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【Chanting】
No. 46
Chanting | Yan Shu: Ruthless is not like amorous bitterness, an inch is still tens of millions of strands
【Original Word】
Magnolias
Yan Shu
Green poplar grass long pavilion road, young people throw people easy to go. The head of the building dreamed of five more bells, and the bottom of the flower was away from the Rain in March.
Ruthless is not like amorous bitterness, an inch is still tens of millions of strands. When there is poverty at the end of the world, there is only an endless place for acacia.
【Translation】
On the Long Pavilion Ancient Road with willows and herbs, young people can always easily abandon the senders and go on a long journey. The sound of the five bells from the head of the building awakened the remnants of the dream, and the spring rain in March at the bottom of the flowers added to the sadness in the heart.
Where the heartless man understands the distress of the amorous person, an inch of acacia sorrow has turned into a thousand threads. No matter how far away the end of the world is, there is an end to that day, only that lovesickness has no end, never stops.
【Notes】
Magnolia: Word name. Also known as "Yulou Spring".
Changting Road: A way to say goodbye.
Long Pavilion: In ancient times, there were pavilions built on the road for pedestrians to rest.
Young people throw people away: people are abandoned by youth, and people change from young to old.
Residual Dreams: Unfinished Dreams.
Five more bells, March rain: both refer to the time of missing people.
One inch: finger sad intestines.
Also: Already.
Thousands of strands: thousands of threads. The metaphor is endlessly different from hate.
【Appreciation 1】
This word is written acacia do not complain. The words are soft grievances against the lover, full of infinite love and thoughts. "Green poplar", "yerba buena" and "long pavilion" are all parting scenes. Young couples easily leave their lovers behind. The bells of the first five bells of the building shattered the dreams, and the rain in March at the bottom of the flower caused sorrow. Heartless people are naturally not as sentimental as polyamorous, emphasizing the suffering of "amorous" people in a contrasting way. "An inch" of acacia, a thousand strands of sorrow. At the end, a comparison is used: there is an endless end to the end of the world and the acacia is endless, and the limited space is compared to the boundlessness of the acacia, which is lyrical in the white painting.
【Appreciation 2】
This word expresses the pain of parting love in life, and pins on the author's feelings from the mood of feeling short life, gathering and scattering impermanence, and loneliness after the feast. The whole song is sincere, poignant, lyrical, and colorful, with charming artistic charm. The author successfully uses exaggeration when expressing his feelings about life, which adds to the artistic appeal of the words.
The first sentence of the film writes the scene, the time is the spring of the green willow Yiyi, the location of the ancient road long pavilion, which is the place where the passengers rest, but also the place where the two are separated.
"Green poplar grass long pavilion road", the opening sentence of the film writes the spring scenery, the pavilion and the way to set off people's feelings. Because it was outside this long pavilion with green grass and lush green poplars, on the side of the ancient road, that young wanderer said goodbye to his sweetheart. The spring scenery depicted by the boundless "green poplar grass" creates a broad space for the expression of parting sorrows. The "young" sentence describes that when she was about to leave, the girl looked at her with tears in her eyes and was speechless, while the "young" him easily abandoned it. Youngness refers to the "joy" of si women, that is, "lovers", according to Zhao Youshi's "Bin Retreat", "Uncle Yan originally saw Pu Chuanzheng: 'Although there are many small words in the ordinary days of the first king, he has not tasted to be a woman.' Chuan Zheng said: "Green poplar grass long pavilion road, young people throw people easy to go, is not the woman's language?" Shu Yuan said: "The public said that the young were happy, and because of the public saying, he interpreted the two verses of the Lotte poem: If you want to stay and treat the rich, the rich will not come and go." 'Pass on the pen and understand. Yu presses the whole passage of clouds and clouds, and Gai Zhen is the one who rejoices, unlike Lotte's sentence "I want to stay young and wait for the rich, and the rich do not come and go young", Shuyuan's words are lost. This is a needless justification made by Yan Jidao for his father's word "young". In fact, this word is indeed written in the "woman's language" to write about women's grievances.
"The head of the building dreams five more bells, the bottom of the flower away from the love of March rain" two sentences, extremely write the pain of lovesickness, mourning and resentment. Dreams are faint, bells and drums are hurt; The drizzle is misty, and the divorce is even more bitter, which is the sadness of the abandoned true feelings. These two sentences not only have the magic of syllables and the perfection of the battle, but also express the beauty of the eupharyngeal elegance. The lingering and subtle light song sighs, the real and tangled intentional expression, the drizzle of the late spring and March, the residual dreams of the five more, the loneliness of the building away from the flowers, together with all the acacias are all linked together, ethereal and light, endless.
The next film uses anti-language, first contrasting ruthlessness and sentimentality, and then using specific metaphors to illustrate from the opposite side. The two sentences of "ruthlessness" are used in reverse to strengthen the semantics. First of all, ruthless is no trouble, so it is better to be amorous than ruthless, thus revealing the deep meaning of "amorous parting from ancient wounds": "one inch" refers to the heart, willow wisps, whisking water, and the most aware of the pain of parting. The two meanings are that ruthlessness is like amorous suffering, and that inch of the heart has become inextricably linked, containing thousands of sorrows and hatreds. The meaning of the word comes from Li Yu's "Butterfly Loves Flowers", "A piece of heart, there is no place for arrangement in the world".
The last two sentences are deeply meaningful. The end of the earth is the end of heaven and earth, so the cloud "has a poor time." However, the lovesickness after parting is endless, which is the so-called "only endless place of lovesickness". Here through the comparison to reflect the mental torture suffered by "amorous", the feelings are real and subtle, and there is no complaint about the bo fortunate young man. This word is written with grievances, quite tactful and fluent, the words are not embellished, there is no allusion, except for the first two sentences for the narrative, the remaining sentences, whether it is used metaphors, or counter-words, exaggeration, are through the means of white painting to reflect the psychological activities of the woman, that is, the indescribable love of love, has received a good artistic effect.
【Lyricist】
Yan Shu (991-1055), also known as Tongshu, was a famous lyricist, poet, and essayist, a native of Linchuan City, Fuzhou Prefecture, northern Song Dynasty, and a native of Shahe, Wengang Town, Jinxian County, Jiangxi Province, located under Xiangnan Peak, whose father was fuzhou province. Fainting was the first prime minister of Fuzhou at that time. Yan Shu and his seventh son Yan Jidao (1037-1110), at that time, were known as "Dayan" and "Xiaoyan" in the Northern Song Dynasty.
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