Uncle did not expect that the most watched program this year was actually a talk show, and it was uncomfortable not to listen to the two paragraphs every day.
In the past two years, comedy programs such as "Annual Comedy Competition", "Talk Show Conference" and "Listen to Sister" have increasingly become the spiritual medicine of contemporary social animal young people.
At the same time, Uncle Oxygen discovered an interesting phenomenon:
Female comedians from comedy are busy becoming beautiful and sexy, such as the piano sister dressed as a man and the Fei mama who is multiplied by the god map;
Or busy filming TV series, Jin Jing and Spicy Yoko have wonderful performances in "Other Towns" and "Yulou Spring".
On the contrary, the female stars who are usually busy with beauty and beauty, whether they are cold, domineering, socially fearful, shy... Take turns on the big stage of talk shows.
Is this a two-way rush for a good guy, or is it that women today are not only more beautiful than beautiful, but also more funny than whom?
It is reasonable to say that the beauty of the atmosphere group often destroys the overall sense of atmosphere, and funny is regarded as one of the lower attributes that are incompatible with sexual charm, why do beautiful women add funny tags to themselves?
"Messy face" represents the contestant Kana Hashimoto
To understand this phenomenon, let's first make it clear:
Why is it so difficult for a beautiful woman to produce sexual charm when she has comedic attributes?
01
Sexy insulator - "Funny Girl"
If you use the emotional category of beauty, it can be roughly divided into tragic beauty vs comedy beauty.
Just as in the aesthetic category, the two aesthetic images of tragedy and comedy give people different feelings, the differences in the nature of these two types of beauties create differences in their own aesthetics.
There are two kinds of tragic beauty, the first is that beautiful things are torn apart:
For example, the broken line represented by Nakamori Mingcai and Lin Daiyu; the first love eternal death line represented by Miho Nakayama and Sun Yizhen;
The neurotic system represented by Adjani and Hao Sijia, or the chaotic duckweed system such as Zhaojun, Mink Cicada, and Yu Ji.
The second is to be uncompromising to fate:
For example, the blackened system represented by Qiao Mei and Li Qin; the Meiqiang tragic system represented by Mira and Anya;
Represented by Zheng Xiujing and Liu Hua, the lineage-weary lineage; and even The external strength of Princess Huafei, who is "I am not afraid of him".
Whether it is the first attribute of self-beauty, using one's own pain to evoke others' emotions of pity, sympathy, protection, waiting, etc.;
It is still the second kind of unyielding conduct in the face of fate, which stimulates people's psychology of worship, exploration, conquest, etc., all of which belong to the aesthetic orientation of Mu Qiang's category.
Uncle Oxygen has said before that the first link of sexual charm is to make people have the desire to establish links, just as in life you are more willing to establish contact with people who are stronger than you, so in the aesthetic orientation dominated by "Mu Qiang psychology", tragic beauties are more likely to produce sexual charm.
After figuring out this logic, it is easy to understand why comedic beauties are not easy to produce sexual charm.
Just like we look at comedy, it's usually from a downward, downward look. To get their beauty is also an aesthetic downward compatibility process.
Why is it down? Because there are two kinds of comedic beauties, the first is a character whose character or appearance itself is not superior enough:
For example, in Chaplin's films, there are often lowly and despicable characters who appear in a noble and dignified appearance;
In Stephen Chow's films, insignificant characters often appear in the form of catching horses, such as Pomegranate Sister, Ru Hua, Charter Wife and so on.
Including female comedians whose appearance conditions are not outstanding
The second is the old, dying characters, who are lower than us, in a worse state, in a worse situation:
Mrs. Maisel who was betrayed by her husband, the gold that fell in the family road, the beautiful woman who fell down and scruffy, the star who was very mushy or black and red, and so on.
The essence of those images that make people feel funny is to stimulate people's "sense of superiority" and make us feel that we are smarter than each other.
The sense of superiority can make people feel happy, but it is difficult to make people want to establish a deep connection with them.
The first kind of comedic beauty itself is not sexy enough; the second kind of unlucky people surrounded by negative energy, commonly known as obscurity, how can it be sexy and attractive?
Getting the sexual charm of a comedic beauty is also a difficult process, because aesthetics are backward compatible and not easy.
On the one hand, she needs a certain outstanding ability, day after day of superimposed good feelings, constantly polishing and brainwashing your aesthetics; on the other hand, she also needs you to have a certain amount of experience and tolerance.
Until one day you suddenly find out that you may be crazy, and the girl has transformed into a thousand turns of beauty in your eyes.
Japanese female comedian Naomi Watanabe is really slay
In the vast majority of real situations, aesthetics are learnable, but they are not backward compatible. Low-level aesthetic things can often only meet the same level of aesthetic people and lower aesthetic groups.
Polite people will euphemistically say, "Our aesthetic perspectives are different, so our views are different." ”
Aesthetics that are completely incompatible with the backwards are often fierce, stubbornly using their own aesthetics as a standard to judge their own existence outside the spectrum.
Since comedy beauties are so difficult, why are beauties popular to label themselves funny?
02
When a beautiful woman decides to go funny
It wasn't that she was crazy, it was that she realized
From the overall background, the social division of labor determines that "sexy" is less and less a necessary trait for girls, and it is not the ability that a woman needs to settle down.
Moreover, in the era of mass media, Mu Qiang's B side is jealousy, and the sense of superiority is more likely to cause people's coolness, which is more disseminated.
Hard-working or top-notch beauties often fail to spread more widely.
Song Zhixiao and Jessi, who did not find this person in filming and singing, successfully went out of the circle when the female MC was on the funny variety show.
Girl's Day's Yura, the funny GIF maker, famous for her teammates falling, although she wants to help, but the lower body is still dedicated to swaying with the music, the contradictory look is both funny and cute.
"Yura Can't Adapt to the White World"
When Li Meizhu, the most catchy horse girl, and her teammates are conscientiously maintaining the image of the little fairy, what pose she wants to put today, only she knows.
How many people got her original beauty because of her horse-catching
Recently by the funny won the praise of the example, poor Ha and Tong sister of your fork fork, since I am funny I have made you cool, just scold two sentences less, it is best to powder me again!
For individuals, the highest level of comedy beauty, humor, is an extremely sexy personality charm.
It is not a kind of funny noise without threshold such as pretending to be crazy and stupid, talking about meat paragraphs, but the quality supported by knowledge, experience and speed of thinking reaction, which can be seen as the ease brought about by excess brain power.
Teresa Teng, the twentieth-century satirist, is also very pleasing to the present
This "humor" not only optimizes interpersonal relationships, especially in gender relationships, but also reverses the screening of partners:
One is to isolate those wolves who only look at their faces and only hungry their bodies; the other is to eliminate those who only like women to pretend to be stupid and cannot see that she has excess brain power and uses humor to gain the initiative.
Yang Kasa, who is good at poking through men with a soft smile, is not so much that she has no opposite sex as she does not have a "manly relationship with conceited and greasy tendencies".
After all, the sexy "sex" point is too strong, and the sexiness will continue to decrease with the increase of familiarity, and the woman's humor may reduce the sexiness, but at the same time it will add a higher-order, side-by-side, transparent and open intellectual beauty to her.
The enlightenment of Chinese urban beauty - Miss Puff
When beautiful women begin to compete with who is more funny, it is not that they let go of the beauty baggage, but that the aesthetic focus of contemporary people has upgraded from visual beauty to intellectual beauty.
Visual beauty and sensuality have always been an external form, and life is an emotion, and humor is a plug-in to open a great emotional experience.
If a woman is used to being the master of her own affairs, her brain power is very sufficient, not only to solve problems, but also to use excess brain power for recreation and self-amusement.
What's wrong with losing a little bit of sexiness that is already dispensable?