Look at the flowers and birds works of the painter Sheng Rigi, at a glance, every piece has a grand atmosphere! Pen and ink atmosphere, space atmosphere, pattern atmosphere, theme atmosphere! In this kind of majestic work, it is easy to be stimulated by the spiritual strength of vertical and horizontal, and the artistic charm of painting works should be 100% famous! In the contemporary painting world, it is rare to see such a pleasing large-scale production, and it cannot but be said that it is a fortunate encounter in the aesthetics of art!
Fleur 240x200cm, 2021
Sheng Rigi's large freehand flowers and birds, the brushwork is quite exquisite. All the time the pen falls in a big place, the pen is not rough, but the positioning is accurate, the outline is superb, it will not let each stroke lose the control of the mind, and there is no line of the pen and pen to become a scattered soldier! This is the result of a big pen, careful control, and careful cleaning. Therefore, there is no doubt that the pen is late, and the pen is never delayed. Or from top to bottom, or from the front up to the clouds, the pen can be used as a wind and rain, but also can write out the flowers and snow! The true meaning of Chinese paintings modeled according to lines is expressed incomparable, and it is easy to play with ease. The person who obtains the brushwork gets Danqing, and the bone method is laid out with the pen, so that his flower and bird works have a great momentum of standing bones and conveying the gods.
Of course, he also often intervenes in the boneless painting method, so that the crops can be used to snatch its spirit, skim its body, and show the effect of rigidity and softness, but also the shaping effect of the exquisite portrait. From watching his flower and bird works, there is a realistic texture of sketching, a wonderful expression of temperament, and the vivid spirit of God, "Not like spring light is better than spring light", "Dangui Fragrance" and other works, it is precisely the spectacle of pen and ink synthesized by the spirit of the spirit! Even if it is a very ordinary object, it will be outlined by his pen, and it will have a pleasing sense of movement!
"Not Like Spring Light Wins Spring Light", 180x97cm, 2008
Sheng Rigi's flower and bird creation belongs to the school of heavy ink and color. It is not easy to master the rendering of heavy ink and color, and when there is a famous teacher, it is also necessary to have a painterly superhuman talent. Sheng Ruiji painted plum blossoms, lotus flowers, roosters, and peonies so much ink as iron, and the reason why he was beautiful and delicate, he had his own secret of taking the method. He revered the Danqing master Xu Beihong, and hated that he could not teach it orally. However, it must be related to the master! His painting method was deeply recognized by Xu Qingping, director of the Xu Beihong Memorial Hall, and he felt that he had pondered Xu Beihong's painting method for many years, and his heart was sincere, so he personally instructed and taught the mysteries of Xu's family pen color one by one! The Fa is taught by the teacher, and the merit is given by the household!
The Art of War of Sun Tzu, 870x370cm, 2006 book
Thick Huazi, rising weather. Sheng Ruiji has the opportunity to take the law as the upper, and has the consciousness of painterly superhumanity, so he can take a path of brilliance with pen and color, and in the rendering of thick Huazi, let the contemporary flower and bird works carry the mirror image of the era of great power prosperity. By the way, watching his thick ink and heavy flowers and birds, you can inherit Xumen thought, freehand is not in a group, and the main theme painting is to carry the road! Xu Beihong's paintings are placed on the country to be rich and the people are strong, sheng Ruiji's paintings are prosperous as songs, and the image of the rise in his pen is just as Sadhong wishes! Sighing insufficiently, I wrote this article to prove that Danqing always has a big hand in serving the country!
(Text/Luo Cheng)
Artist Bio:
Sheng Rigi, male. Born in 1957 in DazeShan, Pingdu, Qingdao. In 1980, he was invited to expand the "Wei Monument" on Tianzhu Mountain. In 1984, Sheng Ruiji participated in the design of the Tianzhu Mountain Cliff Stone Inscription Pavilion. Graduated from the Training Center of China Artists Association and China Book Association. He studied under Liu Bingsen, He Shuifa, etc. He was personally guided by Xu Qingping, director of the Xu Beihong Memorial Hall.
He is currently the honorary president of Chongqing Printing Society, a member of Shandong Provincial Beauty Association, a member of Shandong Provincial Book Association, and a member of the Calligraphy Art Research Society of China Yuelian Society.