After watching the snooping, the overall feeling that gave me reminded me of what my friend once described me: You just slap people and then feed a sweet date, and then the sweet date in people's mouths has not yet swallowed, and you slap people out again.
The first half of the first half of a high abuse, the middle may be afraid that the audience's heart can not bear a few episodes close to the brainless cool drama to make everyone cool, not completely eased up and began to knife. But the second half is obviously not as strong as the first half, slightly hasty and perfunctory, but it is not a collapse and a bad tail.
There is no hard wound in the logic of the plot, and what I admire is that the screenwriter digs so many separate episodes so long that he can remember to fill in. Although there are many reversals but too single, the early stage is still quite fresh, and the later understanding of the routine can also guess the "suspense" of the crew's "elaborate" design.
The plot design is both realistic and detached from reality. The reality is that there is not so much harmony, and it truly embodies the "equality of all beings before death", and you will not escape being killed because you are a good person or how miserable you are. But the departure from reality lies in the series of operations in the second half of the film that completely pulls the film out of reality. This is due to a deviation from the main idea of the film (or did I misunderstand the real theme at the beginning?). ) caused. The various early introductions focused on "whether psychopaths will grow into killers" but in the end they narrowed down to personal behavior rather than digging deeper into the ultimate influence of internal and external factors on people. In short: the pattern is small. Interestingly, what I found when I consulted the data: "psychopathy" and "antisocial personality disorder" are strictly two concepts. And these two kinds of characters, I don't know if it is the intentional arrangement of the screenwriter, they actually exist in the play. Looking back at the show after going deeper into both, this is really a plus.
In terms of the character environment, the characters are slightly thin, or they still fail to better reflect the complexity of human nature. The large part of the play is given to the perpetrator and the victim, focusing too much on the conflict and confrontation between the two, weakening some characters who are on the edge of "black and white". If you can amplify their inner contradictions and entanglements and refine the process of some people's final inner transformation, this drama will be more tense. The external environment is too harmonious and unified, which is also the reason why the whole play appears distorted. Although a bunch of blind dates give you enough support, cooperation and even connivance of superiors and colleagues is something I personally like very much. But it should be pointed out that in reality, people and people cannot fully understand each other, and the vast majority of people are selfish, which means that the people around you cannot always be on your side, even if they know what you have experienced and are willing to understand you.
About the ending: The way the hidden boss is handled has no reason, and I personally feel that even if the open-minded style is handled very badly. The open-ended ≠ inexplicably unfounded. Finally, with regard to the original boss, everyone felt that taking his life was the best punishment for him, and it was obvious that he did not have too much fear of death. On the contrary, the whole play, shattering his pride and depriving him of hope may be a hundred times more painful for him than death.
It may have been tainted for too long by the hot-eyed acting skills of too many actors in China today. I really think that the acting skills of all the members of this drama are exploding. Especially our little patrol, I really didn't say that by looking at my face!! ...... It seems that it is actually a look at the face to say so... When the milk is cute, let people rush up and take a bite, when they are sad, they want people to quickly embrace their arms, and when the sense of oppression comes up, they want people to immediately retreat.
Although I also know that it is not good to hold one step on one step, I still have to say that when I see some actors in China crying, I only have a sneer in my heart: Then why don't you die? And this drama is a little bit: I cry as soon as they cry, but when they don't cry, I still seem to be crying most of the time? I summarize this as the "emotional appeal" in place. It's hard to describe everyone's different performances at different moments, but they just have a way to make you cry. This is completely different from many scenes in China where they cry at every turn to show their emotional ups and downs but can't arouse the slightest resonance with you. The former is like a puppet show and the latter can feel a living person standing in front of him.
There is also makeup, which really makes different makeup at different times and different makeup at different times. What Caught my attention the most was that the relatives of the victims had no time to dress up and cry until their faces were bloodless and their mouths were dry. I paid special attention because not long ago I happened to see an article complaining about the delicate face of an actress during the funeral in the play, as if she was going to attend a dinner party at the next moment. There are also those scenes where the makeup is not messy on rainy days, which of your permanent makeup comes from the hands of which famous doctor? I'm sorry I can't help but want to sneer again.
In the end, the name "Snooping" is really great. One of the questions I've been thinking about for the first half of the opening part is: Why is the show called "snooping"? Is it the killer who is secretly spying on the victim and waiting for an opportunity? But I also feel that there are better names to choose until the biggest puzzle is finally revealed. A pun, played very well.
Finally, when I was first pushing the show, I stumbled upon comments that the show ended up healing. But I finished the whole play, anger, sadness, powerlessness, sadness, regret, but not cured. The person who said he felt healed, who are you empathizing with? I wish you one day to feel the feelings of the victims' families and see if you can stand there and say: Be healed.
Lee Seung Ki's acting skills are bull-to-brainers.
