Kou Zihao, in the early 1970s, studied traditional landscape painting under the teacher of the landscape painter Mr. Yan Fu, and studied the techniques of Shi Tao, Jia Yan and Huang Binhong deeply, and traced the landscape brushwork of yuanren; He graduated from Chongqing Institute of Civil Engineering and Architecture in the early 1980s. Whether it is when you are a young person, going to college, or entering an institution or running an enterprise, no matter how busy you are, you have never relaxed your pursuit of calligraphy and the art of landscape painting.
Kou Zihao's works have been included in the compilation of classics such as "Complete Collection of Contemporary Chinese Painting Masters - Landscapes" and "Collection of Chinese Sketches"; Published in "World Knowledge Pictorial", "China Collection", "Jian collection", "People of the Times", "Contemporary Chinese Painting", "Spring City Evening News" and other newspapers and periodicals; In 2013, his work "Autumn in Ginkgo Village" won the gold medal of the 13th New York International Art Fair; The masterpiece "Umong Smoke Clouds" was collected by the Italian National Albertina Academy of Fine Arts; Kunming Television has conducted a special interview on his artistic achievements.
Kou Zihao adheres to "inheritance + innovation" in artistic creation, advocates that the state of mind dominates the painting environment, and emphasizes the Chia Tai atmosphere; In his creative exploration, he is in line with life, in tune with the times, and resonates with nature; While inheriting excellent cultural traditions, it also organically combines the connotation of Chinese culture with modern concepts, emphasizing culture, personality and spirit; Its huge and magnificent mountains and rivers take the right, take the big, take the real, take the strong, take the majestic, take the majestic, the work shows a new Chia Tai atmosphere.
Under the pen of Mr. Kou Zihao, we see the feelings of pursuing elegance that he wants to express, and his paintings are vividly brewed, full of vitality and vitality because of his brushes, and use his brushes to express his love for nature and humanities. The formation of these styles has the results of acquired pen and ink tempering, and more naturally, expresses the natural spirit of pen and ink interest, and is flexible like the tip of the weeping grass, pure as empty and dustless. He used his pure as water heart to perceive the beauty of the motherland's great rivers and mountains, and then used his paintbrush to paint it to the fullest!
Mr. Kou Zihao uses a brush of clouds and flowing water to show the world a traditional Chinese aesthetics; He wields a large brush and ink, making his paintings full of the charm of Chinese painting. Savoring Mr. Kou Zihao's paintings, a prominent feeling is its "vivid charm". Qi yun vivid is the visual image of "the beat of life" or "life with a beat" expressed in the picture, which is the feeling of "one breath running through" and "naturally becoming natural" composed of the organic connections between various forms of elements in a painting.