One laugh and three words: essence, pure qi, divine qi - form and qi are in harmony with each other
In the past few days, the three languages have continuously talked about the relationship between people and all things, as well as calligraphy and painting and "qi", and also talked about the "Yellow Emperor's Inner Classic" that says: "Qi wins the shape of the life, the shape wins the qi of the death" The health care and calligraphy have an intrinsic and empathetic relationship with calligraphy and painting. However, as far as the relationship between form and divine qi is concerned, the Yellow Emperor's Inner Scripture Lingshu says, "Form and qi are in harmony with each other, and if they are not compatible, they will die." "The so-called appointment here is mutual coordination and adaptation. That is to say, if the body of the human body is coordinated with the essence, the human body will be healthy and long-lived; if the body and the essence are not coordinated, the human body will have diseases and affect health. Therefore, Chinese medicine determines the disease position and pathogenicity according to the changes in the patient's form, face, tongue and tongue by looking at the patient's form, face color, tongue body, and tongue moss. "Zhou Yi" has clouds: "Clouds line rain, and products are shaped." That is to say, shen yun and qi must eventually be integrated into the form and expressed through the form, and the form is not only the stage end of the change of god and qi, but also the basis and beginning of its new changes, and people can better perceive the qi and god only through the form. God is condensed into qi, and qi is endowed with form. Therefore, the breath state of calligraphy and painting creation will also be expressed in the shape of the pen, and from the change of line thickness, thickness, dryness and wetness, you can see whether the creator's breath is peaceful and comfortable, and whether the state is calm and quiet, which is the shape of qi. Therefore, "qi" is the life of calligraphy and painting, because from the breath of pen and ink in a calligraphy and painting work, the information of the author's life span can be judged. For example, in Mr. Qi Baishi's works, it can be seen that his calligraphy and painting pen is very slow, accumulating dots into lines, and the lines give people the feeling that they can carry the top. From another aspect, it shows that the old man is full of energy, and the pen and pen force penetrate the back of the paper, which is the face of high life. Looking at the paintings again, it gives people the pure atmosphere of elegant and common appreciation, showing the old man's stubborn disposition. This is the truth that words are like their people, and paintings are like their people. In the Northern Song Dynasty, Su Dongpo called the divine qi "Xiao SanJian Yuan" artistic conception, Huang Tingjian called it "Yunzhi", while Wang Xizhi called it "Shuyi", and Wang Xianzhi called it "Miaoyou Yuzi". No matter how it is called, that is to say, the form must have an inner breath. At this point, the ancients' favorite thing to say is that "the pen is broken, and the rhyme is through". It will form a temporal feature and a sense of wholeness between word strokes and word to word. This sense of continuity and wholeness will make the work form a hidden atmosphere inside, which is an important element that maintains the overall relationship of a work.
Fan Yunfeng Xin Ugly La's First Three (Xiao Han) Beijing Good Morning!
