan (Phase 7)

The creation of contemporary red themes urgently needs the | of classic consciousness Zhang Lijun (7 issues)

The literary tradition and spiritual power of the "Red Classics" | Fu Yichen (7 issues)

Back to the "legendary" seeds of the Chinese novel | Li Yuchun (8 issues)

Returning to the spiritual homeland of rural culture | Wu Daoyi (8 issues)

Salvage facts | Zhou Xinmin (8 issues)

Ban Yu's short story, and "Northeast Literature" | Zhang Xuexin (9 issues)

Northeast Literature Shockwave | Zhou Fanting (9 phases)

The heterogeneity of Ban Yu's short stories | Zhang Shaojiao (9 issues)

The poetry of life and the soul of the earth | Yang Qingxiang (10 issues)

Use yourself as a method | Line Super (10 issues)

Benevolent Hearts, Lyrical Traditions, Universal Care | Park Jie (10 issues)

Starting from the "breaking of the circle" of youth literature| Liang Zhenhua (Phase 11)

How literature "breaks the circle" | Rao Xiang (11 issues)

The same thing is the same as the opposite of the south| Fan Yingchun (11 issues)

Each "waste wood" has a hero | Li Lu (12 issues)

The gathering and dispersion of "people" and the fireworks of "wen" | Pei Liang (12 issues)

The visible and the unseen city | Zhou Weibin (12 issues)

New scene

Listen to the mountain grow, listen to the bamboo knot (opening column) | Zhang Li (5 issues)

The light rhyme of the novel | Line Super (Phase 5)

Hide | in the gap between dusk and night Fan Yingchun (5 issues)

Imagining the "Possibility" of the Self: Reading Chen Chuncheng's Novel | Yang Yi (5 issues)

Sense of sound, locality, and the possibility of fiction (moderator) | Zhang Li (6 issues)

The Inside of the Historical Novel: Time, Fate, and Totality | Cong ZiYu (6 issues)

New Century Novelist Literary Memorandum | Huacheng (Phase 6)

Examination and Circumstantial Evidence: From witnesses to the | of the space-time body Zhao Yi (6 issues)

Science Fiction Writing and Imagination Based on a Woman's Perspective (Moderator) | Zhang Li (8 issues)

The future romance in the gender perspective | Li Jing (8 issues)

Ground-to-ground flight | Li Xin (8 issues)

How science fiction writes love | Zhao Tiancheng (8 issues)

Seeing the strange in peace, the wind and water rise (the host language) | Zhang Li (9 issues)

Writers who constantly "tear off the label" | Liu Xiaobo (9 issues)

Warm realism | Cheng Yang (9 issues)

From photographer to magician | Li Jingjing (9 issues)

Because it's practical, it's | Zhang Li (10 issues)

Knowledge, times and individual talents | Tang Poets (10 issues)

"Name everything your way" | Lin Peiyuan (10 phases)

The sense of time is | to the "today" position Ma Siyu (10 issues)

Avant-garde temperament and the limits of "imagination" (host) | Zhang Li (Issue 11)

Gentle sighs from the steppes | Xie Shangfa (11 issues)

How far the imagination can go | Money Ink Marks (11 issues)

Crossing the Waves: A Parable of the Prairie or a Story of Retreat | Wang Qing (11 issues)

Young people who write science fiction in the Summer Palace (host) | Zhang Li (12 issues)

Imagine a searchlight of humanity | Zhang Tianyu (12 issues)

The emotional allegory of the posthuman era and the ethics of human-machine | Han Xudong (12 issues)

Romantic nature and dystopian stereotypes | Chen Runting (12 issues)

Journal

Paulownia blossoms | Wang Jianfu (Phase 2)

Splendid Yellow Peach | Qi Zemin (Phase 4)

Fortune Tree | Mao Da'an (Phase 6)

White sheepskin jacket | Yang Xia (8 issues)

Thriving | Hu Buyan (10 issues)

Flower dew round | Qin Feng (12 issues)

Three Official Halls

Hubei 9+1: Art Exhibition in the Post-EPIDEMIC Era | Ma Wenting (Phase 1)

The Hubei path of the image narrative | Ye Sheng (Phase 2)

Activating the common memory of traditional culture with science and technology | Lou Yu Zhao Meichuan (Phase 3)

Imaginary pulse image | Pi Daojian (Phase 4)

I write new faces in my own way | Fang Zhiling (5 issues)

Mosaic: Brilliant Art Code | Dong Huawei (Phase 6)

A hundred years of Danqing, to paint the history of | Chen Jun (Issue 7)

Freehand: The fusion and expression of the field of view | Zhang Mingyuan (8 issues)

| Ma Wenting (Issue 9)

See the micro-knowledge, and engrave the memory | with details Zhang Han (10 issues)

The shock of art nouveau | Lu Hong (11 issues)

Ink five colors | Ma Jie (12 issues)

Willow Street

Pioneer endurance's three | Wu Jiayan (Phase 1)

Hit workers and dreamers | Zhang Shuang (Phase 2)

Self-cultivation in 2020 | Chu Feng (Phase 3)

There is a vast and useless affection | this world Ding Dongya (Phase 4)

Youth Writing: Lightness, Wonder and Cocoon Breaking | Wu Jiayan (5 issues)

At the end of Pingwu is the Spring Mountain | Zhang Shuang (6 issues)

Reminiscing about the glory days, continuing the red canon | He Ziying (7 issues)

The abundance of light illuminates the mountains and rivers of the world | Ding Dongya (8 issues)

In the past, how to solve the problem of reality | Wu Jiayan (9 issues)

Cinema as a installation | Wu Jiayan (10 issues)

Meet & Greet | Zhang Shuang (11 issues)

The witness slept in a nameless flower | Ding Dongya (12 issues)

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Changjiang Literature and Art Magazine

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